INDIAN PAINTBRUSH (The Carson Chronicles #3) by John A Heldt-Review, Interview & Giveaway
Indian Paintbrush
Carson Chronicles #3
by John A Heldt
Release Date: November 26, 2018
Genre: adult, historical, time travel
Amazon.com / Amazon.ca /
ABOUT THE BOOK: Release Date November 26, 2018
Arizona, December 1943. After surviving perilous six-month journeys to 1889 and 1918, the Carsons, five siblings from the present day, seek a respite in their home state. While Adam and Greg settle down with their Progressive Era brides, Natalie and Caitlin start romances with wartime aviators and Cody befriends a Japanese family in an internment camp. The time travelers regroup, bury old ghosts, and continue their search for their missing parents. Then old problems return, new ones emerge, and a peaceful hiatus becomes a race for survival. In INDIAN PAINTBRUSH, the sequel to RIVER RISING and THE MEMORY TREE, seven young adults find love and adventure as they navigate the home front during the height of World War II
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REVIEW: INDIAN PAINTBRUSH is the third instalment in John A Heldt’s adult, historical, time-travel series focusing on the Carson siblings-Adam, Natalie, Greg, Cody and Caitlin. INDIAN PAINTBRUSH can be read as a stand alone without any difficulty although I recommend reading the series in order for backstory and cohesion.
Note: Indian Paintbrush, the favorite flower of Caitlin Carson, is a short-lived, wildflower found in forest clearings and grasslands across the Western, and Southwestern United States
Told from several third person points of view INDIAN PAINTBRUSH follows the Carson siblings, a family of time travellers, as they go in search of their missing parents Tim and Caroline Carson. Months earlier, the siblings discovered their parents were missing but an itinerary of places and timelines found the family on a journey of their own. Starting in 2017, the siblings travelled back in time to 1889, 1918, and presently in the tumultuous era of 1943-44. Adam and Greg, having fallen in love, would bring their new significant others along for the ride.
When the Carson siblings entered the portal in 1918, they had no idea what to expect in 1943 Arizona, an era fraught with the uncertainty of war. The 1941 bombing of Pearl Harbor resulted in the forced internment of Japanese, Americans, at the Butte Camp in Rivers, Arizona , as America prepared to go to war. Struggling to locate their parents, always one step ahead or behind, Natalie, Cody and Caitlin would each discover love, but not all loves are meant for a happily ever after.
John A Heldt’s pulls the reader into a turbulent past; an era of distrust and anxiety; the unpredictability of war; and the knowledge of what was, and what would never be. Secrets revealed, and threats from the past force the siblings to, once again, run for their lives but along the way, the Carson clan would welcome two new travellers on their voyage of discovery and love.
INDIAN PAINTBRUSH is a complex story line awash in colorful facts, historical fiction, and the possibility of what might have been. A contemporary family caught up in the past, the Carson siblings, know that to interfere in history, could mean a different outcome for everyone concerned. Knowledge is a powerful tool but to reveal what was and what will be places everyone in danger including the people they love. An amazing storyteller, John A Heldt pens a story of survival, loss, history and love.
Reading Order and Previous Reviews
River Rising
The Memory Tree
Indian Paintbrush
Copy supplied for review
Reviewed by Sandy
TRC: Hi, John, and welcome back to The Reading Café.
Congratulations on the recent release of INDIAN PAINTBRUSH.
For anyone who doesn’t know John A. Heldt, would you please tell us something about yourself?
Follow John: Goodreads / Facebook / Website/Blog/ Twitter / Amazon / Instagram / Tumblr
John: I’m a married father of two grown daughters and a son and, as of August 15, the grandfather of a delightful little girl named Stella. Before turning to novel writing in 2011, I worked as a sports writer and editor for several newspapers in Oregon and Washington, where I was born and raised, and several more years as a reference librarian in Montana. I love traveling around the western United States, watching sports, cooking, and experiencing the great outdoors. I currently make my home in the Las Vegas, Nevada, area.
TRC: What challenges or difficulties did you encounter writing and publishing your first novel?
John: Like most authors starting out, I faced several. When I created The Mine in 2011 and early 2012, I did so without any formal knowledge of novel writing, publishing, or selling books in a competitive market. So I sought help where I could find it. Several friends and family members, including my (then) 17-year-old daughter Amy, provided much-needed help and guidance. With their assistance, I managed to produce a novel that is still selling today.
TRC: How did publishing your first book change your writing process?
John: I became much more disciplined and methodical. I evolved into a plotter who set time aside for specific tasks, outlined chapters in advance, and enlisted the help of others. I did what I could to learn from my mistakes and streamline the process of putting out a novel.
TRC: Would you please tell us something about the premise of INDIAN PAINTBRUSH and the Carson Chronicles series?
Amazon.com / Amazon.ca /
John: The series is a family saga with a time-travel twist. In book one, River Rising, Adam Carson, a 27-year-old Arizona engineer in 2017, discovers that his missing parents are not victims of foul play but rather secret time travelers who became stuck in 1888. Armed with the knowledge he needs to find them, Adam convinces his younger siblings — Greg (25), Natalie (23), and twins Cody and Caitlin (17) — to join him on a rescue mission, which soon becomes a perilous life-changing journey that takes the travelers from the 1880s to 1918 and beyond. Indian Paintbrush is series’ third book. Set primarily in Phoenix, Arizona, in 1944, it focuses less on the search and more on the siblings as they get on with their lives in their grandparents’ time. Adam and Greg start families with their Progressive Era wives, Natalie and Caitlin strike up romances with wartime aviators, and Cody fights injustice as a regular visitor to an internment camp for Japanese Americans.
TRC: How many books do you have planned for the series?
John: I plan two more books. Number four will be set in Boulder, Colorado, in the fall of 1962, during the height of the Cuban missile crisis. Book number five will be set in Maine in the summer of 1983 and be based on my own experiences as a camp counselor.
TRC: From where did you get the idea for the CARSON CHRONICLES?
John: I got it from reading John Jakes’ family sagas. He is the author of Kent Family Chronicles and the North and South trilogy. I love the way he tells stories.
TRC: What drew you to write a ‘time-travel’ series?
John: I did not decide to write any series until long after I published my first book. When I released The Mine in February 2012, I did not intend to write another book. I wrote The Mine primarily to check off an item on my bucket list. Then came a surprising number of sales and positive reviews. I reevaluated the situation and decided to keep going. Because I liked viewing history through modern eyes, I stuck with the time-travel theme and published The Journey (2012), The Show (2013), The Fire (2013), and The Mirror (2014) in short order. I also built on The Mine story by writing two novels (The Show and The Mirror) that completed a Smith family trilogy within a five-book series. I so enjoyed putting together the Northwest Passage series that I continued with the American Journey and Carson Chronicles series. I hope to create at least one more time-travel series before moving on to other things.
TRC: What kind of research/plotting did you do, and how long did you spend researching /plotting before beginning the CARSON CHRONICLES series?
John: I am a plotter of the first order. I spend dozens of hours researching and outlining books and series before I write a single word. I do this mostly for practical reasons. I want to get from Point A to Point B without getting lost or painting myself into a corner. When writing time-travel novels, authors must pay particularly close attention to detail and the established norms of the genre. To do otherwise is to invite unnecessary trouble.
TRC: Does historical accuracy play a large role in the CARSON CHRONICLES series? Do you believe an author should follow historical accuracy when writing a book or series about the past (regardless of genre)?
John: Yes to the first question and mostly yes to the second. I am a history buff who goes to great lengths to achieve historical accuracy in my works. On occasion, I will even change things that most readers would not notice or even care about. For example, when writing The Mine, I removed a reference to Glenn Miller’s “Chattanooga Choo Choo” from a chapter set in July 1941 because the song did not hit the airwaves until weeks later. That said, I understand the need to bend the rules on occasion. Though I believe authors should strive for historical accuracy as often as possible, particularly when presenting the big picture, I also think they should have some latitude when presenting the smaller stuff. I know I have strayed from the “rules” a few times. For example, in several of my works, I have set up humorous, sometimes poignant, encounters between my time travelers and celebrities. Scenes like these are what separate historical fiction from the just-the-facts-ma’am history most of us read in school.
TRC: What was the most challenging scene to write?
John: Without a doubt, it was the first chapter of Hannah’s Moon, the fifth and final book in the American Journey series. Based on a wrenching personal experience, it portrayed a young childless couple in a hospital room following the birth of their stillborn son. I spent more than a month working on that chapter because I wanted to get it right.
TRC: Do you believe the cover image plays a deciding factor for many readers in the process of selecting a book or new series to read?
John: Yes. Readers are a lot like people looking for a new house. They first judge a product on its curb appeal and then decide whether to investigate what’s inside.
TRC: Do you believe the self-publishing industry hurts the traditionally published author, or publishing industry as a whole? If so, how or why not?
John: Yes and no. Some indie authors still publish poorly written works that reflect badly on their peers and the industry as a whole. Many others, however, do not. They make important contributions to the market by producing works — solid works — that might not have seen the light of day ten to fifteen years ago. They are writing books that readers want but could not always find in the past because of restrictions on genre, length, and content.
TRC: Do you listen to music while writing? If so, does the style of music influence the storyline direction? Characters?
John: No. I need quiet when writing. I simply cannot write or edit in an environment where there are distractions or background noises. That said, I listen to music — relevant music — when planning a book, plotting storylines, and creating characters. For example, when laying the groundwork for Class of ’59, a novel set mostly in a South Pasadena, California, high school in the spring of 1959, I compiled a soundtrack of 1950s songs and listened to it for hours. I wanted to get a feel for the times before writing the book.
TRC: What do you believe is the biggest misconception people have about authors?
John: I imagine it’s that our work is very exciting. In fact, it can be very boring. Writing a novel is a pedestrian exercise that requires gobs of time, quiet, and solitude. On the plus side, we have the chance to meet a lot of interesting people, particularly when marketing our books, and sometimes travel to interesting places when researching them. I have traveled to the primary settings of more than half of my thirteen novels and enjoyed every trip.
TRC: How should authors measure a book’s success?
John: I don’t know about other writers, but I measure a book’s success by the impact it has on readers. If a novel prompts people to read the next installment in the series, it has succeeded. If it does not, it has failed. As an author, I can tell you that there is no better feeling than producing something that complete strangers want to read again and again.
TRC: What is something that few, if anybody, knows about you?
John: I was a triple major as an undergraduate at the University of Oregon in the 1980s. I could not decide whether to major in journalism, history, or political science, so I attended school an extra year and earned a bachelor’s degree in all three disciplines.
TRC: On what are you currently working?
John: I am currently working on converting some of my early books to print. Almost all are available only in Kindle and audio format. I plan to market Indian Paintbrush in December and January and then turn my full attention to writing book four in the Carson Chronicles series. I expect to have the next book out by the summer of 2019.
TRC: Thank you, John, for taking the time to answer our questions. Congratulations on the new release. We wish you all the best.
John A Heldt is graciously offering the first three ebooks (mobi, epub or pdf) in the CARSON CHRONICLES Time Travel Series to ONE (1) lucky commenter at The Reading Cafe
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Tara Leigh is a multi-published author of steamy contemporary romance. A former banker on Wall Street, she graduated from Washington University and holds an MBA from Columbia Business School, but she much prefers spending her days with fictional boyfriends than analyzing financial spreadsheets. Tara currently lives in Fairfield County, Connecticut with her husband, children, and fur-baby, Pixie
