Category Archives: Guest Post

The Shadow of Theron by Kathryn Troy-Review & Guest Post

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The Shadow of Theron (Age of Shadows 1) by Kathryn Troy-Review & Guest Post

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The powers of old are fading. A new Age is dawning.

Holy relics are all that remain of Theron’s sacred legend.

Now those relics, the enchanted weapons forged by the Three-Faced Goddess to help Theron defeat the wicked Sorcerer Argoss, are disappearing.

Lysandro knows the village magistrate Marek is responsible, and he searches for proof disguised as the masked protector the Shadow of Theron.

But when Marek wounds him with an accursed sword that shouldn’t exist, Lysandro must find a way to stop Marek from gaining any more artifacts created by the Goddess or her nemesis.

The arrival of the beautiful newcomer Seraphine, with secrets of her own, only escalates their rivalry.

As the feud between Lysandro and Marek throws Lighura into chaos, a pair of priestesses seeks to recover the relics and return them to safekeeping. But the stones warn that Argoss is returning, and they must race to retrieve Theron’s most powerful weapon.

While they risk their lives for a legend, only one thing is certain. The three temples to the Goddess have been keeping secrets: not just from the faithful, but from each other.

•••••••••

REVIEW: Another magical read for me. And I loved it. Although a little slow and confusing in the beginning, it’s worth continuing as it’s a really good read. Written really well, plenty of descriptions and feelings put into this book.

A little Zorro in places, he fights for justice wearing a mask, Lysandro wants answers and thinks Marek knows the answers to his questions.

Seraphine becomes entangled in the two’s world, she’s not a pushover by any means. She’s not impressed with Marek (who really is a nasty person) but with Lysandro that’s a whole different story, how she didn’t guess Lysandro wasn’t Theron I’ll never know (but look at the weak guise superman/Clark Kent used!) and her reaction when she finally knows the truth was a little overboard.

Both Lysandro and Marek make a play for Seraphine, but it’s Lysandro that wins her heart, but it’s not an easy task, it might be love at first sight for Lysandro, but it took a little time to convince her ?

There are triggers in this book, it’s a dark fantasy with a splash of romance. There is mentioning a of rape (not the MFC) there is a hanging scene, and scenes of torture! But the violence is kept to a minimum, and for those who don’t like bad language, that’s hardly used.

Can Lysandro find the missing relics that will help him overcome evil? Can he convince Sera to give them a chance, and if she does, then will they be able to stay together? Will he ever find the mystical items to help him beat the evil Sorcerer?

I really enjoyed the book. So I’d recommend this one to those who enjoy action and adventure with a little romance.

Copy supplied for review

? Reviewed by Julie B

Lysandro moved along the edges of the room, circumnavigating the central space occupied by countless dancing couples. Then he saw her. At the far end of the hall, the normal view out over the coast had been replaced by a painted backdrop of the Maghreve Desert, at the very farthest border of Mirêne. With her arms wrapped around herself, Seraphine looked out over the artificial horizon. She wore a sleek ivory dress covered in gold and copper crystals that left her shoulders daringly bare. That now familiar ache that hadn’t left him since this morning grew more pronounced.
As he observed the faraway, wistful look in her eyes, he realized he recognized it—homesickness. He took a deep breath and called on well-used skills to smooth his nerves and keep them tightly tucked away under a charming façade.
He inhaled the hypnotic scent of her hair again as he stood close to her, and almost lost his nerve. He agonized over what to say, knowing he might have only one shot to get her attention.
“Is the city of stars as beautiful as they say?”
She turned to face him, and he saw the truth in her eyes.

Guest Post: The Act of Creation by Kathryn Troy

So many writers are so often asked by avid readers and aspiring writers alike: “Where do you get your ideas?”

It’s a natural question to ask, but it can be just as hard for some authors to answer this as it is to come up with the “elevator speech.” Which got me to thinking what it is about this query that bothers everybody so much.

The simple, semi-redundant answer to “where I get my ideas” is: I get them from my head. Because I’m creative. It’s in my nature to be observant, thoughtful, and reflective. I also have a knack for stringing words together because I’ve been doing it so long and make it a regular habit. To read the question in an unkind way, asking someone where they get their ideas is another way of saying “I have no ideas of my own, and I don’t know why.” Some people are creative. Some people are not. It’s wiring in the brain that causes this, and it’s not a personal affront to people who can’t imagine or tell stories, the same way it’s not an affront to the large majority of people who can’t draw beyond a kindergartner’s level, or those who become nauseous at the sight of the formulae of an astrophysicist. It takes a certain kind of brain function, coupled with practice, instruction, and discipline.

The same is true of writing. There are multiple skill sets at work here: the ability to research (possibly), deep reading (to understand themes of other authors and engage with them in your own work), understanding narrative (plot, narrative tension, setting, character, etc. etc. etc.) the actual writing (technicalities like grammar and sentence construction, poetic ability, vocabulary, mood), an imagination, an understanding of tropes and how to bend them, just enough to be new but not totally out there…and the list goes on and on.

So again: Where do I get my ideas?

1. From what I read: I see divergent storylines, or ways to fulfill my anticipation if the actual writing did not. I also absorb character types, environmental description, the setting of mood, and dialogue patterns. In the case of my latest book, The Shadow of Theron, its influences were, for starters: Zorro, Wheel of Time, Pyrdain, Indiana Jones, The Legend of Zelda, Xena: Warrior Princess, regency romance, the Spanish Inquisition, Italian principalities, Chinese mystery novels, The Odyssey, Berserk…I could go on. And on.

2. From what I see and hear: my stories are shot in full trillion-dollar color in my head-then I find the words to describe what I see in my mind’s eye. A collection of movie aesthetics, sounds, actor mannerisms, lighting, framing, perspective. Inspiration has come from tense strains in music-like the theatrical accompaniment of a musical movement. It promotes mood production and emotion.

3. From what I’ve experienced: Places I’ve been have given me plenty of inspiration- places that speak of the past, or promise the future. Where I’ve traveled. The activities I participate in. Everyday circumstances and practicalities.

4. From daydreaming: experimenting with my characters, allowing them multiple possibilities to understand behavior, predictability, authenticity.

To summarize: if you’re looking for inspiration, some things you can do that might help you: Reading, Writing, Observing, Living, and Dreaming.
There. I’ve given you the keys to the universe. Use wisely.

I’m a history professor by day, a novelist by night. I like to write what I read – fantasy, romantic fantasy, gothic fiction, historical fiction,  paranormal, horror, and weird fiction. Horror cinema and horticulture are my other passions.

When I’m not reading or writing or teaching, I’m gaming, traveling, baking, or adding some new weird creepy cool thing to my art collection. I’m a Long Island native with one husband, two children, and three rats.

Blog/  Facebook/ Instagram/ Amazon Author Page/ Goodreads

 

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Siege by Robert DeSimone Jr-Review & Guest Post

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SIEGE by Robert DeSimone Jr-Review & Guest Post

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ABOUT THE BOOK: Release Date October 14, 2022

Year 2096. Earth is at war with a reptile-like alien race known as Architects who have invaded the planet alongside their android armies. Rain Tessio and his brother Jax are drafted into the war and assigned to an isolated military supply depot called The Krag. Their sleepy assignment soon turns into a full-scale conflict when a small Architect army surrounds The Krag. To make matters worse, when one member of the unit is mysteriously killed, they discover that the killer is one of their own.

••••••

REVIEW:  SIEGE by Robert Desimone Jr is a post-apocalyptic, sci-fi thriller set in the year 2096.

WARNING: Due to the nature of the story line premise including graphic violence, there may be triggers for more sensitive readers.

Told from third person perspective SIEGE focuses on Unit 27 Romeo, a group of 19 nineteen humans conscripted to protect an isolated military supply depot called The Krag. With very little experience between them, and hundreds if not thousands of androids surrounding the depot, the rag tag team of unskilled and non-miliary fighters are forced to defend something they know nothing about. One by one, each member of Unit 27 Romeo is plucked off and killed, and some begin to suspect a killer from within. A war between the humans and the aliens reveals a secret hidden deep within the Earth’s surface, a secret that may threaten the existence of the rest of humanity.

SIEGE is a quick read; a story focusing on an alien invasion of Earth wherein the inhabitants of Earth are struggling to survive, struggling against an enemy who themselves are battling to thrive. The fast paced premise is dramatic, imaginative and tragic ; the characters are energetic, ill-fated but determined.

Copy supplied for review

Reviewed by Sandy

The Many Sides of Morality in Siege by Robert DeSimone Jr.

Probably the most important part of writing any story for me is having likeable characters you can get attached to. To know their histories, wants, fears, etc. One important theme that goes into most of my stories is morality. As something of a goody-two-shoes since I can remember, I love exploring the idea of morality in my characters. And it is the main theme I try to (and hopefully) convey in the science fiction/mystery novella Siege.

What’s interesting about morality is that it is completely subjective based on the individual and/or the culture. Some say that there are universal truths regarding morality including not killing or stealing, however, if you consulted a Viking raider from the 9th century, he may disagree based on the norms of his culture. Regardless, when I wrote the characters of Siege, I installed some of my own ideas on right and wrong.

The four aspects of morality I explored was separated into four characters: Rain, the serial killer, Sofia, and Binder. Rain, as the de facto protagonist, is a character who has a strict black-and-white sense of right and wrong and generally follows the universal truths of morality. After finding the alien infant Crocadelia, he spends a great deal of time making sure she is safe and fed despite some of his teammates voting to have her killed. In this instance, his teammates argued that because she was the same species as their enemy and because she may one day, far in the future, be a threat, she should be killed, but Rain chooses to advocate for her life because she has done nothing wrong and is an innocent regardless of her species. To him the decision is easy: she’s innocent so she must be protected. Nothing else matters.

Rain’s biggest moral dilemma, perhaps, is the perceived temptation of the beautiful electrical engineer Sofia. Because Rain has a girlfriend named Annabelle back home, the question is: will Rain betray Annabelle in favor of Sofia or will he stay loyal? While I present this dilemma to the reader as if it is a possibility, Rain never actually considers betraying Annabelle. He simply admits to himself that he’s attracted to Sofia and that’s as far as he’ll ever take it. Because he has a cookie-cutter sense of right and wrong, he sees everything in black and white and would never betray someone he made a promise to. And he would never delve into the world of grays to satisfy his lust because that’s not in his moral programming.

Sofia, on the other hand, represents the gray area of morality. Partway through the story, it is revealed that Sofia is afflicted with a disease that will kill her by her mid-fifties and there is no cure in sight. Because her life will be cut almost in half, in her I explored morality mixed with mortality. She has a clock that is constantly ticking in the back of her mind, which is further exacerbated by the threat of being killed at any point during the siege, which leads her to make decisions she may not normally make if she were completely healthy. While she is empathetic, caring, and very protective (especially towards Crocadelia), she is more than willing to steal Rain away from Annabelle because she feels she may not have the time a healthy person would have to find a partner she truly loves.

The serial killer lurking within the walls of The Krag represents amorality. After the serial killer’s childhood and upbringing is explored, it is revealed he suffered trauma, lacked a mother figure, had a non-existent social life, and murdered his first person at a young age. Due to this, he grew up without morality being a factor in his life. Morality, in a practical sense, serves as a buffer to keep people from engaging in horrible

Immorality was explored, mainly in the character of Binder, but also in a few other minor characters as well. Binder is presented as a selfish person with little sympathy towards anyone but himself. This is shown in his treatment of Osman, one of his subordinates. He also has no empathy towards the animals he paralyzed during his time as a research assistant. He remarked that he preferred paralyzing the test subjects from their necks rather than their backs because it was more convenient for him. It didn’t matter to him that he would cause extra suffering to the animal who would no longer have use to any of its limbs.

I enjoyed being able to explore these themes in Siege. When writing the immoral and amoral characters in Siege, I tried to present them as cautionary tales to those who have no regard for others because I can’t imagine one can have a fulfilling life without empathy towards others and no moral code whatsoever. Consequences usually follow bad deeds.

And while these are my opinions on morality, others may find that people who do the right thing simply use morality as  the excuse for being a coward. Another may not think animal experimentation is an immoral act, rather a practical one to obtain data. What importance do you think morality plays in a story or life for that matter?

 

Follow the Author: Facebook /  Website/ Goodreads

Robert DeSimone Jr. was born in Long Beach, CA on June 9th, 1987. He is the second of six children. His first job was as a computer technician before he began working various jobs in the fire service including as an EMT, fire cadet, and finally fire inspector.

Robert published his first short story in 2021. His favorite book is Blood Meridian or the Evening Redness in the West by Cormac McCarthy. He spends much of his free time building his business as a writer and spending time with his wife and two dogs.

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Arachniss by Shawn C Butler-Review & Guest Post

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Arachniss by Shawn C Butler-Review & Guest Post

 

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ABOUT THE BOOK: Release Date March 2 2022.

Who would you sacrifice to save what you love?

David just wants to write children’s books and spend time with his infant son Jason. The only problem is, something’s eating Jason.

Something’s eating everyone, bit by bit, inch by inch, and no one else notices. They have great stories about how they lost a limb here or a body part there, until they lose something they can’t live without and just…vanish.

Jason’s just missing a pinky today. No, wait, two. And a toe. His son is dissolving in front of him, and David will do anything to save him.

But how can David save his son from something no one can see?

•••••••

REVIEW: ARACHNISS by Shawn C Butler is a stand alone, adult, sci-fi, horror thriller focusing on children’s book author David Chambers in the months and years after a ‘viral pandemic’ has killed or maimed most of the world’s population. Known as the vanishing or erasure but formally called SHAS-selective human autosarcophagic syndrome-a virus of unknown origins, SHAS ‘eats’ away at body parts, sometimes eating away at the entire human existence.

WARNING: Due to the detailed and graphic nature of the story line premise including domestic abuse, there may be triggers for more sensitive readers.

Told from third person perspective (David ) ARACHNISS follows children’s book author David Chambers as he struggles in both his personal and professional life but a struggle that also includes years of potential hallucinations in which spider-like creatures are slowly or sometimes quickly devouring the people of Earth. David believes he is going mad. Every day millions of people are losing body parts from an unknown cause, memories erased without knowing what happened or why, but at some point David will discover that his hallucinations are real, a virtual albeit actual front row seat, into the demise of the human existence. The majority of Earth’s population have accepted their fate as a side affect of the SHAS pandemic but a few ‘lucky’ inhabitants, including David Chambers and his neighbor Franzia, bear first-person witness to the truth that lies beyond the veil of human acceptance and comprehension.

ARACHNISS reads like a study in social psychology; a sociological study of humanity and human nature; a psychological test of power and control bearing similarities to the Milgram Yale Obedience experiments of the 1960s. With a slight nod to more famous works of science fiction -War of the Worlds by HG Wells, Twilight Zone’s TO SERVE MAN episode, The Day of the Triffids by John Wyndham, and Soylent Green by Harry Harrison-ARACHNISS is a graphic, detailed, haunting and complex story of artificial intelligence, alien invasion, human nature in opposition to everything around us, and the obliviousness of mankind. The thought provoking premise is dramatic and visceral; the characters are tormented, desperate, dismayed and vulnerable. ARACHNISS follows David Chambers as he must come to terms with those in charge, terms that would choose between life and death for the people he loves.

Heed my warning, ARACHNISS is a graphically detailed story line that will not be suitable for all readers.

Copy supplied for review

Reviewed by Sandy

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As a relatively new author, one thing I’m constantly focused on is how to build the most compelling worlds for my readers. This means not just things that are cool or make you say “Wow!” when you’re supposed to be sleeping, but all the details that make a story and its characters feel real and thus relatable.  So, here are some of the rules I try to follow…

Ten Sci-Fi World-Building Rules

As with all systems, you can probably come up with a hundred rules for world building, some vital, some trivial, and spend the rest of your writing life making sure you’re doing things “right.” There is no absolute right in science fiction world building, but there are pretty basic rules that will help you avoid obvious issues that will cost you readers.

The following are ten of those rules, which are a bit random because they reflect where I am in my writing career and process. A year ago, I probably focused on more basic issues. A year from now, I’ll be worried about something else, like what to do with all this money (buy one gumball, or two?). These are the ten that most concern me in my current WIPs.

1 / Know why you’re building worlds in the first place

All of my published works take place on Earth within 100 years of the present, in locations you can find on a map today (or close). The world building for these books was therefore the minimum necessary to encompass new technology, politics and the occasional alien invasion. I wanted this proximity to reality because each book is clearly about today’s society and/or warnings for things to come. You, however, might want to escape the planet, solar system, universe and time-space continuum entirely. Which is great. Just keep in mind that the more you leave the known, the greater obligation you have to build a world the reader can understand…and appreciate.

So ask yourself, are you building a world because it’s a cool way to procrastinate, and it’s fun, or because that’s what you need to tell the story? Neither answer is correct, but the more time you spending building the less time you spend writing…unless you’re building a world that will be used for multiple works, in which case, build away.

2  / Be internally consistent

Whether you’re writing fantasy or science fiction, the structure and behavior of your world should remain consistent by whatever set of rules you’ve defined for that world. If they’re not, you’re going to lose readers and, if you care, get worse reviews.

In Dune, there are rules about (not having) computers and artificial intelligence that allow for the semi-religious power dynamic of the books (not to mention the dependence on spice for navigation in space). Frank Herbert can’t then have robots magically appear later on to solve some poorly thought-out plot issue.

In Star Wars, you can’t jump straight from one point to another in space without running into things, which at least retroactively explains why the Kessel Run record was expressed in distance and not time (using the shortest safe route). The same franchise runs into massive consistency problems in later installments when, for instance, we learn that you can fly any ship into another at “lightspeed” (which in Star Wars is much faster than the speed of light) and destroy it, making it obvious that you could have obliterated the Death Star or anything else just by ramming it with a small ship. This breaks the plotline of almost every Star Wars film.

So, if you give readers a rule, you need to follow it unless there’s a clear and rational reason not to, and all other rules should make sense in that context. To understand how hard this is, look at Marvel’s Avengers. It’s practically impossible to keep clear which superhero has which relative power because they keep changing according to the needs of a movie or scene. We overlook this because we love the movies, but you probably won’t be as lucky in your books…

3 / If it’s in the near future, there should be a clear path from here to there

In writing Run Lab Rat Run, I had in mind a series of prequels that explained how the world got to where it was (as a hierarchical genetic dystopia), and thus left a lot of this backstory out of the book. A few readers asked how all this madness happened, and I realized that (absent the prequels), I’d left the backstory too vague. I can’t fix that now, but in future novels, this will be a key checklist item for me. Meanwhile, the prequels are coming!

4 / If it’s in the distant future or after a disaster that breaks the connection between the past and present, that should be clear

This is rarely a problem, as authors love to write about disasters / end of the world / plagues / meteors / viruses / invasions / loud noises that result in the rapid decline of society so they can talk about a woman and her dog lost in the radioactive wastelands of wherever, but it’s vitally important that you as an author understand what happened, when, why and how it impacts the world of your story–and communicate enough of this to give the reader an anchor.

Don’t get me wrong; sometimes this horrific event is the very thing you want to hide. In Planet of the Apes, the surprise is that the planet of brainy but mean apes is …Earth! Spoiler? Hmm. Anyway, you might be intentionally hiding parts of the world’s history to allow for this type of reveal, but it should still be very clear how the world got from A to B (at least by the end). I’m assuming the apes drank too much Red Bull.

5 / No matter what the world looks like, your story should be more about people / beings and the obstacles they face than the technology itself

I remember reading Larry Niven’s short stories, including one about how someone died inside an allegedly impenetrable General Products hull. But even with a black hole, killer gravity, an invincible ship and concerns about warranty violations, the story is still about a guy trying to solve a problem before he dies. Which is basically the same story as The Martian, where we care about Mark Watney a lot more than the technology he’s trying to salvage.

6 / You should have a massive backstory that never goes in your book

Because this gives your world a feeling of fullness / richness that you don’t get if there’s just a skeleton and no flesh. In world building articles, they’ll often talk about this in terms of hard vs. soft world building, which is different from hard vs. soft science fiction. Hard SF concerns itself heavily with science and the details of technology, while soft SF tends to use technology and science as (important) background that’s not central to the story. Hard world building is about how much of the world you know and show to the reader (a lot), whereas soft world building means more is implied and less is shown. I tend to think that even if you’re writing soft SF and doing soft world-building, you should still know far more about the world than the reader does.

The challenge here is, of course, that you’ve built this cool world and you want to show it to everyone. Trust me, almost no one cares. Share the parts that move the story forward and hide the rest. If you want to add adjunct materials to your website, great (I have a massive glossary for Run Lab Rat Run), but leave it out of the book. The story will move faster, the reader will stay more engaged, and your books will do better.

Why develop all this if you’re not showing it? Because you need to know how, when, where and why things happen even if the reader doesn’t. Otherwise, you’ll have trouble fleshing out the story and remaining internally consistent (See #2).

7 / The same is true of characters

Meaning, you should know the backstory of your characters even if the reader doesn’t need to. Where did they go to space laser college? Did they graduate with a minor in Babble Fish? What’s the scar from? Is they cybernetic right arm haunted or just made by the lowest bidder? Do they have past trauma their working through, and how does it affect them in your story? Do they prefer Twizzlers or Red Vines (there is a right answer, and it rhymes with lead mines).

Whenever I read something by Margaret Atwood, for instance, I know she knows way more about the characters than she’s telling, and that brings them to life. You know, until they die horribly. And then you’re really sad about that.

8 / If you’re doing hard science fiction, get your science right

Let me correct that: If you’re writing anything that is based on fact, even if it’s only the facts in your world, get it right. Don’t leave the reader picking up your bad math, physics, chemistry, laser optics or (in fantasy) spells. That’s not their job. This is especially true if you’re writing in areas that have…hobbyists. Enthusiasts? For instance, never screw up military ranks, military history, guns (even space guns), gravity, relativistic math, time travel paradox magicology, genetics, etc. At least one of your readers is going to have a PhD in that thing, and they’ll let everyone know you screwed up.

9 / In soft SF, the feel of your world matters more than the details (but see #2)

And because the feel of your world and its characters matter more than detailed scientific exposition, I’d suggest changing the minimum number of things from present reality and culture to tell your story. If having nineteen genders isn’t relevant or important, then leave it out. If you’re not comfortable changing languages and dialects, don’t. Tell your story using the world you build; don’t let the world take over your story. For instance, I love the lingo in Clockwork Orange and Blade Runner, but I try to minimize linguistic quirks in what I write so I’m not constantly explaining what a word means. Change a few things that matter, and move on. A little goes a long way.

10 / Minimize jargon, abbreviations, acronyms, etc.

One thing I know is technically “wrong” about Run Lab Rat Run is that there will be far more changes in language than I present in the book (whether my predicted future comes to pass or not). The reason is simple; if you’re not a native of that future world, you’ll need a while to learn the language, culture, usage, etc., and you don’t have time for full-immersion language class in the middle of your book. Your novel isn’t Lord of the Rings (sorry), where you can spend time developing entire languages and the reader will go along for the ride. They probably won’t. They won’t even look at a glossary if you put it in the book. You’ll just frustrate and lose your audience. For instance, I used “WIP” in the intro paragraphs (for Work in Progress). Many probably knew what it meant, but many didn’t, and I didn’t gain anything by using the acronym.

11 / Have a Little Fun

World building is a blast, and a great way to procrastinate. Don’t focus just on the serious stuff. What changes / new things are in this world that your reader will find humorous, disgusting or both? Put some of that in there. Science Fiction is about imagining alternate worlds and futures, including all of their glorious absurdity. If your dominant species is dogs, there should be some butt sniffing and dry humping because that’s what dogs do. If it’s about genetic engineering, like some of my books, then there’s going to be some random, stupid, irresponsible genetic experimentation that’s worth a joke or two (e.g., the sex model references in RLRR). Include eleven items in a list of ten. Get crazy.

In Blade Runner’s infamous “I only do eyes scene,” a replicant eyeball is placed on a man’s shoulder. It’s disturbing, threatening, and darkly funny, but it also reveals how truly synthetic the replicants are. In The Martian, we learn that you can’t grow potatoes on Mars without poop, which is both funny and pretty essential to not dying. If you’re enjoying your world, your readers will too. Unless they’re Vogons, in which case, run before the poetry starts.

Other Resources

It might surprise you to know that I’m not the first one to write about world building in science fiction. Here are some other articles that do a good job, especially the John Fox one. Most of them conflate SF with Fantasy as if all speculative fiction is just one big blob, but the rules are pretty much the same (just replace magic with science or vice versa).

Thanks your time. I look forward to hearing about your new worlds.

Peace, Shawn

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Hush, My Darling by Winter Austin-Review, Guest Post & Giveaway

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Hush, My Darling (Benoit and Dayne Mystery 2) by Winter Austin-Review, Guest Post & Giveaway

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ABOUT THE BOOK: Release Date January 27, 2022

Sometimes, the past starts to bleed into the future…

Dark memories haunt Eckardt County Deputy Lila Dayne. Two years ago, she survived a serial killer’s attempt to add her to his growing list of victims in Chicagoland, but the fight cost her more than just time lost to surgeries and rehab. Now she’s finally beginning to connect with the people in this small section of southeast Iowa, even if she can still sense him watching her.

Sheriff Elizabeth Benoit has her sights on bringing down Eckardt County’s corruption when two bodies surface, both bearing striking similarities to the serial killer victims discovered along I-80—and one delivers a personal message for her department. Lila spirals out of control under the pressure, pushing everyone out of her life.

As Elizabeth and her deputies try to bring Lila back into the fold, the killer closes in, marking his next victim. Lila must shake free of her fears and trust those who have supported her—or the killer will finish what he started.

•••••••

REVIEW:HUSH, MY DARLING is the second instalment in Winter Austin’s contemporary, adult BENOIT AND DAYNE murder, suspense thriller series focusing on small-town Sheriff Elizabeth “Ellie’ Benoit, and former Chicago police officer turned deputy Lila Dayne. HUSH, MY DARLING can be read as a stand alone without any difficulty. Any important information from the previous story lines is revealed where necessary.

Told from third person perspectives (Lila and Elizabeth) HUSH, MY DARLING follows in the wake of a possible serial killer in Eckardt County. Former Chicago police officer Lila Dayne is the newest recruit/hiree on the Eckardt County police force but Lila’s past is a mystery to Sheriff Elizabeth Benoit, a mystery that is about to upend the town, sending Lila into a spiral from which she may never return. With half the town submerged under water in the wake of a seasonal storm, an unsolved serial case and a badly decomposed body has followed Lila Dayne to Eckardt County, and with it, a message that the killer has come to finish the job. As the only known surviving victim of the I-80 killer, Lila knew it was only a matter of time before her past comes full circle, and threatens the people with whom she works, loves and plays.

The large ensemble cast is spirited, dynamic and impassioned. Most of the previous story line characters return including Sheriff Elizabeth Benoit, Deputy Lila Dayne, Deputy Rafe Fontaine, Deputy Ben Fitzgerald, Deputy Brent Meyer, and Deputy Kyle Lundquist; ME Dr. Olivia Remington-Thorpe and her husband Dr. Dominic Thorpe, dispatcher Georgia Schmidt, and former Eckardt County Sheriff Kelley Sheehan. We are introduced to former CPD detective Cecil Waterford, and Agent Tate McCall with the Illinois State Police. The relationship between the Drs Thorpe is turning messy and concerning.

HUSH, MY DARLING is an intriguing, haunting and gritty story of power and vengeance, murder and mayhem, obsession and control.The premise is tragic and edgy; the characters are broken, intense and determined.

Click HERE for Sandy’s review of book one THE KILLER IN ME

Copy supplied for review

Reviewed by Sandy

Danger in Rural Iowa

Did you know that in the state of Iowa, we have one of the most disturbing and long running cold case? The Villisca Ax Murders happened in June of 1912. An unknown assailant entered the home and using the owner’s ax, slaughtered the whole family and two others, then disappeared into the night. To this day it remains a mystery of who did it. As a little added fun, the house is apparently haunted. The current owner rents it out per night for those willing to deal with the paranormal.

That’s not to say, there aren’t more cold cases and murders in our Hawkeye state, we’re not immune to violence in all forms. Yes, Iowa’s bigger cities and towns typically carry the brunt of the statistics for violence one would associate with places with large populations, such as gang violence, homicides, riots, and assaults. But what some people don’t expect is that same kind of danger to occur in rural towns. Yet, it happens. Even in the far-flung corners of the state, and I live in one of those corners. When it involves humans, one can’t get far from the evil that lurks beneath.

Setting my latest series in a rural area, and then writing about the dangers that can come knocking has been fun, and an eye-opener for me. Why? Because I took that old adage “write what you know” to heart and did it. I know rural life and all its little nuances. I know of the dangers that lurk in the shadows and come to head when tragedy strikes. This is what gives my stories depth and layers. A real feast for the senses. And a reality check, because leaving your doors unlocked when you live in the middle of nowhere, surrounded by miles of crop fields isn’t always a good thing.

Programs like Murder in the Heartland on the ID network and other shows dealing with small town deaths are fairly popular with the true crime crowd—I being one of those crime junkies. Shows and podcasts such as those are good idea gleaners for me. Man, I cut my teeth on watching shows like Unsolved Mysteries and Murder, She Wrote, guess it was only a matter of time before I was pulled into writing in the mystery/crime fiction genre.

So, what’s the claim to fame murder/cold case from your state? Share your thoughts in the comments.

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A lifelong Mid-West gal, Winter rediscovered her love of her beloved Iowa with its hot summers and snowy winters. She grew up listening to the captivating stories told by relatives around the table or a campfire. Since becoming a published author, she learned a mindset of a glass half-empty personality makes for a perfect suspense/thriller author. Taking her ability to verbally spin a vivid and detailed story, Winter translated that into writing deadly romantic thrillers. Combining her love of all things rural, agricultural, and military, she’s turned her small town life upside down.

Winter Austin is graciously offering a paper copy  (USA only) of HUSH, MY DARLING or ebook copy (International) to ONE lucky commenter at The Reading Cafe.

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The Valentine Wager by Nan Reinhardt – Review & Guest Post

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The Valentine Wager by Nan Reinhardt – Review & Guest Post

 

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Description:
He’s a notorious flirt, so she lays down a challenge she’s sure she’ll win.

When playboy police lieutenant Ryker Lange stops Kitt Boynton for driving on the wrong side of the road, his attraction to the feisty Irish lass is immediate. Yet, despite the sizzling chemistry between them, Kitt quickly turns him down.

Kitt has moved to River’s Edge for a fresh start and is ready to focus on her new marketing job at her cousins’ winery. She’s done with players, and vows she won’t let the local sexy cop distract her, but Kitt, a flirt herself, is definitely tempted. To keep her sanity as she prepares for several Valentine-themed winery events, she and Ryker make a bet: for the next three weeks, neither of them can flirt with the other.

The game starts out lighthearted, but when the town takes sides, Ryker and Kitt must choose between winning a wager or finding lasting love.

 

 

Review:

The Valentine Wager by Nan Reinhardt is the first book in her The Lange Brothers series.  This is a spinoff from The Four Irish Brothers Winery series.  Kitt Boynton, our heroine, has recently moved to River’s Edge from Ireland, to be the marketing manager for her cousins at their winery. Kitt had a bad experience with her ex-boyfriend, who was married, and she has sworn off men.

Ryker Lange, our hero, is a police lieutenant, and when he sees Kitt driving on the wrong side of the road (she still is used to driving on the other side), he pulls her over.  Ryker, who is a playboy, is immediately attracted to the beautiful Kitt, but she brushes him off.  Ryker, despite his family and friends warning him to stay away from Kitt, as he has never allowed himself to get serious, thereby hurting many women along the way; but he is determined to win Kitt over. 

They both feel their sizzling chemistry, but Kitt recognizes that Ryker is a player, and constantly ignores his attempts.  As she helps prepare for the winery Valentine events, Kitt is fun to be with, and most of the townsfolk love her friendliness; though they both like to flirt, they make a bet. For the next three weeks, neither of them can flirt with each other, and just become friends. Who will win that bet?  Now the town has begun to place bets as to who will win. 

Kitt having been badly hurt previously, tries to convince Ryker to be friends, and hang around together with their friends; even though she does feel the attraction to him.  Ryker plays the friendship card, but finds himself falling hard for Kitt; and when his family and friends tell him how he breaks other women’s hearts, he tries to change.

This was my first book by Reinhardt, and I really did enjoy meeting all the wonderful secondary characters that were part of the previous series (Sam, Conor, Sean, Mac, Tierney, Brendan, just to name a few).  What follows is a sweet wonderful romance between a great couple in Kitt and Ryker.  Will they remain friends or open their hearts to love? Who will win the Valentine Wager?  You will have to read this book to find out.

The Valentine Wager was very well written by Nan Reinhardt, and I look forward to reading the next book in this fun series.  If you enjoy pure romances, wonderful couple, and great secondary characters, then you need to read The Valentine Wager.

Reviewed by Barb

Copy supplied for Review

 

Building and Maintaining a Setting Through a Series of Stories

Awkward title, I know, but that really is what I want to talk about—how we keep a setting and secondary characters fresh and fun through more than one series. There are lots of great examples of authors creating a place and using that setting for several series of books. Robyn Carr’s Virgin River series; Tule Publishing’s multi-author Marietta, Montana books; Marie Force’s Gansett Island series; Cheryl Brooks’s Cat Star Chronicles—ten books that all happen on other worlds, but are connected by characters who travel to those worlds; Jan Karon’s Mitford series… and, of course, my own River’s Edge stories, which will be 10 stories strong by the end of 2023.

The Four Irish Brothers Winery series took place in the same type of small town, but in those books, the setting itself has nearly become a secondary character. The little town of River’s Edge, Indiana, is inspired by the Ohio River town of Madison, Indiana, and I’ve had the time of my life populating it with quirky and fun characters.

Most of them are purely from my imagination, but friends/family may see a little of themselves in Mac Mackenzie, the Cordon Bleu-trained chef who owns the local diner and cooks amazing dishes or in Dot Higgins and her sister Mary who own the quilt shop. Guitar-playing Duane is the local sheriff and Paula Meadows owns the Bread & Butter bakery, happily keeping all the townsfolk in bread, doughnuts, and pies. Janet at the yarn shop and her sweet kitty, Fiona, were inspired by a dear friend at my church, as was Noah Barker, who owns the hardware store.

In River’s Edge, the River Walk is the place to meet-and-greet during any season. You might run into any one of the Flaherty brothers and their families on a warm summer evening or see Harley Cole, the nursery school teacher, rowing her kayak down on the river. Chances are good that Mateo Santos and his stepdad Aidan Flaherty are up on the deck of the River Queen showboat, singing lustily as they put on a new coat of white paint, scrub the decks, or wash windows in preparation for the new Showboat Summer season.

You could have a craft beer at Hutchins House, the oldest still-operating tavern on the river and have you stopped by the restaurant at the new Cotton Mill Inn? The hotel just opened in the newly renovated nineteenth-century cotton mill that overlooks the river. They’ve got a fabulous menu.

If you’re looking for a hike or a picnic among the cliffs and waterfalls of southern Indiana, the state park is just up the hill, and on the way up, you’ll pass Four Irish Brothers Winery and Vineyards. Stop in, taste some wine, and enjoy a snack on the deck overlooking the vineyards. There are several department stores and chain restaurants up on the highway, but if you looking for authentic pizza, head to Mario’s—his is the best—and check out all the great shops in town, you’re sure to find the perfect gift for that special someone. 

You get the idea—when you invent a setting in a romance novel, make it a place you’d love to be, a place where you could find your HEA (happily-ever-after). River’s Edge is a town I’d love to live in.

Craft background characters who fit in with the ambiance of your town and who are likeable. Every character is inspired by someone I know or someone I would like to know. It’s okay if they’re quirky, but remember, don’t let them take over the story. Mac Mackenzie appears in each Four Irish Brothers Winery novels and readers love him, even though he is window dressing for the real story. Giving handsome Mac a love interest in Book 2 was fun and worked so well that we’re all following along to see what will eventually happen with him and super-sophisticated Carly Hayes, who starts out as sort of a not-nice person in Book 1, but grows and evolves in Books 2, 3, and 4. The same thing is happening with a little romance that has developed between Noah and Dot. Having their own stories brings background characters to life, and you can do it with just a moment or two of interaction with your main characters.

Setting and background characters are what bring your story to life as it flows along behind the romance between your hero and heroine. It’s where you can break out of the expected storyline or personalities of your main characters and really have some fun. So don’t be afraid to let them evolve and to build on your setting and background characters as you write a series. Readers become invested and will be back for more!

 


Nan Reinhardt is a USA Today bestselling author of romantic fiction for Tule Publishing. Her day job is working as a freelance copyeditor and proofreader, however, writing is Nan’s first and most enduring passion. She can’t remember a time in her life when she wasn’t writing—she wrote her first romance novel at the age of ten and is still writing, but now from the viewpoint of a wiser, slightly rumpled, woman in her prime. Nan lives in the Midwest with her husband of 48 years, where they split their time between a house in the city and a cottage on a lake.

Talk to Nan at: nan@nanreinhardt.com

Website | Facebook | Twitter | Instagram | Tule Publishing

 

 

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Beasts of Sonara by Shawn C. Butler-Review & Guest Post

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Beasts of Sonara by Shawn C. Butler-Review & Guest Post

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ABOUT THE BOOK: Release Date November 12, 2021

They can save millions of lives, if she doesn’t kill them first

Tourist Raymond Molina finds the body of a young biologist in a Costa Rican bay—apparent victim of a shark attack—but no one knows how she got there. As Ray searches for what really happened to her, he stumbles onto the best kept secret in the natural world.

This is a secret hidden for centuries by residents of the coastal town of Sonara, protected by intelligent but violent animals unknown anywhere else on earth, and coveted by a massive biotech company that will do anything to discover the truth—no matter the cost.

And behind it all is a creature with the power to cure disease, all disease…or kill everyone on earth.

••••••

REVIEW:BEASTS OF SONARA by Shawn C Butler is an adult, speculative fiction, thriller focusing on surfing instructor Raymond Melina, and a small Costa Rican town, its’ population, and the sentient beasts with magical properties.

Three years after the death of his beloved, Raymond Melina finds himself living and surfing in the small coastal town of Sonara, Costa Rica, a town whose secrets run dangerous and deep but as the powers and people are called to perform, Raymond is pulled towards the past, a past closely connected to the family he never knew. The death of a young woman leaves too many unexplained questions, questions that can only be answered by the beasts involved, and Raymond is unwilling to sit back without first uncovering the truth. Meanwhile, Nomanity, a biotech firm out of San Jose, wants access to the beasts and their secrets but all is not well in the small coastal town of Sonara, as Raymond will discover, the past holds heartbreak and death, betrayal and guilt, and threats to the world’s population now and in the future, threats that Nomanity may want to control, for themselves.

BEASTS OF SONARA is a complex, detailed, haunting and captivating speculative-fiction story line of animal sentience, genetic manipulation, and immortality: a character driven twisted tale of family, tragedy, power and control. Shawn C Butler pulls the reader into a fascinating and intriguing tale of one small town where nobody grows old, and (almost) everyone lives to see another day.

Copy supplied for review

Reviewed by Sandy

Believability in Science Fiction is a Myth

Much has been written about believability in science fiction. We live in an age where everyone writes and publishes and there is no more gatekeeper to the digital world than a keyboard and momentary inspiration. There was nothing new under the sun long before the internet, and now a million people prove it every day. We live in the golden age of the derivative. So perhaps it’s time to dispel of one great myth about good speculative fiction–that it has to be believable. It does not and, honestly, I can think of nothing less interesting.

Speculative fiction traditionally comprises science fiction, fantasy and horror, and perhaps magical realism. All fiction is, in some sense a lie; you’re telling a story about something that never happened, never will happen, and probably couldn’t happen. With speculative fiction, the lie is bigger; in science fiction, you might have to accept that spaceships might someday span the vast space between stars; in fantasy, that elves exist and are magical; and, in horror, that monsters might be real.

What makes us read these deceptively woven threads of impossibility is not that they’re believable, but that we want to escape to a world that is far from this world–another place that does not exist, where different rules apply, and we can run through fields of man-eating plants as werewolves howl at the twin moons in dismay and confusion and alien satellites burn across the darkling sky. It is not believability we want, but a lie told with elegance and respect for our intelligence so that we feel transported rather than merely deceived.

This is pretty obvious if you think about it. No one watches Star Wars, Star Trek, Alien or even Arrival because they believe they’re based on scientific reality. The Force is just magic by another name, beaming is suicide combined with impossibility introduced for budgetary reasons (and don’t get me started on Tricorders), the face-eating alien might as well be a demon for all the logic of its behavior and indestructibility, and a language for time travel? Wondrous. Glorious. But as far from believability as feldspar is from gold. Also…spoilers?

Even if you read Hail Mary and love the hard-science wrappings, Mark Watney v2.0 is still flying around in a spaceship discovering new civilizations and saving them by being Space MacGyver. It’s cool, compelling, smart and fun reading. But believable? Not so much, and it doesn’t have to be because it’s brilliantly true-to-expectations. Which is more than good enough.

And that is really the truth of good speculative fiction; it delivers on readers’ expectations as framed by the genre and the promise made on the book cover and blurb. In the case of science fiction, this means a well-constructed world or universe based on at least passingly explained technology wherein characters behave in a manner consistent with that world. In other words, it’s not believability we seek, but consistency, credibility and wonder. Nothing is really explained in Annihilation, and who cares? It’s a wild freakin’ ride.

If you read hard science fiction, credibility is based on detailed explanations of technology and how it applies to the world occupied by our main characters (e.g., The Martian or Jurassic Park). In softer science fiction, it’s about the feel of a world defined by new but less laboriously explained technologies (e.g., Star Trek or The Broken Earth).

For sub-genres, credibility depends on more specific expectations. In time travel books, you’d better explain how traveling through time is possible and make at least a passing nod to paradoxes (e.g., Looper). For space opera, there needs to be vast political intrigue constrained by the limitations of future technologies (e.g., Foundation, A Memory Called Empire or The Interdepency). When you hear the term “true to genre,” it’s not about writing a formulaic novel by a set of rigid rules; it’s about delivering the reader what they expected, or close enough to feel you’re respecting their needs as a sentient human being. Or, and this is a rare thing, subverting those expectations with such grace and brilliance the reader is grateful for the ride (e.g., most Cormac McCarthy books, but especially No Country for Old Men or The Road).

If you look at the best science fiction of the past and today (The Time Machine, Frankenstein, Stranger in a Strange Land, Foundation, Childhood’s End, Dune, Ringworld, Broken Earth, Annihilation, etc.), literally none of it is even close to believable–it would be boring if it was–but it’s compelling, internally consistent and tells a great story. Credibility is a measure of how well you draw the reader in and keep them there, not whether you can explain how genetic engineering works in Blade Runner (hint: it makes no damn sense…and almost no one cares).

So stop trying to make your books believable. Instead, ask yourself what the reader expects, think of them as intelligent beings looking for escape and enlightenment, and then write a book that shows them respect, gives them joy, and every once in a while causes an exclamation of surprise or bark of laughter. Preferably both. If you do this with a compelling world and empathetic characters, you’re already delivering more than most speculative fiction today.

With regard to respecting your audience, nothing, and I mean nothing, will destroy your reader’s confidence in your world and writing more than inconsistency or blatant disrespect. Game of Thrones was never believable even as fantasy, but it was hella compelling as a TV series until the showrunners forgot about the rules of the universe–and the very spirit of George RR Martin’s books–and drove the show off a cliff. In contrast, The Expanse is (so far) consistent, the characters are real-ish people, and I’ve never once felt forced to swallow something absurd or ignore a glaring plot hole. Fingers crossed for the last book and season six (Please don’t screw it up. Please don’t screw it up. Please don’t screw it up). GoT lost its fans by the millions because HBO stopped caring about the story, and started caring more about how to suck money out of its nominally captive audience. So, you know, don’t do that.

Instead, write for the smart and curious child inside every reader that wants to escape to an incredible new world for a few minutes or hours, learn something new, imagine things never before seen, and generally not care whether it’s all believable or not. I don’t believe the sand worms in Dune are even vaguely plausible, but god I love that they exist on the page and in my mind. I’ll be forever grateful for that.

And my only hope is that sometimes I write well enough to make a few readers feel this same joy and gratitude for even a fleeting second of the time they’ve given me. When I wrote Beasts of Sonara, it never once occurred to me to that it should be realistic or believable. These things can’t happen. The world just doesn’t work like that. But wouldn’t it be awesome if it did?

~~Shawn C Butler~~

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Dark and Otherworldly Omnibus by Kristen Brand-Review & Guest Post

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Dark and Otherworldly Omnibus by Kristen Brand-a review & guest post

Amazon.com / Amazon.ca / Amazon.uk / Amazon.au / Nook /

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ABOUT THE BOOK: Release Date September 30, 2021

Leigh Morgan has one mission: to stop the Fae who abducted her sister from ever kidnapping another human again.

Dredarion Rath wants one thing: to disgrace his older brother and prove himself the worthier heir to Otherworld’s throne.

When their paths cross, it changes everything, and neither Otherworld nor the human realm will ever be the same.

Three romantic urban fantasy novels; one darkly enchanting volume. The Dark and Otherworldly Omnibus includes:

•••••••

REVIEW:

Poison and Honey

She hunts the fae. The last man she should fall for is a cunning fae prince.Leigh won’t stop until her sister is home! That was the promise she made to herself. So freeing the humans from the Fae kingdom of Dwencanti is Leigh’s mission in life….

The only little issue I had, was the fact we jumped straight into palace life! I would have liked a little background and possibly a flashback to her sister’s kidnapping (but being a novella we need to keep it going)!

Prince Dredarion Rath has something to prove. And if using a human to achieve it, then so be it!! He doesn’t see anything but his mission to make his mother see that he should be the next ruler and not his brother!

So we have a complex storyline that will definitely take you on an adventure. Leigh is a great character, very strong and independent. And one might say a little cold, possibly heartless (she was going to use whoever and whatever she could to free the human slaves) but I suppose being in her position you can’t really blame her! Dredarion starts off as a cold figure, I wasn’t too keen on him at first.

But as they begin to work together (well more like Leigh is working for Dredarion whilst continuing her mission) it becomes a balancing act for Leigh, she needs to keep Dredarion sweet but, keeping her own secrets from him! You know it’s going to get messy!

Next book please…..

?

Sting of Thorns

She’s been cursed by the queen of Otherworld. Now the only one who can save her is the man she betrayed.

This one starts where the last one ends, so you definitely need to read Poison and Honey first, otherwise your going to be a little lost!! And so this review is going to be a little tricky as I don’t want to spoil anything…..

Leigh was cursed in the last book (oh didn’t I tell you that in my last review?) ? Dredarion and Leigh can’t stand to look at one another let alone help each other! Why? I hear you ask!! Well….. Nope can’t do it, you’ll need to read book one to find that out (but it’s a good one I promise you) And Leigh may or may not have started a rebellion/riot/escape.

And in doing so, she’s trapped herself in the otherworld! That’s where she needs help from Mr Dark and Dangerous! But Dredarion isn’t willing to help Leigh! So what’s a girl to do??

I loved this book, fast paced action that had me flicking the pages over until the end! We also get to take Dredarion to the human world (and there are some pretty funny moments) Can Leigh and Dredarion find their way back to each other? Or will the lies and feelings of betrayal kill their feelings for one another for good?

And there is a death sentence hanging over Leigh?!

Book three please …..

?

The Cruelest Curse

When dark forces threaten Otherworld, she’ll have to join forces with her enemies to save the kingdom… and the prince.The final book in this amazing trilogy had me wanting to inhale the book, but not wanting it to ever end!

As in the last book we start where book two (Sting of Thorns) ends. But without giving anything away, you are in for the ride. So buckle up, grab your sword and let’s go help Leigh and Dredarion win their fight against evil forces that want to take over the otherworld!!

I want to tell you about everything that goes on in this book, I want to share all the ups and downs, the scary moments, the sad moments, and the moments I just had my mouth open! But I won’t, instead I’ll tell you that the action doesn’t stop!

Friends from the human world help otherworlders that would have at one time enslaved them! Magic plays a role too. (Dredarion has magic literally up his sleeves) We also have a fight scene that will have you reading with one eye! (Or maybe that’s just me) ? So can Leigh save both Dredarion and the people she once swore to avenge? There are deals to be made, alliances to form, and lovers to reunite.

?

Boxset/Omnibus, whatever you want to call it, you just need to download and read it. The author (Kristen Brand) is totally new to me, and I’ve learned to jump in with both feet now (if I don’t like it, I won’t finish it!) But it won’t be the last of her books that’ll read. She brought the whole world to life with her descriptions.

And although short stories in themselves (could have happily read them as bigger books) it does cover a lot of ground. There is so much packed into this world. I’m hoping it’s not the last we see of Dwencanti and it’s inhabitants.

If you love paranormal romance with daggers and magic, then this one should definitely go on your TBR list.

? Reviewed by Julie B

Copy supplied for review

Why Enemies-to-Lovers is my Favorite Romance Trope

All stories need conflict, and romance novels are no exception.

Maybe the conflict is forbidden love. The protagonist is from the wrong side of the tracks, or the love interest is their best friend’s brother. Maybe the couple broke up years ago and must address their past hurts before getting a second chance. Or maybe the hero got kidnapped by an evil wizard and the heroine has to go on an epic quest to rescue him.

Conflict. It’s fun.

My least favorite conflict is the contrived misunderstanding where everything would be fine if the couple just talked to each other for five minutes instead of jumping to the wrong conclusion.

My favorite is enemies-to-lovers.

The couple are fighting for different kingdoms during a war. They’re both after the same promotion in the office. One’s a superhero, the other a supervillain. Whatever the circumstances, the couple has every reason to hate each other, and yet… They just can’t deny how amazing and attractive they find one another.

That’s the conflict in my paranormal romance series, Dark and Otherworldly. The twist is that only the heroine knows they’re enemies in the first book. She’s a spy in a fae palace, her undercover mission going smoothly until she accidentally attracts the attention of a prince. Then she finds herself juggling conspiracies and battling her own growing romantic feelings until everything finally explodes.

Both metaphorically and literally. I like writing explosions.

What’s great about enemies-to-lovers is that it gives you so much conflict to work with: characters torn between duty and love, feelings of betrayal and forgiveness, a couple from very different backgrounds finding ways to meet in the middle.

It gives the characters so many obstacles to overcomes. They have to battle their own feelings. Then they have to grapple with the feelings of their friends and family who usually aren’t thrilled about them sleeping with the enemy. And then, depending on the genre, they have to test their newfound relationship by fighting the villain and saving the day.

Enemies-to-lovers is no third act misunderstanding thrown in because things had been too easy. No, it forces the characters to earn their happily ever after.

So I’m an enemies-to-lovers fan all the way. What’s your favorite romance trope? I’d love to hear your thoughts in the comments.

Kristen

If Kristen Brand could have any superpower, she’d want telekinesis so she wouldn’t have to move from her computer to pour a new cup of tea. She lives in Florida with her husband, and her hobbies include reading comic books and desperately trying to keep the plants in her garden alive. An author of fantasy and superhero fiction, she writes stories with fire-forged friends, explosive fight scenes, and kissing

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A Promise of Iron by Brandon McCoy-Review & Guest Post

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A Promise of Iron (Echoes of Illyria 1) by Brandon McCoy-Review & Guest Post

 

Amazon.com / Amazon.ca / Amazon.uk / Amazon.au /

$2.99 or FREE in Kindle Unlimited

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ABOUT THE BOOK: Release Date December 21, 2021

A Promise of Iron, book one in the Echoes of Illyria saga, tells the story of a young man born from hatred, eager to prove himself in a world tilted against him. In this world where iron is more precious than gold, three friends battle the evils of empire while unraveling the secrets of a forgotten past and a hidden foe.

The epic fantasy series features strong, complex characters with familiar motivations of greed, lust, and revenge, all delivered in a freshly crafted fantasy world. Themes of imperialism, racism, and sexism form the backdrop for a story as much about mystery and intrigue as it is of sword and sorcery. This blend of epic and dark fantasy should delight readers of multiple genres. If you liked The Name of the Wind and The Black Company, this one is for you.

••••••

REVIEW:This is something completely different to what I usually read. It starts with a woman in the future who has a journal of a life in the past…..

The year is 1272. The story focuses on a young man Faerin, his life is hard, he wants to become something better. But in a world that wants payment for everything, how will he ever rise to be something more?

Elizabeth makes an appearance several times in the book to remind us that we are being told a story.I like the fact you can have memories removed and stored (a little like Johnny Mneumonic) but there is something in the future that will have you wondering if it has some significance in the past!!

That was a really well thought out book, Elizabeth in the future, trying to read the journal that holds the story of Faerin and his past. Fight scenes? Yes there is, and they are pretty good. Romance? A little, but it’s not really that important here.

And in the future, Elizabeth is having her own issues. The book holds great interest to those who have been waiting to get their hands on it. So she has to discover the secrets before her biggest rival gets here. Because when he does she may lose the book!!

And when Faerin comes into a possession of an sword, he will do anything and everything in his power to retain and look after the sword. He has a couple of friends who he likes as brothers, but I wasn’t sure! If people will sell their souls for iron, then can he trust his friends? Iron we take it is a valuable commodity, people will kill to have it, in fact it’s more coveted than gold!! Why? There seems to be a story behind the reasons why iron is so wanted…..

Magic and mystery come together in a really great read. There is also a lot of going’s on in the background, there is double dealings, backstabbing and money that exchanges hands for information. Some parts get a little bogged down with too much detail, but there isn’t too much thank goodness. Politics and social views are a big thing as well.

The equality and sexism didn’t really worry me as such, if you put yourself in the time period, then women were a lower class, as were the common man. But I do love the class divides, it’s clear there is a hierarchy, it’s clear there are people who make money of the backs of the unfortunate, and they don’t hide that fact.

OH!!! It ends on a cliffhanger….. Do I want to know what happens next? I certainly do.
Pick it up, you won’t be disappointed.

Reviewed by Julie ?

Copy supplied for review

The first words of “A Promise of Iron” are not the words that made it to print. This journey began a long time ago. It was 2006, and for the sake of this story, one can assume I had just finished an all-weekend marathon of the Lord of the Rings. I may have even been playing World of Warcraft, Elderscrolls, or dabbling in any of a half a dozen D&D iterations of the time. When I look back, I can’t honestly remember the spark, that moment of inspiration that told me to open a word document and begin writing.

“A darkness looms,” it said, that first pass at that first paper. There was prophecy in those words. As it turned out that darkness was not some unseen enemy, no grand villain bent on the destruction of the world… it was the story… and it was utter crap.

Before I continue, I think you need to understand something about me first. I am not an author. Not classically trained at any rate. At best, I am a sci-fi & fantasy enthusiast with the temerity to offer something of my own to stoke the fire. I don’t really belong here, not amongst you who are well educated and well informed. Yet I feel as if I do, partly from the welcome and reception received by my betters and partly from the slowly increasing confidence in my own abilities.

I wrote a book that does not suck. No one is more surprised than me. If you were to ask my lovely wife, she would fawn and extol my impressive list of virtues while rolling her eyes in a casual attempt to check my ever-growing ego. In truth, I’m here because of her.

Back to the story…

By the time I cobbled together a few hundred pages of that dreadful first pass, I had come to a simple conclusion— what I had just wasn’t any good. Family and friends may have told me otherwise, but I saw the truth within their ingratiating eyes. So I quit. I stopped writing. I stopped writing for years. I stopped writing, and no one stopped me from stopping. There were casual mentions, reminders that there was a task unfinished, but no spark, no divine influence urging me to continue.

Years passed and I grew up. I had setbacks and new beginnings. I also met my wife. We fell in love, got married, and had a baby. I had known hard work before, but having a newborn was a new kind of work. Working for those you love carries differently. You can push harder, run faster and lift longer than you would when working only for yourself.

But I am rambling…

The spark was there now, fanned to flame by the hands of those who knew me for the true worth of my salt. “Write,” they said, “finish what you started.”

So I did…

I wish I could say the writing road ahead was shorter than the one behind, but when you have to double back because you forgot your map, it’s easier to just pick a new path.

So I threw it all out. I changed the tone, the perspective, the themes. I wrote that new first draft in a fraction of the time it took to torture through the last one. When I was finished, I presented it to her. I was eager for feedback, praise, or a sobering dose of reality. When she told me how she loved it— I saw no lie within her eyes.

Thanks for reading.

Salt & ruin,

-Brandon

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