HOLLOWLAND by Amanda Hocking-a review

HOLLOWLAND by Amanda Hocking-a review

HOLLOWLAND by Amanda Hocking

HOLLOWLAND is Amanda Hocking’s first instalment in the Hollows series. Written in the Urban Fantasy genre (with some horror thrown in for the fun of it), Hollowland follows 19 year old Remy King in the search for her 8 year old brother Max. Set against the zombie-ridden wastelands of America, Hollowland introduces a cast of characters that quickly succumbed to the zombie virus or were determined to keep their rag-tag family of misfits together, for all time.

It has been one long year, since the first zombie infested human turned. Remy King and her brother have been quarantined along with hundreds of other virus-free humans for months. Military personnel control the quarantined areas like prisons- no one enters-no one leaves, but when her 8year old brother Max is suddenly removed and held in another facility, Remy takes it upon herself, to find where her brother is held. But the zombies have started to form groups-they are now working cohesively together, as though they have an agenda. As the quarantined area is overrun with zombies, Remy knows she must make her escape if she is to find Max.

So, with two unwelcome companions, 13 year old Harlow and Sommer, Remy sets out into the vast wasteland, that can only be described as post-apocalyptic. Throughout the storyline, zombies surge en-masse towards the virus-free humans looking for ‘fresh meat’. A scratch or a bite from a zombie will render the human-persona non-grata-to be left behind or killed, to prevent further infestation. Remy loses many of her friends and most of her family to the ‘lyssavirus’ mutated rabies virus, but she is determined, to reach her brother Max. The character of Remy at times appears distant, without emotion, but perhaps she has seen too many deaths in the past 12 months. But a foray into an abandoned house, finds not only canned food and bottled water, but other survivors-Blue, a 20 something med –student and Lazlo, a 19 year old rock star, who at times is as useless as an umbrella in a hurricane.

The small group of survivors plods forward, heading north to find Max. Town after town of abandoned and destroyed homes, greets the lonely –but the residual smell of death, decay and rotting corpses fills their senses with fear. Moving closer to Las Vegas, or what is left of the ‘city that never sleeps’ they are continuously under attack from zombies and marauding bands of survivors. Hoping to find help, they fall into the hands of a religious cult leader and his minions, only to escape with a few more survivors, willing to risk their lives on the mission to find Max. Remy and her band meet London, a survivor who has set up a quarantined area, complete with shelter, food and running water, but Remy is determined to complete her mission. So with heavy heart, and a few friends lighter, Remy continues north in search of the military area that is now home to her brother.

At times, Remy’s relationship with the others is cold and distant, but her heart will soften as love encroaches into her life. But Remy blames herself for the deaths of many of her companions and some of the people they have met along the way. But after a violent attack by zombies, where Remy is injured, and a rescue mission by the very people holding her brother, Remy’s only thought is to save Max.

As new members of the quarantined area, the small band of friends, must participate in the daily community life, but Remy finds a hero in Tatum, a military guard, who along with Blue and Lazlo, help Remy gain entrance into the facility where her brother is no longer quarantined, but held prisoner in a game of ‘saving the world from extinction’.

Hollowland has its’ moments. The editing is poor, there are plenty of spelling errors and missing words, but the original release is self-published. The grammatical errors etc, do not take away from the storyline, but the poor editing is a nuisance.

The premise is interesting, but familiar– A heroine who won’t listen and risks the lives of everyone to reach her final destination. The fight scenes are at most, impossible to survive or even choreograph, but somehow Remy makes it through—after all, it is a fantasy. Some fascinating friends, a love interest and an unlikely ‘kindred’ guardian in Ripley, allow for some unexpected twists, but overall I liked Hollowland. There is no HEA, as the heroine finds herself trapped in a world, she was trying to avoid, but her goal was to find her brother Max. The familiar storyline is predictable, but the plot twists make the story interesting and worth the read. Next on the agenda: Hollowmen—6 months after.

HOLLOWLAND is FREE from most ebook outlets.

Reviewed by Sandy

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Amanda Hocking – A Success Story

Amanda Hocking – A Success Story

Amanda Hocking’s stories about witches and vampires falling in love may be changing the face of publishing.

The college dropout from Austin, Minn, had no connection to other writers or the publishing industry when she resorted to self-publishing just over a year ago after rejections from many publishers.

First the Muppets fan just posted her books for anyone to read, then she started selling them, at low prices of 99 cents to $2.99. By late last year she was in Kindle’s million-seller e-book club along with Stieg Larsson and Janet Evanovich.

The 28-year-old signed a $1 million deal with St. Martin’s Press and is currently on a European tour promoting her books. There’s a movie option on her Trylle Trilogy and a comic book is in the works.

Has the paranormal romance writer written a new chapter in publishing?

British businessman Nicholas Read studied Hocking’s winning formula and decided he’d also make his own publishing success. His book Endworlds: Echoes of Worlds Past is sold in three instalments for $7 each. Launched in December on many e-book sites, including Kindle and iTunes, the science fiction series has more than 49,000 fans on Facebook.

Sales figures won’t be known until the first quarter report, but Read “couldn’t be happier. The bloggers and social media response has been great,” he said in an interview.

“We struck the chord we were hoping to strike.”

Read, who formed Read Publishing to handle the online enterprise, says talks have begun with a print publisher.

The editing, printing, distribution, publicity and other skills print publishers provide are still extremely valuable, says Geoffrey Taylor, director of Authors at Harbourfront Centre and the International Festival of Authors.

E-books are still relatively new on the scene, he says, adding that “five years ago it was a fringe thing; now every publisher has e-books.” Most publishers, though, sell only works that have already been published online.

The publishing world is full of stories of wonderful books that had trouble getting published — J.K. Rowling had a hard time getting anyone to take on Harry Potter — and Taylor can see why frustrated authors turn to e-publishing.

It’s cheaper and accessible to more people, whether or not they can write, like a “YouTube for books.”

As for Hocking’s success, Taylor calls it a “Cinderella” story. “It’s quite miraculous.

“This is not the death of publishing, it is a whole new chapter,” he adds. “There is not just one example of how to do it.”

Cheerleading magazine editor Brittany Geragotelis (brittanythebookslayer.blogspot.com) may be another Hocking. She gave away her writing online, chapter by chapter, before self-publishing Life’s a Witch. She published both online and in paperback at the insistence of her millions of social media readers who wanted to give friends a copy of the book.

Given wide exposure on WATTPAD — a Toronto social media site for book lovers and authors that just won an award for Best Canadian Startup of 2011 — Geragotelis’s paranormal drama has attracted offers from publishers as well as movie and TV producers.

In this way, self-published ebooks are like a “minor league” from which publishers pick their future writers.

Kim McArthur, president of McArthur and Associates Publishing, says ebooks will probably settle at 15 per cent of the business.

Although she admits to being “totally biased,” McArthur says many self-published e-books are poorly written.

Print publishing allows extensive copy editing and “still there are mistakes caught by vigilant readers,” she said. What about the book just “thrown online,” she wonders. Who’s making sure they’re not riddled with errors or even plagiarized?

Sarah MacLachlan, president of House of Anansi Press, echoes that.

“There’s no quality, policing and control,” she says, adding that paper and binding cover only 10 per cent of the cost of a book: the rest is editing, marketing and “more than spellcheck.”

McArthur has published only one e-book that wasn’t first published on paper, Gordon Ferris’s The Hanging Shed, which sold 150,000 e-copies. However, he was already a well-established author.

McArthur says Hocking “hit pay dirt. I’m all for it. But she is the exception.”

MacLachlan also applauds Hocking’s success, saying, “She was just completely dedicated to making her books. It’s quite an exceptional story.”

But not one she expects to see replicated often.

Article by Trish Crawford, Entertainment Reporter
January 28, 2012

http://www.toronto.com/article/711713–amanda-hocking-s-e-books-may-change-face-of-publishing

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