Take it Back by Kia Abdullah – Review, Excerpt and Q&A

Take it Back by Kia Abdullah –  Review, Excerpt & Q&A

 

 

 

Amazon / B&N / Kobo / Google Play / BAM / Book Depository

 

Description:
From author Kia Abdullah, Take It Back is a harrowing and twisting courtroom thriller that keeps you guessing until the last page is turned.

One victim. 
Four accused. 
Who is telling the truth?

Zara Kaleel, one of London’s brightest legal minds, shattered the expectations placed on her by her family and forged a brilliant legal career. But her decisions came at a high cost, and now, battling her own demons, she has exchanged her high profile career for a job at a sexual assault center, helping victims who need her the most. Victims like Jodie Wolfe.

When Jodie, a sixteen-year-old girl with facial deformities, accuses four boys in her class of an unthinkable crime, the community is torn apart. After all, these four teenage defendants are from hard-working immigrant families and they all have proven alibis. Even Jodie’s best friend doesn’t believe her.

But Zara does—and she is determined to fight for Jodie—to find the truth in the face of public outcry. And as issues of sex, race and social justice collide, the most explosive criminal trial of the year builds to a shocking conclusion.

 

Review:

Can I just say WOW!!!  I’m more of a paranormal reader (and proud) and I only read something different when I’m on holiday (weird I know) but that was great writing. The story drew me in.

Take It Back by Kia Abdullah has great characters, very complex and draws you in from the start and keeps you there till the last page. 

I loved the character of Zara, going against her family and community to represent Jodie was to her family “wrong”. Zara is a Muslim, the accused are Muslims, Jodie is a disabled white girl! But after serving the judicial system for years, Zara has had enough, so she left her high flying career and now helps victims of violence. Again her family are disappointed, but it’s something Zara had to do for herself. I also get the impression that Zara is battling herself, her addiction to medication, her boyfriend and her unsympathetic family all add to her daily battle. When you first meet her, you get the impression Zara just doesn’t care, her boyfriend wants more, she’s just rebelling by dating a non-Muslim, she barely speaks to her family….. but if you look further she’s disconnecting…. built such a high wall, that nothing or no one can get through. 

Jodie is alone in her battle and the world. Her best friend Nina, proves to be not the best friend she claims to be! And as for her drunken mother (who I wanted to slap) just wanted to blame the world for her problems, she didn’t care about Jodie at all! 

Jodie is written as a very strong character, she’s had to face people and their discriminations since birth. Jodie has facial disabilities, but that shouldn’t define you!  Yes she’s the victim of a violent crime, but she’s not about to let people shut her up! She’s demanding justice. But as it all beings to spiral out of control, Jodie wonders if she just should have stayed quiet (especially as they find out she had a crush on one of the accused!) 

The four accused boys take Jodie’s accusations differently…. Farid withdraws from reality, Amir and Hassan both lash out at others and everything around them. Mo seems the most genuinely troubled by Jodie’s accusations. You could almost sympathize with Mo, but there is something stopping me, I’m not sure, but I don’t want to trust him! 

The book takes us on a journey that I found fascinating and horrifying at the same time. To have to prove your innocence, to have to run the gauntlet of people judging you. Hoping your friends and family have your back, only to find out that they don’t, not really! 

The courtroom scenes are just as bad, if this is the way the system works, then no wonder people don’t come forward! 

The hits in this book keep coming….. Zara makes a rookie mistake and it’s Jodie who pays for it! Then when you think it’s going to correct it’s self…. bang!!! Another blow!! Seriously I felt emotionally exhausted after several of the chapters! 

There are triggers in this book, it’s deeply upsetting in places. But please stay with it! The story will have you trying to work it out until the end! 

Reviewed by Julie

Copy provided by Publisher

 

 

 

CHAPTER ONE

She watched her reflection in the empty glass bottle as the truth crept in with the wine in her veins. It curled around her stomach and squeezed tight, whispering words that paused before they stung, like a paper cut cutting deep: colorless at first and then vibrant with blood. You are such a fucking cliché, it whispered—an accusation, a statement, a fact. The words stung because Zara Kaleel’s self-image was built on the singular belief that she was different. She was different from the two tribes of women that haunted her youth. She was not a docile housewife, fingers yellowed by turmeric like the quiet heroines of the second-gen literature she hated so much. Nor was she a rebel, using her sexuality to subvert her culture. And yet here she was, lying in freshly stained sheets, skin gleaming with sweat and regret.

Luka’s post-coital pillow talk echoed in her ear: It’s always the religious ones. She smiled a mirthless smile. The alcohol, the pills, the unholy foreskin—it was all so fucking predictable. Was it even rebellious anymore? Isn’t this what middle-class Muslim kids did on weekends?

Luka’s footsteps in the hall jarred her thoughts. She shook out her long dark hair, parted her lips, and threw aside the sheets, secure in the knowledge that it would drive him wild. Women like Zara were never meant to be virgins. It’s little wonder her youth was shrouded in hijab.

He walked in, a climber’s body naked from the waist up, his dirty blond hair lightly tracing a line down his chest. Zara blinked languidly, inviting his touch. He leaned forward and kissed the delicate hollow of her neck, his week-old stubble marking tiny white lines in her skin. A sense of happiness, svelte and ribbon-like, pattered against her chest, searching for a way inside. She fought the sensation as she lay in his arms, her legs wrapped with his like twine.

“You are something else,” he said, his light Colorado drawl softer than usual. “You’re going to get me into a lot of trouble.”

He was right. She’d probably break his heart, but what did he expect screwing a Muslim girl? She slipped from his embrace and wordlessly reached for her phone, the latest of small but frequent reminders that they could not be more than what they were. She swiped through her phone and read a new message: “Can you call when you get a sec?” She re-read the message, then deleted it. Her family, like most, was best loved from afar.

Luka’s hand was on her shoulder, tracing the outline of a light brown birthmark. “Shower?” he asked, the word warm and hopeful between his lips and her skin.

She shook her head. “You go ahead. I’ll make coffee.”

He blinked and tried to pinpoint the exact moment he lost her, as if next time he could seize her before she fled too far, distract her perhaps with a stolen kiss or wicked smile. This time, it was already too late. He nodded softly, then stood and walked out.

Zara lay back on her pillow, a trace of victory dancing grimly on her lips. She wrapped her sheets around her, the expensive cream silk suddenly gaudy on her skin. She remembered buying an armful years ago in Selfridges; Black American Express in hand, new money and aspiration thrumming in her heart. Zara Kaleel had been a different person then: hopeful, ambitious, optimistic.

Zara Kaleel had been a planner. In youth, she had mapped her life with the foresight of a shaman. She had known which path to take at every fork in the road, single-mindedly intent on reaching her goals. She finished law school top of her class and secured a place on Bedford Row, the only brown face at her prestigious chambers. She earned six figures and bought a fast car. She dined at Le Gavroche and shopped at Lanvin and bought everything she ever wanted—but was it enough? All her life she was told that if she worked hard and treated people well, she’d get there. No one told her that when she got there, there’d be no there there.

When she lost her father six months after their estrangement, something inside her slid apart. She told herself that it happened all the time: people lost the ones they loved, people were lost and lonely, but they battled on. They kept on living and breathing and trying, but trite sentiments failed to soothe her anger. She let no one see the way she crumbled inside. She woke the next day and the day after that and every day until, a year later, she was on the cusp of a landmark case. And then, she quit. She recalled the memory through a haze: walking out of chambers, manic smile on her face, feeling like Michael Douglas in Falling Down. She planned to change her life. She planned to change the world. She planned to be extraordinary.

Now, she didn’t plan so much.

* * *

It was a few degrees too cold inside Brasserie Chavot, forcing the elegant Friday night crowd into silk scarves and cashmere pashminas. Men in tailored suits bought complicated cocktails for women too gracious to refuse. Zara sat in the center of the dining room, straight-backed and alone between the glittering chandelier and gleaming mosaic floor. She took a sip from her glass of Syrah, swallowing without tasting, then spotted Safran as he walked through the door.

He cut a path through soft laughter and muted music and greeted her with a smile, his light brown eyes crinkling at the corners. “Zar, is that you? Christ, what are you wearing?”

Zara embraced him warmly. His voice made her think of old paper and kindling, a comfort she had long forgotten. “They’re just jeans,” she said. “I had to stop pretending I still live in your world.”

“‘Just jeans’?” he echoed. “Come on. For seven years, we pulled all-nighters and not once did you step out of your three-inch heels.”

She shrugged. “People change.”

“You of all people know that’s not true.” For a moment, he watched her react. “You still square your shoulders when you’re getting defensive. It’s always been your tell.” Without pause for protest, he stripped off his Merino coat and swung it across the red leather chair, the hem skimming the floor. Zara loved that about him. He’d buy the most lavish things, visit the most luxurious places and then treat them with irreverence. The first time he crashed his Aston Martin, he shrugged and said it served him right for being so bloody flashy.

He settled into his seat and loosened his tie, a note of amusement bright in his eyes. “So, how is the illustrious and distinguished exponent of justice that is Artemis House?”

A smile played on Zara’s lips. “Don’t be such a smart-arse,” she said, only half in jest. She knew what he thought of her work: that Artemis House was noble but also that it clipped her wings. He did not believe that the sexual assault referral center with its shabby walls and erratic funding was the right place for a barrister, even one who had left the profession.

Safran smiled, his left dimple discernibly deeper than the right. “I know I give you a hard time but seriously, Zar, it’s not the same without you. Couldn’t you have waited ’til mid-life to have your crisis?”

“It’s not a crisis.”

“Come on, you were one of our strongest advocates and you left for what? To be an evening volunteer?”

Zara frowned. “Saf, you know it’s more than that. In chambers, I was on a hamster wheel, working one case while hustling for the next, barely seeing any tangible good, barely even taking a breath. Now, I work with victims and can see an actual difference.” She paused and feigned annoyance. “And I’m not a volunteer. They pay me a nominal wage. Plus, I don’t work evenings.”

Safran shook his head. “You could have done anything. You really were something else.”

She shrugged. “Now I’m something else somewhere else.”

“But still so sad?”

“I’m not sad.” Her reply was too quick, even to her own ears.

He paused for a moment but challenged her no further. “Shall we order?”

She picked up the menu, the soft black leather warm and springy on her fingertips. “Yes, we shall.”

Safran’s presence was like a balm. His easy success and keen self-awareness was unique among the lawyers she had known—including herself. Like others in the field, she had succumbed to a collective hubris, a self-righteous belief that they were genuinely changing the world. You could hear it dripping from the tones of overstuffed barristers, making demands on embassy doorsteps, barking rhetoric at political figureheads.

Zara’s career at the bar made her feel important, somehow more valid. After a while, the armor and arrogance became part of her personality. The transformation was indiscernible. She woke one day and realized she’d become the person she used to hate—and she had no idea how it had happened. Safran wasn’t like that. He used the acronyms and in-jokes and wore his pinstripes and brogues, but he knew it was all for show. He did the devil’s work but somehow retained his soul. At thirty-five, he was five years older than Zara and had helped her navigate the brutal competitiveness of London chambers. He, more than anyone, was struck by her departure twelve months earlier. It was easy now to pretend that she had caved under pressure. She wouldn’t be the first to succumb to the challenges of chambers: the grueling hours, the relentless pace, the ruthless colleagues, and the constant need to cajole, ingratiate, push, and persuade. In truth, she had thrived under pressure. It was only when it ceased that work lost its color. Numbed by the loss of her father and their estrangement before it, Zara had simply lost interest. Her wins had lost the glee of victory, her losses fast forgotten. Perhaps, she decided, if she worked more closely with vulnerable women, she would feel like herself again. She couldn’t admit this though, not even to Safran who watched her now in the late June twilight, shifting in her seat, hands restless in her lap.

He leaned forward, elbows on the table. “Jokes aside, how are you getting on there?”

Zara measured her words before speaking. “It’s everything I thought it would be.”

He took a sip of his drink. “I won’t ask if that’s good or bad. What are you working on?”

She grimaced. “I’ve got this local girl, a teenager, pregnant by her mother’s boyfriend. He’s a thug through and through. I’m trying to get her out of there.”

Safran swirled his glass on the table, making the ice cubes clink. “It sounds very noble. Are you happy?”

She scoffed. “Are you?”

He paused momentarily. “I think I’m getting there, yeah.”

She narrowed her eyes in doubt. “Smart people are never happy. Their expectations are too high.”

“Then you must be the unhappiest of us all.” Their eyes locked for a moment. Without elaborating, he changed the subject. “So, I have a new one for you.”

She groaned.

“What do you have if three lawyers are buried up to their necks in cement?”

“I don’t know. What do I have?”

“Not enough cement.”

She shook her head, a smile curling at the corners of her lips.

“Ah, they’re getting better!” he said.

“No. I just haven’t heard one in a while.”

Safran laughed and raised his drink. “Here’s to you, Zar—boldly going where no high-flying, sane lawyer has ever gone before.”

She raised her glass, threw back her head and drank.

* * *

Artemis House on Whitechapel Road was cramped but comfortable and the streets outside echoed with charm. There were no anodyne courtyards teeming with suits, no sand-blasted buildings that gleamed on high. The trust-fund kids in the modern block round the corner were long scared off by the social housing quota. East London was, Zara wryly noted, as multicultural and insular as ever.

Her office was on the fourth floor of a boxy gray building with stark pebbledash walls and seven stories of uniformly grimy windows. Her fiberboard desk with its oak veneer sat in exactly the wrong spot to catch a breeze in the summer and any heat in the winter. She had tried to move it once but found she could no longer open her office door.

She hunched over her weathered keyboard, arranging words, then rearranging them. Part of her role as an independent sexual violence advisor was filtering out the complicated language that had so long served as her arsenal—not only the legalese but also the theatrics and rhetoric. There was no need for it here. Her role at the sexual assault referral center, or SARC, was to support rape victims and to present the facts clearly and comprehensively so they could be knitted together in language that was easy to digest. Her team worked tirelessly to bridge the gap between right and wrong, between the spoken truth and that which lay beneath it. The difference they made was visible, tangible, and repeatedly affirmed that Zara had made the right decision in leaving Bedford Row.

Despite this assurance, however, she found it hard to focus. She did good work—she knew that—but her efforts seemed insipidly gray next to those around her, a ragtag group of lawyers, doctors, interpreters, and volunteers. Their dedication glowed bright in its quest for truth, flowed tirelessly in the battle for justice. Their lunchtime debates were loud and electric, their collective passion formidable in its strength. In comparison her efforts felt listless and weak, and there was no room for apathy here. She had moved three miles from chambers and found herself in the real East End, a place in which sentiment and emotion were unvarnished by decorum. You couldn’t coast here. There was no shield of bureaucracy, no room for bluff or bluster. Here, there was nothing behind which to hide.

Zara read over the words on the screen, her fingers immobile above the keys. She edited the final line of the letter and saved it to the network. Just as she closed the file, she heard a knock on her door.

Stuart Cook, the center’s founder, walked in and placed a thin blue folder on her desk. He pulled back a chair and sat down opposite. Despite his unruly blond hair and an eye that looked slightly to the left of where he aimed it, Stuart was a handsome man. At thirty-nine, he had an old-money pedigree and an unwavering desire to help the weak. Those more cynical than he accused him of having a savior complex but he paid this no attention. He knew his team made a difference to people’s lives and it was only this that mattered. He had met Zara at a conference on diversity and the law, and when she quit he was the first knocking on her door.

He gestured now to the file on her desk. “Do you think you can take a look at this for the San Telmo case? Just see if there’s anything to worry about.”

Zara flicked through the file. “Of course. When do you need it by?”

He smiled impishly. “This afternoon.”

Zara whistled, low and soft. “Okay, but I’m going to need coffee.”

“What am I? The intern?”

She smiled. “All I’m saying is I’m going to need coffee.”

“Fine.” Stuart stood and tucked the chair beneath the desk. “You’re lucky you’re good.”

“I’m good because I’m good.”

Stuart chuckled and left with thanks. A second later, he stuck his head back in. “I forgot to mention: Lisa from the Paddington SARC called. I know you’re not in the pit today but do you think you can take a case? The client is closer to us than them.”

“Yes, that should be fine.”

“Great. She—Jodie Wolfe—is coming in to see you at eleven.”

Zara glanced at her watch. “Do you know anything about the case?”

Stuart shook his head. “Abigail’s sorted it with security and booked the Lincoln meeting room. That’s all I know—sorry.”

“Okay, thanks. I’ll go over now if it’s free.” She gestured at the newest pile of paper on her desk. “This has got to the tipping point.”

Carefully, she gathered an armful of folders and balanced her laptop on top. Adding a box of tissues to the pile, she gingerly walked to “the pit.” This was the central nervous system of Artemis House, the hub in which all clients were received and each assigned a caseworker. It was painted a pale yellow—“summer meadow” it had said on the tin—with soft lighting and pastel furnishings. Pictures of lilies and sacks of brightly colored Indian spices hung on the wall in a not wholly successful attempt to instill a sense of comfort. The air was warm and had the soporific feel of heating left on too long.

Artemis House held not only the sexual assault referral center but also the Whitechapel Road Legal Center, both founded with family money. Seven years in, they were beginning to show their lack of funds. The carpet, once a comforting cream, was now a murky beige and the wallpaper curled at the seams. There was a peaty, damp smell in the winter and an overbearing stuffiness in the summer. Still, Zara’s colleagues worked tirelessly and cheerfully. Some, like she, had traded better pay and conditions for something more meaningful.

Zara maneuvered her way to the Lincoln meeting room, a tiny square carved into a corner of the pit. She carefully set down her armful and divided the folders into different piles: one for cases that had stalled, one for cases that needed action, and another for cases just starting. There she placed Stuart’s latest addition, making a total of twelve ongoing cases. She methodically sorted through each piece of paper, either filing it in a folder or scanning and binning it. She, like most lawyers, hated throwing things away.

She was still sorting through files when half an hour later she heard a gentle knock on the door. She glanced up, taking just a beat too long to respond. “May I help you?”

The girl nodded. “Yes, I’m Jodie Wolfe. I have an appointment?”

“Please come in.” Zara gestured to the sofa, its blue fabric torn in one corner, exposing yellow foam underneath.

The girl said something unintelligible, paused, then tried again. “Can I close the door?”

“Of course.” Zara’s tone was consciously casual.

The girl lumbered to the sofa and sat carefully down while Zara tried not to stare.

Jodie’s right eye was all but hidden by a sac of excess skin hanging from her forehead. Her nose, unnaturally small in height, sat above a set of puffy lips and her chin slid off her jawline in heavy folds of skin.

“It’s okay,” misshapen words from her misshapen mouth. “I’m used to it.” Dressed in a black hoodie and formless blue jeans, she sat awkwardly on the sofa.

Zara felt a heavy tug of pity, like one might feel for a bird with a broken wing. She took a seat opposite and spoke evenly, not wanting to infantilize her. “Jodie, let’s start with why you’re here.”

The girl wiped a corner of her mouth. “Okay but, please, if you don’t understand something I say, please ask me to repeat it.” She pointed at her face. “Sometimes it’s difficult to form the words.”

“Thank you, I will.” Zara reached for her notepad. “Take your time.”

The girl was quiet for a moment. Then, in a voice that was soft and papery, said, “Five days ago, I was raped.”

Zara’s expression was inscrutable.

Jodie searched for a reaction. “You don’t believe me,” she said, more a statement than a question.

Zara frowned. “Is there a reason I shouldn’t?”

The girl curled her hands into fists. “No,” she replied.

“Then I believe you.” Zara watched the tension ease. “Can I ask how old you are?”

“Sixteen.”

“Have you spoken to anyone about this?”

“Just my mum.” She shifted in her seat. “I haven’t told the police.”

Zara nodded. “You don’t have to make that decision now. What we can do is take some evidence and send it to the police later if you decide you want to. We will need to take some details but you don’t have to tell me everything.”

Jodie pulled at the cuffs of her sleeves and wrapped them around her fingers. “I’d like to. I think I might need to.”

Zara studied the girl’s face. “I understand,” she said, knowing that nerve was like a violin string: tautest just before it broke. If Jodie didn’t speak now, she may never find the courage. She allowed her to start when ready, knowing that victims should set their own pace and use pause and silence to fortify strength.

Jodie began to speak, her voice pulled thin by nerves, “It was Thursday just gone. I was at a party. My first ever one. My mum thought I was staying at my friend Nina’s house. She’s basically the daughter Mum wished she had.” There was no bitterness in Jodie’s tone, just a quiet sadness.

“Nina made me wear these low-rise jeans and I just felt so stupid. She wanted to put lipstick on me but I said no. I didn’t want anyone to see that I was … trying.” Jodie squirmed with embarrassment. “We arrived just after ten. I remember because Nina said any earlier and we’d look desperate. The music was so loud. Nina’s always found it easy to make friends. I’ve never known why she chose me to be close to. I didn’t want to tag along with her all evening—she’s told me off about that before—so I tried to talk to a few people.” Jodie met Zara’s gaze. “Do you know how hard that is?”

Zara thought of all the corporate parties she had attended alone; how keen she had been for a friend—but then she looked at Jodie’s startling face and saw that her answer was, “No.” Actually, she didn’t know how hard it was.

Jodie continued, “Nina was dancing with this guy, all close. I couldn’t face the party without her, so I went outside to the park round the back.” She paused. “I heard him before I saw him. His footsteps were unsteady from drinking. Amir Rabbani. He—he’s got these light eyes that everyone loves. He’s the only boy who hasn’t fallen for Nina.”

Zara noted the glazed look in Jodie’s eyes, the events of that night rendered vivid in her mind.

Jodie swallowed. “He came and sat next to me and looked me in the eye, which boys never do unless they’re shouting ugly things at me.” She gave a plaintive smile. “He reached out and traced one of my nails with his finger and I remember thinking at least my hands are normal. Thank you, God, for making my hands normal.” Jodie made a strangled sound: part cry and part scoff, embarrassed by her naïvety. “He said I should wear lace more often because it makes me look pretty and—” Her gaze dipped low. “I believed him.”

Jodie reached for a tissue but didn’t use it, twisting it in her hands instead. “He said, ‘I know you won’t believe me but you have beautiful lips and whenever I see you, I wonder what it would be like to kiss you.’” Jodie paused to steady her voice. “He asked if I would go somewhere secret with him so he could find out what it was like. I’ve never known what it’s like to be beautiful but in that moment I got a taste and…” Jodie’s eyes brimmed with tears. “I followed him.” She blinked them back through the sting of shame.

Zara smarted as she watched, dismayed that Jodie had been made to feel that way: to believe that her value as a young woman lay in being desirable, but that to desire was somehow evil.

Jodie kneaded the tissue in her fingers. “He led me through the estate to an empty building. I was scared because there were cobwebs everywhere but he told me not to worry. He took me upstairs. We were looking out the window when…” Jodie flushed. “He asked me what my breasts were like. I remember feeling light-headed, like I could hear my own heart beating. Then he said, ‘I ain’t gonna touch ’em if they’re ugly like the rest of you.’” Jodie’s voice cracked just a little—a hairline fracture hiding vast injury.

Zara watched her struggle with the weight of her words and try for a way to carry them, as if switching one for another or rounding a certain vowel may somehow ease her horror.

Jodie’s voice grew a semitone higher, the tissue now balled in her fist. “Before I could react, his friends came out of the room next door. Hassan said, ‘This is what you bring us?’ and Amir said he chose me because I wouldn’t tell anyone. Hassan said, ‘Yeah, neither would a dog.’”

Jodie gripped her knee, each finger pressing a little black pool in the fabric of her jeans. Her left foot tap-tapped on the floor as if working to a secret beat. “Amir said, ‘She’s got a pussy, don’t she?’ and told me to get on my knees. I didn’t understand what was happening. I said no. He tried to persuade me but I kept saying no…” Jodie exhaled sharply, her mouth forming a small O as if she were blowing on tea. “He—he told his friends to hold me.”

Zara blinked. “How many were there?” she asked softly.

Jodie shifted in her seat. “Four. Amir and Hassan and Mo and Farid.”

Zara frowned. “Do you know their surnames?”

“Yes. Amir Rabbani, Hassan Tanweer, Mohammed Ahmed, and Farid Khan.”

Zara stiffened. A bead of sweat trickled down the small of her back. Four Muslim boys. Four Muslim boys had raped a disabled white girl.

“I—” Jodie faltered. “I wasn’t going to tell anyone because…” Her voice trailed off.

“You can tell me.” Zara reached out and touched the girl’s hand. It was an awkward gesture but it seemed to soothe her.

“Because if a month ago, you had told me that any one of those boys wanted me, I would have thought it was a dream come true.” Hot tears of humiliation pooled in her eyes. “Please don’t tell anyone I said that.”

A flush of pity bloomed on Zara’s cheeks. “I won’t,” she promised.

Jodie pushed her palms beneath her thighs to stop her hands from shaking. “Farid said he wasn’t going to touch a freak like me, so Hassan grabbed me and pushed me against the wall. He’s so small, I thought I could fight him but he was like an animal.” Jodie took a short, sharp breath as if it might stifle her tears. “Amir said he would hurt me if I bit him and then he … he put himself in my mouth.” Jodie’s lips curled in livid disgust. “He grabbed my hair and used it to move my head. I gagged and he pulled out. He said he didn’t want me to throw up all over him and…” A sob rose from her chest and she held it in her mouth with a knuckle. “He finished himself off over me.”

Zara’s features were neutral despite the churning she felt inside. “What were the others doing?” she asked gently.

Jodie shook with the effort of a labored breath. “I—I couldn’t see. They were behind me.” She clasped her hands together in her lap. “Hassan pushed me and I fell to the ground. He tore my top and undid my jeans and then … he started.” Jodie’s features buckled in anguish. “He—he came on my face, like Amir.”

Zara closed her eyes for a moment, stemming the weakness knotting in her throat.

Jodie’s words came faster now, as if she needed them said before they broke inside. “Hassan turned to Mo and said, ‘She’s all yours.’ Mo said he didn’t want to but they started calling him names and saying he wasn’t man enough, so … he did it too.” Jodie’s voice cracked, giving it a strange, abrasive texture. “Mo has sat next to me in class before. He’s helped me, been kind to me. I begged him to stop, but he didn’t.” She swallowed a sob, needing to get through this.

Zara listened as the words from Jodie’s mouth fell like black spiders, crawling over her skin and making her recoil. The sensation unnerved her. Part of Zara’s talent as a caseworker was her ability to remain composed, almost dispassionate, in the face of the painful stories told between these walls. Today, the buffer was breached.

“Jodie.” Zara swallowed hard to loosen the words. “I am so, so sorry for what you went through.” Her words, though earnest, rang hollow, echoing in a chamber of horror. “We’re nearly there. Can you tell me what happened after?”

“They just left me there.” Her words held a note of wonder. “I wiped everything off me using some old curtains. I tucked my top into my jeans so it wouldn’t keep splitting open and then I walked home.”

“Did you see anyone on the way? Any passing cars or revellers from the party?”

Jodie shook her head. “I stayed off the path. I didn’t want to be seen.”

“Were you injured at all? Bleeding?”

“No.” Jodie took a steady breath, appeased by the simplicity of this back and forth questioning.

“What time was it when you got home?”

“I walked for fifteen minutes so around twelve I think.”

“Did you tell your mum?”

“Not that night. She was in bed and I let myself in. I went to my bedroom and then I cleaned myself up.” Jodie pointed at her backpack, a bare and practical navy so she couldn’t be teased for signs of personality. “I’ve brought the clothes I was wearing.”

“Washed?”

“No. I didn’t want to be stupid like you see on TV.”

Zara blinked. “Jodie, nothing you did or didn’t do could be called stupid. Please understand that.”

The girl gathered her perfectly formed hands in her lap but gave no sign of agreement.

“Did you tell Nina or anyone else what happened?”

“How could I?” Jodie’s voice was soft but bitter. “How could I tell her that a boy who doesn’t even want her wanted me? How would she ever believe that?”

Zara looked up from her notes. “Hey,” she said, drawing Jodie’s gaze from her lap. “No matter what happens, I want you to know that I believe you.” Zara studied her for a moment, noting the dozen different ways in which she kept control: the tensing of her jowls and the squaring of her jaw, the curl of her fists and feet flattened on the floor. “I believe you,” she repeated.

Fresh tears welled in Jodie’s eyes. “So you will help me?”

“Yes, I will help you.” Zara watched her wilt with relief. “Is there anything else I need to know? Anyone else who was involved?”

“No. That’s everything.”

Zara drew two lines beneath her notes. She watched Jodie dab at her dripping nose and wondered how a jury would view her. A rape trial usually hinged on power—one person stripping it from another—but in this case, it would be difficult not to consider desire. Zara believed Jodie—had seen too much devious behavior, met too many appalling men to doubt the young girl’s story—but felt a deep unease at the thought of her facing a jury. Could they imagine four young men wanting to have sex with Jodie even in some twisted gameplay?

Zara reached for her box of tissues and handed a fresh piece to Jodie.

She took it with a quivering hand. “What happens now?”

Zara’s lips drew a tight line, a grimace in the guise of a smile. “We would like to conduct a medical exam. All our doctors here are female. After that, if you’re ready, we can help you make a formal statement with the police.”

Jodie blanched. “Can we go to the police tomorrow? I want to think about it for one more night.”

“Of course,” said Zara gently. “We can do the exam, store the samples and see how you feel.”

Jodie exhaled. “Thank you for being on my side,” she said, each few syllables halting before the next.

Zara offered a cursory nod.

“No, I mean it.” Jodie hesitated. “I told you it was hard to be at that party alone. The truth is it’s hard to be anywhere—everywhere—alone.”

Zara leaned forward. “You won’t be alone in this—not for any of it.” She gestured to the door. “If you want me in the exam room, I can sit with you.”

Jodie considered this but then shook her head. “I’ll be okay.”

Zara led her to the exam room and left her with the forensic medical examiner, a brisk but matronly Scotswoman who ushered Jodie inside. Zara shut the door with a queasy unrest. A small, delinquent part of her hoped that Jodie would change her mind, that she would not subject herself to the disruptive, corrosive justice system that so often left victims bruised. The law stress-tested every piece of evidence and that included the victim—probing, pushing, and even bullying until the gaps became apparent.

Beneath her concern, however, she knew that Jodie needed to pursue this. A horrifying thing had happened to her and only the arm of the law could scrub the stain clean and serve justice.

* * *

Erin Quinto watched the strange little girl walk to the exit with Zara, her metronomic shuffle almost jaunty in its motion. With unheard words, they said goodbye and Zara headed back to the pit.

“What’s her story?” asked Erin.

Zara sighed. “You wouldn’t believe me if I told you.”

“Oh yeah, I’m just a babe in the woods, me.” Erin laughed, deep and throaty, and followed Zara to her office. Inside, she reached into her jacket and pulled out a manila file. “I’ve got something for you guys.” She placed it on the desk. “Can you give this to Stuart when he’s back? It’s the San Telmo financials he was after.”

Zara raised a brow. “Of course. I don’t want to know how you got them but thank you.” She watched Erin, her angular features and lanky limbs clearly poised in thought. With her cropped hair, leather jacket, and big dark eyes, she looked like a comic book anti-hero: an anime Goth designed to drive a certain type of man wild.

Fittingly, beneath the dark hair and piercings, she was as wily as a snake. It was why Stuart had hired her as an investigator to freelance for Artemis House. It was five years ago and he was in the midst of his first big battle: Lisa Cox against Zifer Pharmaceuticals. The company’s sparkling new epilepsy drug, Koriol, had just hit the market. Alas, no one was told that depression was a rare but possible side effect. When Lisa Cox stepped in front of a moving train, she miraculously escaped without injury. The media went wild, Big Pharma went on the defensive, and the Medicine Regulatory Authority denied all wrongdoing. When Lisa decided to sue, she was smeared as a money-hungry whore with little regard for herself or the three children she would have left behind. Lisa lost her job and almost lost her home. She was an inch from surrender when Erin—young, laconic, beautiful—strode into the Whitechapel Road Legal Center and handed Stuart a file. Inside were memos between regulatory officials and Zifer acknowledging the drug’s dangerous side effects. Stuart couldn’t use the documents legally but a well-timed leak prompted an investigation that not only exonerated Lisa but also made her a very wealthy woman.

Stuart immediately offered the mysterious young Erin a job. She refused to take it and instead offered her freelance services pro bono, and now here she was pushing classified documents across a cheap fiberboard desk.

Zara placed the folder in her bottom-right drawer, the place she reserved for sensitive material.

Erin watched her, then asked, “Seriously, what’s the girl’s story?”

Zara locked her drawer and set down the key. In a measured tone, she relayed Jodie’s story, recalling the horrors of the story she’d told.

When Zara finished, Erin leaned forward, elbows on the desk, and said, “Tell me what you need me to do.”

Zara handed her a piece of paper. “Find out everything you can about these boys.”

Erin scanned the handwritten note. “Wait.” She looked up. “They’re Muslim?”

“Yes.”

“Jesus. You’re telling me that four Muslim boys raped a disabled white classmate?” Erin whistled softly. “The tabloids will have a field day when this gets out—not to mention the Anglican Defense League. Those right-wing nutjobs will besiege anyone that’s brown.”

Zara nodded tensely. “That’s a concern, but we can’t be distracted by what could happen or might happen. We need to approach this with a clear head.”

Erin’s features knotted in doubt. She smoothed the note on the desk and traced a finger across the four names. “What if I tried talking to one of them?”

Zara held up a hand. “No, don’t do that. Leave it to the police.”

“Screw the police.” Erin’s voice was heavy with scorn. “You think they’re going to get to the heart of this?” She didn’t pause for an answer. “Look, the way I see it, these boys did the crime or they didn’t. Either way, the police are going to fuck it up. You think they can get more information out of these bastards?”

Zara thought for a moment. “Fine,” she ceded. “Please just wait until the formal statement. We’ve overstepped the mark before and we can’t do it again.”

Erin’s eyes glinted in the sun. “Tell me which one refused to take part.”

“Farid, but it wasn’t out of sympathy.”

Erin smiled. “Yes, but maybe he’ll confess to save his skin. When are you going to the police?”

“Wednesday. Tomorrow.”

“Perfect. I’ll scope him out on Thursday.” Erin slipped the piece of paper into her leather jacket and readied to leave. “Four Muslim boys. Well, no one can accuse you of upholding the status quo.”

“Yeah,” Zara said dryly. “Rock’n’ roll.”

* * *

The bells of St. Alfege Church cut across the quiet, sending birds fleeing across the early evening sky. Canary Wharf shone in the distance—Zara’s favorite feature of her tidy Greenwich flat. She watched from the balcony and raised a joint to her lips. A blanket of warmth clouded around her, loosening the painful knots in her shoulders. Her head felt light but her limbs were heavy, almost sensual in effect. She leaned forward and laid her head on the wrought-iron railings, welcoming relief.

Just as her mind quieted, the doorbell cut through the breeze. Cursing, she snuffed out the joint and stepped back inside. Her flat on the top floor of a converted warehouse was large and bright with creaky old ceiling beams and exposed brickwork. The giant cream corner sofa sat next to her desk, a sturdy structure of reclaimed oak. Opposite stood a large bookcase stuffed with legal textbooks next to floor-to-ceiling windows. At the far end of the enormous room was her rarely used kitchen, a modern mix of chrome and glass offset by her giant wooden dining table. In a sea of minimalism, the only signs of personality were her antique lawyer lamp—a graduation gift from her sisters—and five large posters on the western wall depicting headlines from what Zara considered the greatest legal achievements of all time. She padded past them now and opened the door to find Luka outside with two bags filled with takeout.

He smiled sheepishly. “You said you missed lunch so I brought you some food.” His gaze fell to the joint cooling in her hand.

She drew it back. “I’ve had a bad day.”

“I didn’t say anything.” He gestured inside. “Can I come in?”

She held the door ajar.

Luka set the food on the breakfast bar and started to unpack. “So why did my beautiful girlfriend have a bad day?”

She balked. Six months and she still wasn’t used to “girlfriend.” They were meant to be casual. He was meant to be a distraction, a mindless and uncomplicated diversion, and yet here he was buying her comfort food and calling her his girlfriend.

She waved a hand. “It’s just something at work.”

Luka stopped. “What happened? Are you okay?” His concern only reminded her that she had told him too much, pulled him too close.

“Don’t worry,” she said. “It’s fine.”

He met her gaze, his eyes a stormy green, frustrated by her caginess. She wanted to reach out and touch him, to somehow soften her sharp edges, but opted instead to do nothing. She moved to the dining table and he followed, sitting next to her instead of opposite. We’re closer this way, he had once said. His hand rested on her knee, a subtle non-sexual gesture. She moved her leg so that he fell away. Don’t forget, it warned. She poured a large glass of wine and offered it to him.

He waved it away. “I can’t. I’m training for the climb.”

She set the glass on the table, noting the irony of a white man refusing a drink from a Muslim woman. She pushed it toward him. “You’ve still got a few weeks before you leave.”

He reached forward and wiped a crumb off her lip. “Yes, I do.” His fingers rested there a moment too long. “I’ll miss you.” He paused. “You know what’s happening between us, don’t you, Zara?”

She looked at him, eyes narrowed ever so slightly. It was her Ralph Lauren stare: part anxious, part vacant, detached but intense. Was she still playing or not? Even she couldn’t tell anymore.

His dark blond brows knotted in a frown. “I know what this is and what this isn’t but…” He watched her stiffen. “I know you don’t feel the same but I need you to know.”

“Luka—”

“You don’t have to say anything.” He leaned forward and pulled her into his arms.

Against her instinct, she let him hold her. If she was going to use him as a salve, at least she could let him heal.

“I love you,” he whispered.

She swallowed hard, as if rising emotion could be curbed at the throat. She held him tight, knowing full well that it was time to let go.

From Take It Back by Kia Abdullah. Copyright © 2020 by the author, reprinted with permission of St. Martin’s Publishing Group.

 

 

Q&A with Kia Abdullah, author of TAKE IT BACK

  1. In TAKE IT BACK, you deal with a challenging topic–a sixteen-year-old girl accuses four boys from her class in school of rape–how do you tell a story about such a traumatic subject while keeping readers turning the pages?

For me, character is so important because it does two things. Firstly, it forces me to approach a subject sensitively because I grow to care about my characters. I didn’t want Jodie – the 16-year-old girl in Take It Back – to be a loosely-sketched victim on which to hang my plot, so I took the time to interview survivors, counsellors, lawyers and police officers to make sure I was doing her justice.

Secondly, great characters make readers care about what happens and that’s what keeps the pages turning. The four boys who are accused in the novel are fully-fledged characters in their own right and so that setup is really compelling for the reader: “I care about both the victim and the accused here, but who is telling the truth?”

  1. Where did the inspiration for TAKE IT BACK come from?

I wouldn’t say that Take It Back is an angry novel, but it does come from a place of anger. I don’t like to admit that because anger is such a primitive emotion, but I was angry for nearly my whole twenties. I was raised in a conservative Muslim family in London and struggled with the pressures it placed on me: to be quiet and not raise my head above the parapet.

At the same time, I could see how the mood in certain quarters of the media was turning against Muslims and that made me deeply uncomfortable because we are not the monolithic, malevolent entity we are sometimes made out to be.

Take It Back allowed me to examine this conflict in the context of a thriller. It’s a gripping courtroom drama at heart, but it also asks: how do we judge people based on what they look like or what they believe in? That is really the root of the novel.

  1. How much of a challenge is it to write about potentially divisive social issues like racial and ethnic biases while keeping the tension high and driving the plot forward?

There is definitely a temptation to get on my soapbox and preach about issues that matter to me. The key is to trust the reader. I don’t need to spell things out or drone on for pages and pages. Sometimes, a simple action speaks volumes and I have to trust the reader to catch its meaning.

For example, in one scene, Mo (one of the accused) is embarrassed of his father who works as a butcher because of the dried crust of blood on the cuticles of his nails. I could have expanded on this for several pages – about how immigrant children can be simultaneously proud and ashamed of their parents, or the plight of the working class – but I trusted the reader to recognise the pathos of that moment. Cutting out extra detail helps to keep tension high and drive the plot forward.

I can’t take all the credit though. There were definitely parts where my brilliant editor stepped in to say, “Um, this might be a bit much, so pare it back a little”. I owe her a huge amount.

  1. Zara, the heroine in TAKE IT BACK, is smart, strong and fearless.  And she faces a lot of pressure from her family over her choices that break with tradition.  How did you go about writing her?

Zara was tricky because when you’re writing a woman of colour – especially one from a South-Asian background – you feel the burden of representation because there aren’t many characters like this in fiction. On one hand, I wanted to be true to who and what she was, but on the other I didn’t want to play into stereotypes.

I’ll give you an example. Zara’s backstory involves an arranged marriage. On one hand, that plays into stereotypes of the South-Asian woman, but on the other, nearly every British-Bangladeshi woman from London that I personally know – certainly of Zara’s generation – had an arranged marriage (as did I by the way). Do I ignore this in favour of a false narrative?

Ultimately, I opted for what I felt was true to Zara’s character. She isn’t purely one thing (strong, fearless, invincible) or the other (quiet, docile, submissive); she’s a mixture of many things as are we all.

  1. Tell us about your other passion–travel writing.  How did you get started with that?  And does it influence your fiction?

I’d always wanted to travel around the world so, after a year of intense saving, my boyfriend and I quit our jobs in 2014 to spend a year hopping across the South Pacific and South America. Along the way, we set up our own travel blog, Atlas & Boots, mostly as a way to keep our skills sharp. It quickly gained traction and continued to grow. (Before Covid hit, it was getting 300,000 readers a month!)

The travel writing is very different from fiction, although I’m sure that the first informs the second. For example, I might be out on a swim and notice how seaweed looks like a woman’s hair floating in the bath and use that description in fiction. I could have written my novels if I’d just stayed at home, but the writing would likely be flatter.

  1. What is your writing process typically like?  Do you set a goal of a certain number of pages per day?  Start with an outline or see where the story leads you?   

I am a planner for sure. I outline my novels before I write a single word. The idea of jumping in headfirst without knowing that I have a strong ending (or beginning and middle for that matter!) is just too scary. I do leave some room for the story to breathe so if it takes me in a different direction, I’m open to that.

In terms of the writing itself, I’m fairly regimented. I write 1,500 words a day and won’t stop until that’s done. Sometimes, this means that I end up with terrible words, but I leave that for the editing!

  1. Do you have a routine or process that helps to get into a flow and stay productive when you’re writing?

I use Freedom to block out social media, which is absolutely intrinsic to my routine. Without it, Twitter would swallow hours of productivity.

Other than that, I try to get out for a short walk every day. Sometimes, when I’m warm and toasty in my study and it’s gloomy outside (as it often is in England), it’s hard to motivate myself to venture out, but I always feel better for it. Whenever friends tell me that they’re feeling a bit sad or sluggish, I always encourage them to get out and go somewhere green if possible.

  1. TAKE IT BACK was first published in the UK in 2019–was the reaction to the book what you’d hoped for?  Any memorable reader feedback?

I’ve been blown away by the feedback. I’ve been writing professionally for 14 years and would occasionally receive a message of appreciation for a column or a feature. With Take It Back, I got hundreds of tweets, emails and messages from readers who adored the book.

It’s especially heartening when South-Asian women get in touch to say that they really see themselves in Zara. This makes me pleased that I stuck to the truest version of her.

Another piece of feedback that sticks in my mind is from a reader who compared my work to Ibsen. That was rather nice to hear!

  1. What’s coming up next that you’re excited about? 

I’m gearing up for the UK paperback release of Truth Be Told in March 2021. It’s the follow-up to Take It Back and we will see Zara return to fight a new case.

Aside from that, I’m looking forward to the world getting back to normal – or some version of it. I really miss travelling. In December 2019, I was on a road trip through Florida, Georgia and North Carolina. I’d love to return and explore more of the area and beyond.

 


KIA ABDULLAH is an author and travel writer. She has contributed to The Guardian, BBC, Channel 4 News, and The New York Times. Kia currently travels the world as one half of the travel blog Atlas & Boots, which receives over 200,000 views per month.

 

 

 

Social Links:
Author Website
Instagram
Twitter @KiaAbdullah
Facebook
GoodReads

 

 

Share

The Friendship List by Susan Mallery – Review, Excerpt, & Q&A

The Friendship List by Susan Mallery – Review, Excerpt & Q&A

 

Amazon / B&N / Kobo / Google Play / Apple / BAM / Book Depository

 

Description:
[ ] Dance till dawn

[ ] Go skydiving

[ ] Wear a bikini in public

[ ] Start living

Two best friends jump-start their lives in a summer that will change them forever…

Single mom Ellen Fox couldn’t be more content—until she overhears her son saying he can’t go to his dream college because she needs him too much. If she wants him to live his best life, she has to convince him she’s living hers.

So Unity Leandre, her best friend since forever, creates a list of challenges to push Ellen out of her comfort zone. Unity will complete the list, too, but not because she needs to change. What’s wrong with a thirtysomething widow still sleeping in her late husband’s childhood bed?

The Friendship List begins as a way to make others believe they’re just fine. But somewhere between “wear three-inch heels” and “have sex with a gorgeous guy,” Ellen and Unity discover that life is meant to be lived with joy and abandon, in a story filled with humor, heartache and regrettable tattoos.

 

 

 

Review:

The Friendship List by Susan Mallery is a stand-alone novel focusing on two best friends, who help each other make changes in their lives to move forward. Ellen Fox and Unity Leandre are our heroines, who are in their 30’s, with both being stuck in their own happy little rut. 

Ellen, is a teacher, with a 17-year-old son, Cooper, whom she has devoted her life to.  With Cooper checking out colleges, she worries if she can afford it, even if it’s a year away. But one day she over hears Cooper telling his best friend, that he can’t go to a college far away, as he feels his mother can’t do without him.  She is appalled and is determined to change things.

Unity’s husband died three years ago, and she is still in mourning, unable to move forward, living in the past.  She works as a ‘handyman’ and spends time with the over 70’s group she helps, including a grief counseling group, which in a short time she is kicked out, since everyone thinks she does not belong with them.

Ellen runs to Unity for help on her problem with Cooper and together they devise a plan to help both of them.  Unity suggests creating a ‘friendship list” of things they can do separately that will get them out of their comfort zone, as well as change things including adding a bit of excitement in their lives. The list includes things like tattoos, skydiving, rock climbing, dating sexy men, & sex.  We get to meet the men who will play a big part in their lives.   Keith, is a coach at Ellen’s school, and her best friend; though neither look at each other as anything but friends.  As much as Keith was a good friend, and popular coach, I did not like him early on, due to his over the top treatment to his daughter, Lissa, as well as his worry and fears when Ellen pushes him sexually (she hasn’t had sex since she was impregnated 17 years ago).

Thaddeus is introduced to Unity by her friend, Dagmar, and both got off on the wrong foot.  But something about Unity drew Thaddeus to her, and he began to convince her to date him, using the friendship list (skydiving) as a start.  Unity was an impossible case, unable to accept moving on to someone else, even if she began to have feelings for Thaddeus.  

The Friendship List was very well written by Mallery, and it was fun to watch both Ellen and Unity experience many different things in their lives that they never would have done. I thought all the characters Mallery created were great (though I was on the fence with Keith for a while), especially Cooper, Lissa, Luka, Dagmar, etc.  There were many emotional moments throughout the book, that had us smiling, sad, laughter, and hot chemistry between to two couples.

Reviewed by Barb

Copy provided by Publisher

 

 

 

Chapter One

“I should have married money,” Ellen Fox said glumly. “That would have solved all my problems.”

Unity Leandre, her best friend, practically since birth, raised her eyebrows. “Because that was an option so many times and you kept saying no?”

“It could have been. Maybe. If I’d ever, you know, met a rich guy I liked and wanted to marry.”

“Wouldn’t having him want to marry you be an equally important part of the equation?”

Ellen groaned. “This is not a good time for logic. This is a good time for sympathy. Or giving me a winning lottery ticket. We’ve been friends for years and you’ve never once given me a winning lottery ticket.”

Unity picked up her coffee and smiled. “True, but I did give you my pony rides when we celebrated our eighth birthdays.”

A point she would have to concede, Ellen thought. With their birthdays so close together, they’d often had shared parties. The summer they’d turned eight, Unity’s mom had arranged for pony rides at a nearby farm. Unity had enjoyed herself, but Ellen had fallen in love with scruffy Mr. Peepers, the crabby old pony who carried them around the paddock. At Ellen’s declaration of affection for the pony, Unity had handed over the rest of her ride tickets, content to watch Ellen on Mr. Peepers’s wide back.

“You were wonderful about the pony rides,” Ellen said earnestly, “And I love that you were so generous. But right now I really need a small fortune. Nothing overwhelming. Just a tasteful million or so. In return, I’ll give back the rides on Mr. Peepers.”

Unity reached across the kitchen table and touched Ellen’s arm. “He really wants to go to UCLA?”

Ellen nodded, afraid if she spoke, she would whimper. After sucking in a breath, she managed to say, “He does. Even with a partial scholarship, the price is going to kill me.” She braced herself for the ugly reality. “Out-of-state costs, including room and board, are about sixty-four thousand dollars.” Ellen felt her heart skip a beat and not out of excitement. “A year. A year! I don’t even bring home that much after taxes. Who has that kind of money? It might as well be a million dollars.”

Unity nodded. “Okay, now marrying money makes sense.”

“I don’t have a lot of options.” Ellen pressed her hand to her chest and told herself she wasn’t having a heart attack. “You know I’d do anything for Coop and I’ll figure this out, but those numbers are terrifying. I have to start buying lottery scratchers and get a second job.” She looked at Unity. “How much do you think they make at Starbucks? I could work nights.”

Unity, five inches taller, with long straight blond hair, grabbed her hands. “Last month it was University of Oklahoma and the month before that, he wanted to go to Notre Dame. Cooper has changed his mind a dozen times. Wait until you go look at colleges this summer and he figures out what he really wants, then see who offers the best financial aid before you panic.” Her mouth curved up in a smile. “No offense, Ellen, but I’ve tasted your coffee. You shouldn’t be working anywhere near a Starbucks.”

“Very funny.” Ellen squeezed her hands. “You’re right. He’s barely seventeen. He won’t be a senior until September. I have time. And I’m saving money every month.”

It was how she’d been raised, she thought. To be practical, to take responsibility. If only her parents had thought to mention marrying for money.

“After our road trip, he may decide he wants to go to the University of Washington after all, and that would solve all my problems.”

Not just the money ones, but the loneliness ones, she thought wistfully. Because after eighteen years of them being a team, her nearly grown-up baby boy was going to leave her.

“Stop,” Unity said. “You’re getting sad. I can see it.”

“I hate that you know me so well.”

“No, you don’t.”

Ellen sighed. “No, I don’t, but you’re annoying.”

“You’re more annoying.”

They smiled at each other.

Unity stood, all five feet ten of her, and stretched. “I have to get going. You have young minds to mold and I have a backed-up kitchen sink to deal with, followed by a gate repair and something with a vacuum. The message wasn’t clear.” She looked at Ellen. “You going to be okay?”

Ellen nodded. “I’m fine. You’re right. Coop will change his mind fifteen more times. I’ll wait until it’s a sure thing, then have my breakdown.”

“See. You always have a plan.”

They walked to the front door. Ellen’s mind slid back to the ridiculous cost of college.

“Any of those old people you help have money?” she asked. “For the right price, I could be a trophy wife.”

Unity shook her head. “You’re thirty-four. The average resident of Silver Pines is in his seventies.”

“Marrying money would still solve all my problems.”

Unity hugged her, hanging on tight for an extra second. “You’re a freak.”

“I’m a momma bear with a cub.”

“Your cub is six foot three. It’s time to stop worrying.”

“That will never happen.”

“Which is why I love you. Talk later.”

Ellen smiled. “Have a good one. Avoid spiders.”

“Always.”

When Unity had driven away, Ellen returned to the kitchen where she quickly loaded the dishwasher, then packed her lunch. Cooper had left before six. He was doing some end-of-school-year fitness challenge. Something about running and Ellen wasn’t sure what. To be honest, when he went on about his workouts, it was really hard not to tune him out. Especially when she had things like tuition to worry about.

“Not anymore today,” she said out loud. She would worry again in the morning. Unity was right—Cooper was going to keep changing his mind. Their road trip to look at colleges was only a few weeks away. After that they would narrow the list and he would start to apply. Only then would she know the final number and have to figure out how to pay for it.

Until then she had plenty to keep her busy. She was giving pop quizzes in both fourth and sixth periods and she wanted to update her year-end tests for her two algebra classes. She needed to buy groceries and put gas in the car and go by the library to get all her summer reading on the reserve list.

As she finished her morning routine and drove to the high school where she taught, Ellen thought about Cooper and the college issue. While she was afraid she couldn’t afford the tuition, she had to admit it was a great problem to have. Seventeen years ago, she’d been a terrified teenager, about to be a single mom, with nothing between her and living on the streets except incredibly disappointed and angry parents who had been determined to make her see the error of her ways.

Through hard work and determination, she’d managed to pull herself together—raise Cooper, go to college, get a good job, buy a duplex and save money for her kid’s education. Yay her.

But it sure would have been a lot easier if she’d simply married someone with money.

*

“How is it possible to get a C- in Spanish?” Coach Keith Kinne asked, not bothering to keep his voice down. “Half the population in town speaks Spanish. Hell, your sister’s husband is Hispanic.” He glared at the strapping football player standing in front of him. “Luka, you’re an idiot.”

Luka hung his head. “Yes, Coach.”

“Don’t ‘yes, Coach’ me. You knew this was happening—you’ve known for weeks. And did you ask for help? Did you tell me?”

“No, Coach.”

Keith thought about strangling the kid but he wasn’t sure he could physically wrap his hands around the teen’s thick neck. He swore silently, knowing they were where they were and now he had to fix things—like he always did with his students.

“You know the rules,” he pointed out. “To play on any varsity team you have to get a C+ or better in every class. Did you think the rules didn’t apply to you?”

Luka, nearly six-five and two hundred and fifty pounds, slumped even more. “I thought I was doing okay.”

“Really? So you’d been getting better grades on your tests?”

“Not exactly.” He raised his head, his expression miserable. “I thought I could pull up my grade at the last minute.”

“How did that plan work out?”

“No bueno.”

Keith glared at him. “You think this is funny?”

“No, Coach.”

Keith shook his head. “You know there’s not a Spanish summer school class. That means we’re going to have to find an alternative.”

Despite his dark skin, Luka went pale. “Coach, don’t send me away.”

“No one gets sent away.” Sometimes athletes went to other districts that had a different summer curriculum. They stayed with families and focused on their studies.

“I need to stay with my family. My mom understands me.”

“It would be better for all of us if she understood Spanish.” Keith glared at the kid. “I’ll arrange for an online class. You’ll get a tutor. You will report to me twice a week, bringing me updates until you pass the class.” He sharpened his gaze. “With an A.”

Luka took a step back. “Coach, no! An A? I can’t.”

“Not with that attitude.”

“But, Coach.”

“You knew the rules and you broke them. You could have come to me for help early on. You know I’m always here for any of my students, but did you think about that or did you decide you were fine on your own?”

“I decided I was fine on my own,” Luka mumbled.

“Exactly. And deciding on your own is not how teams work. You go it alone and you fail.”

Tears filled Luka’s eyes. “Yes, Coach.”

Keith pointed to the door. Luka shuffled out. Keith sank into his chair. He’d been hard on the kid, but he needed to get the message across. Grades mattered. He was willing to help whenever he could, but he had to be told what was going on. He had a feeling Luka thought because he was a star athlete he was going to get special treatment. Maybe somewhere else, but not here. Forcing Luka to get an A sent a message to everyone who wanted to play varsity sports.

He’d barely turned to his computer when one of the freshman boys stuck his head in the office. “Coach Kinne! Coach Kinne! There’s a girl crying in the weight room.”

Keith silently groaned as he got up and jogged to the weight room, hoping he was about to deal with something simple like a broken arm or a concussion. He knew what to do for those kinds of things. Anything that was more emotional, honest to God, terrified him.

He walked into the weight room and found a group of guys huddled together. A petite, dark-haired girl he didn’t know sat on a bench at the far end, her hands covering her face, her sobs audible in the uneasy silence.

He looked at the guys. “She hurt?”

They shifted their weight and shook their heads. Damn. So it wasn’t physical. Why didn’t things ever go his way?

“Any of you responsible for whatever it is?” he asked.

More shaken heads with a couple of guys ducking out.

Keith pointed to the door so the rest of them left, then returned his attention to the crying girl. She was small and looked young. Maybe fifteen. Not one of his daughter’s friends or a school athlete—he knew all of them.

He approached the teen, trying to look friendly rather than menacing, then sat on a nearby bench.

“Hey,” he said softly. “I’m Coach Kinne.”

She sniffed. Her eyes were red, her skin pale. “I know who you are.”

“What’s going on?” Don’t be pregnant, don’t be pregnant, he chanted silently.

More tears spilled over. “I’m pregnant. The father is Dylan, only he says he’s not, and I can’t tell my m-mom because she’ll be so mad and he said he l-loved me.”

And just like that Keith watched his Monday fall directly into the crapper.

*

Keith left work exactly at three fifteen. He would be returning to his office to finish up paperwork, supervise a couple of workouts and review final grades for athletes hovering on the edge of academic problems. But first, he had pressing personal business.

He drove the two short miles to his house, walked inside and headed directly for his seventeen-year-old daughter’s room.

Lissa looked up from her laptop when he entered, her smile fading as she figured out he was in a mood. Despite the attitude, she was a beauty. Long dark hair, big brown eyes. Dammit all to hell—why couldn’t he have an ugly daughter who no guy would look at twice?

“Hi, Dad,” she said, sounding wary. “What’s up?”

“Spot check.”

She rolled her eyes. “Seriously? There is something wrong with you. I heard what happened at school today. I’m not dumb enough to date a guy like Dylan who would tell a tree stump he loved it if it would have sex with him. I’m not sleeping with anyone and I’m not pregnant. I told you—I’m not ready to have sex, as in I’m still a virgin. You’re obsessed. Would you feel better if I wore a chastity belt?”

“Yes, but you won’t. I’ve asked.”

“Da-ad. Why are you like this? Pregnancy isn’t the worst thing that could happen. I could be sick and dying. Wouldn’t that be terrible?”

“You can’t win this argument with logic. I’m irrational. I accept that. But I’m also the parent, so you have to deal with me being irrational.”

He pointed to her bathroom. She sighed the long-suffering sigh of those cursed with impossible fathers and got up. He followed her to the doorway and watched as she pulled the small plastic container out of the bathroom drawer and opened it.

Relief eased the tension in his body. Pills were missing. The right number of pills.

“You are a nightmare father,” his daughter said, shoving the pills back in the drawer. “I can’t wait until I’m eighteen and I can get the shot instead of having to take birth control pills. Then you’ll only bug me every few months.”

“I can’t wait, either.”

“It’s not like I even have a boyfriend.”

“You could be talking to someone online.”

Her annoyance faded as she smiled at him. “Dad, only one of us in this house does the online dating thing and it’s not me.”

“I don’t online date.”

“Fine. You pick up women online, then go off and have sex with them for the weekend. It’s gross. You should fall in love with someone you’re not embarrassed to bring home to meet me.”

“I’m not embarrassed. I just don’t want complications.”

“But you do want to have sex. It’s yucky.”

“Then why are we talking about it?” He pulled her close and hugged her, then kissed the top of her head. “Sorry, Lissa. I can’t help worrying about you.”

She looked up at him. “Dad, I’m taking my pills every day, not that it matters because I’m not having sex. I’m not. I’ve barely kissed a guy. Having you as my father makes it really difficult to date. Guys don’t want to mess with you and risk being beat up.”

“Good.”

She smiled even as she hit him in the arm. “You’re repressing my emotional growth.”

“Just don’t get pregnant.”

“You need to find a more positive message. How about ‘be your best self?’”

“That, too. Gotta go.”

“I’m having dinner with Jessie tonight. Remember?”

“No problem. Be home by ten.”

He got back in his truck but before starting the engine, he quickly texted Ellen. I need a couple of beers and a friendly ear. You around tonight?

The response came quickly. Only if you bring fried chicken. I have beer and ice cream.

You’re on. See you at six.

Excerpted from The Friendship List by Susan Mallery, Copyright © 2020 by Susan Mallery, Inc.. Published by HQN.

 

 

 


SUSAN MALLERY is the #1 New York Times bestselling author of novels about the relationships that define women’s lives—family, friendship and romance. Library Journal says, “Mallery is the master of blending emotionally believable characters in realistic situations,” and readers seem to agree—forty million copies of her books have been sold worldwide. Her warm, humorous stories make the world a happier place to live.

Susan grew up in California and now lives in Seattle with her husband. She’s passionate about animal welfare, especially that of the two Ragdoll cats and adorable poodle who think of her as Mom.

SOCIAL LINKS:
Twitter: @susanmallery
Facebook: @susanmallery
Instagram: @susanmallery
Author website: https://www.susanmallery.com/

 

Q&A with Susan Mallery

Q: Where did the inspiration for The Friendship List’s plot come from?

A: The inspiration for The Friendship List came from a reader—but I don’t think it’s exactly the story the reader was asking for. A couple years ago, a reader suggested I write a story about empty nesters, a couple whose children had grown up and were moving out. I considered the idea, but it didn’t immediately sing for me.

Then, while washing dishes—which is when I often get ideas—I thought to myself, “What if it isn’t a couple, but a single mom? And what if she had her baby really young, like in high school? She would be in her midthirties when her kid went to college. What would that be like?”

That’s the spark that led to Ellen, a single mom who had her son when she was a senior in high school. Since then, she has put his needs first, always, to the point where she hasn’t dated really at all in her adult life. When her son was little, she worked her butt off to raise him and go to college to become a math teacher.

The story starts as Ellen overhears her son telling a friend he can’t go away to college because his mom doesn’t have a life without him. They’re a team, and she needs him. Ellen is horrified that she’s holding him back, and she knows she has to do something drastic to convince him that it’s safe for him to follow his dreams.

Unity, Ellen’s best friend for as long as they both can remember, is a young widow, still mourning the death of her husband three years ago. She’s stuck in her grief, and reluctant to change that because getting over her grief might mean really letting go of the love of her life forever. But for Ellen’s sake, Unity comes up with the friendship list—a series of challenges designed to shake up their lives.

One way or another, this will be a summer that will change them forever. The Friendship List is a celebration of friendship. I know authors aren’t supposed to have favorite books, but I have to admit, this is one of my favorite things that I’ve ever written—certainly the funniest. Every day, I couldn’t wait to get to my desk, excited to write that day’s fun scene. It was pure joy from page 1 to The End, and I hope you’ll love it, too.

 Q: Who is your favorite character in this novel and why?

A: I love both of the friends, but Ellen probably squeaks out a narrow win over Unity simply because her journey was so much fun. Think about it—she had her kid when she was seventeen years old, and from that moment on, her life revolved around him so she missed out on the things most people experience in their twenties. Dating, parties, bar-hopping. She was home studying and taking care of her kid.

And in fact, he’s the impetus for her to change, as well, because she  sees  that what’s best for him now is for her to let go, to get a life of her own. When she realizes all that she’s been missing, she dives in with her whole heart and body, with such enthusiasm that she had me laughing every day. Suddenly she wants to try everything all at once. Love, love, love, love her.

 Q: Of the challenges in the book, which was the most fun to write about? Why?

A: Oh, that’s a tough one! I don’t know if I want to tell you my favorite-favorite because it might be too much of a spoiler. So instead, I’ll tell you one of my other favorites, which is more of a teaser than a spoiler. ? One of Ellen’s challenges is to wear clothes that fit, instead of her normal habit of wearing clothes that are at least three sizes too large for her. Baggy is her comfort zone. The first time she wears an outfit that shows the shape of her body, her pal Keith can’t help looking at her in a whole new way. Here’s a clip:

He stared at her in confusion. Something was different with Ellen, he thought, trying to figure out what it was.

He cataloged her appearance. Her long hair was pulled back in a ponytail, just like always. She had on makeup maybe, which was a surprise, but made her eyes looked bluer than usual. As for what she was wearing, it was just some shirt thing and pants that stopped just below her knee. Nothing out of the ordinary except—

He swore silently. The clothes fit. For once they weren’t swirling around her, the extra fabric concealing every part of her body. He could see the shape of her waist and her hips, he outline of her thighs. And breasts. Ellen had breasts!

He realized he was staring and forced his gaze away. Of course she had breasts. Women had breasts. Ellen’s were no big deal. Only he’d never noticed them before and he didn’t want to see them now.

 Q: What is your idea of a good personal challenge for yourself?

A: The challenges in The Friendship List are meant to push the women out of their comfort zone and be a little intimidating for them, so my personal challenge will have to do the same. Hmm… Oh! How about a plunging V neckline? Cleavage makes me really self-conscious, but I admire women who can proudly show off their curves.

I’m nervous just thinking about it!

 Q: Do your characters tell you their stories a bit at a time or all at once? Do they ever pull you in unexpected directions changing up the plot you originally planned?

A: Yes, yes, and yes. It depends on the story. Very rarely, a story will come to me fully formed. Daughters of the Bride was like that. A gift book. That almost never happens. Usually, I get a spark of an idea. I write up some notes, then set it aside. If I’m still thinking about it, I know it has potential. I get a lot of ideas that never go anywhere. They might make fine stories for someone else, but if they’re not tugging at me, I let them go.

I’m on the extreme-plotter end of the plotter/pantser spectrum. (For those who don’t know, a plotter is a writer who plots the story in advance. A pantser is a writer who flies by the seat of her pants, without knowing where the story is going.) I generally work out story problems during my plotting process, which makes me feel free to relax and sink into the story while I’m writing.

When I get into the flow of a book, the characters do take over and sometimes they do surprise me. When they take me in a direction I didn’t expect, I have to step back to look at the big picture to adjust. I never try to force a character to do something that doesn’t feel right for him or her. Every decision must be motivated.

In The Friendship List, Unity threw me for a loop early on. I knew she was still in love with her late husband, but until I wrote a particular scene, I didn’t realize just how broken she still was. I did have to make some very serious adjustments to her road to a happy ending. And in the end, as I brought her out of that darkness, I cried. So satisfying!

 Q: Do you have pets? How do the animals you have now or have had in the past influence writing animals into your stories?

A: Yes, I have three pets. Two ragdoll cats, siblings Alex and Lucy, and a miniature poodle named Kelli. I love animals of all kinds. I’m a big supporter of Seattle Humane and the amazing work they do for animals in and around Seattle.

Animals play a big role in my books. When they have a part in the story, they are genuine characters because I believe, like humans, each animal has its own unique quirks and personality traits. The book I’m working on right now will be the first book in my new series, Wishing Tree—Christmas romances—and there are two dogs in the book who I adore. Bella is a Great Dane who loves to play dress-up in cute canine ensembles, and who is intimidated by a dachshund named Burt. The first Wishing Tree romance will be out in 2021.

Q: Is there a genre of books that you have not written yet but might contemplate writing in the future? What might that be?

A: I recently toyed with the idea of writing a thriller. I even did quite a bit of research on Bitcoin, which was going to be a big subplot. I decided against the thriller, but research is never wasted—one of the characters in The Friendship List became a Bitcoin millionaire, and then a regular-money millionaire. Plus, I’m kind of proud of myself—it took me two weeks of research to be able to understand crypto-currency, but I’m now I’m at least cocktail-party level literate. ?

 Q: What was the first book you sold/published and how did you celebrate when you received the acceptance letter from the publisher?

A: The first book I sold was a historical romance called Frontier Flame. A few months after that, I sold a book to (then Silhouette) Special Edition. Both books came out the same month, so the first time I was published was with two books. It was very heady! Of course, before that and after that I had many story ideas rejected. Even now, although infrequently, one of my ideas can be rejected. It happened recently. Still stings, but not as badly.

I celebrated my first sale by calling all of my writer friends and squealing over the phone, and then by going out for a nice dinner with my husband.

 Q: What do you love to do when not writing?

A: I love hanging out with my friends—and I miss that right now because of the coronavirus. Friendship is one of the most fundamental relationships in a woman’s life. You might argue “in a man’s life, too,” but from what I’ve observed, most men don’t have the same visceral need for community that women do. My husband once told me, “You’re all I need.” Which is sweet and romantic and probably true. I love him dearly, more than any other human being on the planet, but I need friends, too. My friends are the family I chose, and I nurture those relationships in every way I can.

Share

Someone’s Listening by Seraphina Nova Glass-Review,Excerpt & Q&A

Someone’s Listening by Seraphina Nova Glass-Review,Excerpt & Q&A

 

Amazon / B&N / Kobo / Google Play / BAM / Book Depository/ Harlequin

 

Description:
She wrote the book on escaping a predator… Now one is coming for her.

Faith Finley has it all: she’s a talented psychologist with a flourishing career, a bestselling author and the host of a popular local radio program, Someone’s Listening, with Dr. Faith Finley. She’s married to the perfect man, Liam Finley, a respected food critic.

Until the night everything goes horribly wrong, and Faith’s life is shattered forever.

Liam is missing—gone without a trace—and the police are suspicious of everything Faith says. They either think she has something to hide, or that she’s lost her mind.

And then the notes begin to arrive. Notes that are ripped from Faith’s own book, the one that helps victims leave their abusers. Notes like “Lock your windows. Consider investing in a steel door.”

As the threats escalate, the mystery behind Liam’s disappearance intensifies. And Faith’s very life will depend on finding answers.

 

 

Review:

Someone’s Listening by Seraphina Nova Glass is a standalone thriller. Faith Finley, our heroine, is a famous psychologist, who is also a bestselling author and tv personality; Faith writes or talks about abused women and how to leave their abusers.  The story switches between two POV’s (all Faith), but ‘then’ and ‘now’.  It begins with the ‘then’ Pov, where there is a horrific car crash after she and her husband, Liam left a party.  When Faith regains conscious, she tries to find out how Liam is, with everyone avoiding her. Finally, the police tell her that she was alone in the car, and her husband was not there.  Faith has a long recovery ahead, but she knows something is wrong, as she fully remembers Liam in the car with her.  What is going on?  Where is Liam?

The ‘Now” POV picks up with Faith having recovered and desperately trying to find out what happened to Liam.  At first the police do suspect Faith, since there is no sign of Liam anywhere.  But when Faith begins to received veiled threats, the police change tactics to look if he left town, or who is behind the strange notes she keeps getting.  Despite the police, her sister, and friends telling her to leave the investigation to the experts, Faith continues to do her own investigations.

During the ‘Then’ Pov we also learn that a former client, a teenage boy, claims that Faith had sexual relations with him; she is shocked, and knows this is not true. This causes her to lose her show, and receive a lot of negative feedback; Liam believes and supports her. The story about half way in stays in the “Now” time period, as Faith makes friends with her neighbors upon moving back to her condo, and begins to investigate rumors about Liam, missing money and his card.  In time, as we get past the first half of the book, we learn some surprising truths, which will have the police pushing for more information on Liam.

The last third of the book is exciting, but I did have some mixed feelings.  Faith was a good character, but did come across not totally likeable.  I thought the story started a bit slow, and confusing at times, going back and forth; which didn’t really win me over.

Overall, Someone Listening was a suspenseful thriller, that kept us glued, unable to put the book down, as I needed to find out who the villain was.  If you like thrillers, and don’t mind going back and forth between time periods, I suggest you read this book.

Reviewed by Barb

Copy provided by Publisher

 

 

PROLOGUE

WHEN I WAKE UP, IT’S BLACK AND STILL; I FEEL A light, icy snow that floats rather than falls, and I can’t open my eyes. I don’t know where I am, but it’s so quiet, the silence rings in my ears. My fingertips try to grip the ground, but I feel only a sheet of ice beneath me, splintered with bits of embedded gravel. The air is sharp, and I try to call for him, but I can’t speak. How long have I been here? I drift back out of consciousness. The next time I wake, I hear the crunching of ice under the boots of EMTs who rush around my body. I know where I am. I’m lying in the middle of County Road 6. There has been a crash. There’s a swirling red light, a strobe light in the vast blackness: they tell me not to move.
“Where’s my husband?” I whimper. They tell me to try not to talk either. “Liam!” I try to yell for him, but it barely escapes my lips; they’re numb, near frozen, and it comes out in a hoarse whisper. How has this happened?
I think of the party and how I hate driving at night, and how I was careful not to drink too much. I nursed a glass or two, stayed in control. Liam had a lot more. It wasn’t like him to get loaded, and I knew it was his way of getting back at me. He was irritated with me, with the position I’d put him in, even though he had never said it in so many words. I wanted to please him because this whole horrible situation was my fault, and I was sorry.
When I wake up again I’m in a hospital room, connected to tubes and machines. The IV needle is stuck into a bruised, purple vein in the back of my hand that aches. In the dim light, I sip juice from a tiny plastic cup, and the soft beep of the EKG tries to lull me back to sleep, but I fight it. I want answers. I need to appear stabilized and alert. Another dose of painkiller is released into my IV; the momentary euphoria forces me to heave a sigh. I need to keep my eyes open. I can hear the cops arrive and talk to someone at a desk outside my door. They’ll tell me what happened.
There’s a nurse who calls me “sweetie” and changes the subject when I ask about the accident. She gives the cops a sideways look when they come in to talk to me, and tells them they only have a few minutes and that I need to rest.
Detective John Sterling greets me with a soft “Hello, ma’am.” I almost forget about my shattered femur and groan after I move too quickly. Another officer lingers by the door, a tall, stern-looking woman with her light hair pulled into a tight bun at the base of her skull. She tells me I’m lucky to be alive, and if it had dropped below freezing, I wouldn’t have lasted those couple hours before a passing car stopped and called 911. I ask where Liam is, but she just looks to Sterling. Something is terribly wrong.
“Why won’t anyone tell me what happened to him?” I plead. I watch Detective Sterling as he picks his way through a response.
“The nurse tells me that you believe he was in the car with you at the time of the accident,” he says. I can hear the condescension in his voice. He’s speaking to me like I’m a child.
“They said ‘I believe’ he was? That’s not a— That’s a fact. We came from a party—a book signing party. Anyone, anyone can tell you that he was with me. Please. Is he hurt?” I look down at my body for the first time and see the jagged stitches holding together the bruised flesh of my right arm. They look exaggerated, like the kind you might draw on with makeup and glue for a Halloween costume. I close my eyes, holding back nausea. I try to walk through the series of events—trying to piece together what happened and when.
Liam had been quiet in the car. I knew he’d believed me after the accusations started. I knew he trusted me, but maybe I’d underestimated the seeds of doubt that had been planted in his mind. I tried to lighten the mood when we got in the car by making some joke about the fourteen-dollar domestic beers; he’d given a weak chuckle and rested his head on the passenger window.
The detective looks at me with something resembling sympathy but closer to pity.
“Do you recall how much you had to drink last night?” he asks accusingly.
“What? You think…? No. I drove because he… No! Where is he?” I ask, not recognizing my own voice. It’s haggard and raw.
“Do you recall taking anything to help you relax? Anything that might impair your driving?”
“No,” I snap, nearly in tears again.
“So, you didn’t take any benzodiazepine maybe? Yesterday…at some point?”
“No— I— Please.” I choke back tears. “I don’t…” He looks at me pointedly, then scribbles something on his stupid notepad. I didn’t know what to say. Liam must be dead, and they think I’m too fragile to take the news. Why would they ask me this?
“Ma’am,” he says, standing. He softens his tone. This is it. He’s going to tell me something I’ll never recover from.
“You were the only one in the car when medics got there,” he says, studying me for my response, waiting to detect a lie that he can use against me later. His patronizing look infuriates me.
“What?” The blood thumps in my ears. They think I’m crazy; that soft tone isn’t a sympathetic one reserved for delivery of the news that a loved one has died—it’s the careful language chosen when speaking to someone unstable. They think I’m some addict or a drunk. Maybe they think the impact had made me lose the details, but he was there. I swear to God. His cry came too late and there was a crash. It was deafening, and I saw him reach for me, his face distorted in terror. He tried to shield me. He was there. He was next to me, screaming my name when we saw the truck headlights appear only feet in front of us—too late.Excerpted from Someone’s Listening by Seraphina Nova Glass, Copyright © 2020 by Seraphina Nova Glass.
Published by Graydon House Books

Q&A with Seraphina Nova Glass

Q: Please give the elevator pitch for Someone’s Listening.

A: Faith Finley has survived a lot of trauma in her own past, so in her current profession, she helps victims of abuse. Her career is just starting to take off when a very public sex scandal stops it in its tracks. She hopes her husband, Liam, believes her when she says she says the accusations against her are lies, but when he disappears and she becomes a suspect, her world falls apart.

She doesn’t handle the crisis well. It’s easy to give advice to others, but as things escalate, she leans on alcohol and pills to cope with her anxiety and her worst fears. She decides to take matters into her own hands and search for the real reason behind Liam’s disappearance. The closer she gets to the truth, the more she is putting herself in danger.

 Q: What’s the “story behind the story”?

A: In October of 2018, I was directing the Fall play at the university where I teach. It’s a bit of a commute, and since I was to be there every evening for rehearsal, I decided to listen to audiobooks. A Ruth Ware novel was the first thriller I had ever read/listened to. I like thriller movies, but never meandered outside literary fiction much as a reader. I was immediately in love and said, “that’s what I am going to do. I’m gonna write a thriller.” The play closed mid- October, and I started writing immediately afterward. I finished Someone’s Listening ten weeks later.

I was annoyed that it was Christmas time because I had to wait until after the new year to send it out and try to get an agent. Yes, it was completely crazy that I thought I’d just send out a first draft and get anywhere. I really didn’t expect to, but I didn’t know how to revise it. I’d written the story I wanted to write and would put it out there and see. A few weeks later I signed with Folio Literary Management, and my agent quickly sold it to Harper Collins, Graydon House imprint.

It’s still surreal. I had been writing screenplays and had a bunch of Hallmark scripts under option, and I was getting nowhere, really. It was just a lot of waiting and disappointment, but I found that writing thrillers is exactly where I want to be. My second book will come out next summer, and I’m about halfway through writing my third book now.

Q: Which came first: the characters or plot line?

A: I always start with plot. Well, I start with atmosphere first which is not intentional, forming the idea for the book just seems to always begin with a feel–winter in Chicago or summer in rural Louisiana. I really think about the world the characters are in–the sensory details and how that will feel to a reader. Then plot because I’m an outliner. I have to know exactly where the plot is going, how it will end, what chapter each twist and turn will be in and how that will lead to the next. I cannot imagine winging any of that. I think the characters sort of materialize in my peripheral while I am plotting, and I know who they are by the time I am familiar with the plot.

 Q: Why do you love Faith and why should readers root for her?

A: Faith is suffering an unthinkable loss. I think everyone knows what loss feels like, and we all handle it differently. Simply because Faith is a psychologist doesn’t mean she has the coping skills to handle the love of her life missing on top of the scandal and suspicion surrounding her. Her occupation also doesn’t mean she doesnt struggle with addiction and might turn to sleeping aids or booze when her life is falling apart the way many people might do to numb some of the pain.

She’s carved out a great career for herself and enjoyed some local fame, but ultimately, she is going through the darkest time of her life. When someone critiques her as “not likable” I think, would you be very likable in the midst of this much loss and uncertainty?” I don’t think she needs to be a protagonist who does and says the right things to be the hero of the story. I think we root for her because she screws up and makes desperate and flawed decisions because she is desperate and flawed. We root for her because she’s out there risking quite a lot to uncover the truth about her husband despite the danger, and who wouldn’t want that kind of love –someone who would go to any length for their partner no matter what the cost?

 Q: Which character is most like you and why?

A: Writing in first person gives me a pretty strong bond with all of my protagonists. I think, inevitably, there is a lot of me in all of them, so I have to say I’m most like Faith. The way she sees the world and navigates her insecurity with her professional drive and ambitions is a constant balancing act. She’s a natural introvert trying to live outside of her comfort zone in order to meet success which makes managing her anxiety an ever present struggle.

 Q: What was your last 5 star read?

A: I really enjoyed the Sundown Motel by Simone St. James, and I recently started reading Lisa Jewell. It’s like Christmas discovering an author you really like and you’re late to the party, so they have several other books you still get to read. I just finished The Family Upstairs, and loved it.

 Q: What is one thing about publishing you wish someone would have told you?

A: It’s really, really slow. I finished writing this book a year and a half ago, and finally it’s getting released. It will be another year’s wait for the second book. If you write fast, this is sort of torture.

Also, as a private person who only just signed up for Twitter and Instagram recently and find it hard to remember to even check, all of a sudden having your work out here for public opinion is tough. No matter how many good reviews, you can’t obsess over the readers who don’t like your work. Not everyone will, of course, but you have to get quickly comfortable with being out there and try not to obsess over every comment.

 Q: Do you have any specific writing rituals?

A: Not really. I don’t write every day or keep a journal or anything. I don’t have multiple projects or ideas going at once. I guess the only thing consistent, is that when I am working on an idea, I keep really fixated on developing it, and I have to write it quickly. I feel like too much time away and I’ll lose my understanding of the world and the characters and I need to stay totally engaged and invested in the story until it’s all out on paper. I can’t spend months doing that. I have to dedicate large chunks of time and get it done in a handful of weeks. Revise later.

 Q: What can you tell us about your next project?

A: My next book comes out summer 2021. It was titled The Seduction, so you’ll notice an excerpt in the back of Someone’s Listening with that title, but that will be changing. Another unexpected part of publishing, but I trust the marketing team knows more than me about that!

It’s another mystery revolving around a woman in small town Louisiana who had dreams of being a scholar, and having a career as a writer, but she puts that on hold when she and her husband have their second child and he has special needs. She finds herself a stay-at-home mom which she loves on one hand because she adores her family, but she also finds it hard to see herself in this role she never expected. When she meets a semi-famous romance writer, she feels guilty at how taken she is with him–jealous of his jet-setting life and freedom. She gets too close to him and makes a string of bad decisions that put her marriage and family in danger, and someone ends up dead. The lengths she goes to distance herself from this suspicious death shocks even herself.

 

 


Seraphina Nova Glass is a professor and Playwright-in-Residence at the University of Texas-Arlington, where she teaches Film Studies and Playwriting. She holds an MFA in playwriting from Smith College, and has optioned multiple screenplays to Hallmark and Lifetime. Someone’s Listening is her first novel.


Social Links:
Author Website
Twitter: @SeraphinaNova
Instagram: @SeraphinaNovaGlass
Facebook: @SeraphinaNovaGlass
Goodreads

 

Share

The Magnolia Sisters by Michelle Major – Review, Excerpt & Q&A

The Magnolia Sisters by Michelle Major – Review, Excerpt & Q&A

 

Amazon / B&N / Kobo / BAM / Book Despository / Google Play / Apple

 

Description:
An inheritance brought her to Magnolia, but love just might keep her there…

Avery Keller arrives in Magnolia, North Carolina, with one aim: collect her inheritance and quickly put the quirky town in her rearview mirror. But the father who didn’t acknowledge her when he was alive has left Avery a mess to sort through—along with two half sisters she’s never met and a gorgeous single dad living next door. Soon her plan to keep this colorful, close-knit community at a distance gets complicated….

Grayson Atwell has rescued plenty of people in his firefighting career. His work and his little girl, Violet, are his entire world and there’s no time for anything—or anyone—else. But the vulnerability beneath Avery’s prickly facade brings out a fiercely protective side of him. Despite her protests, Gray can see that Avery’s falling under Magnolia’s spell—just like he’s falling for her. Now the only question is: How can he convince her to give them both a chance at forever?

 

 

Review:

The Magnolia Sisters by Michelle Major is a wonderful small-town romance that I thoroughly enjoyed, and I expect this will be a series.   Avery Keller, our heroine, arrives in Magnolia to claim an inheritance from a father she never knew.  Avery is coming off of an emotional breakup with a boyfriend who she didn’t know was married, and upon arrival comes across as embittered and snarky.  All she wants is her money and to leave and start a new life elsewhere.

Grayson (Gray) Atwell, our hero and a firefighter, meets Avery at the local coffee shop and finds her a bit nasty.  Gray does find Avery attractive, despite her attitude, but he has no plans to become involved, as he has a young daughter, Violet, who is his number one priority.

Avery meets the other two women, who also share the inheritance, and who are her half- sisters (Carrie & Meredith) that neither of them knew anything about; but they all have one thing in common…their despair over the deceased father, who kept all those secrets.   They both grew up in Magnolia, though never really friends.  When Avery talks about selling, both of the girls do not want to sell, and will work on Avery to think about changing and fixing things in Magnola, as well as convince her to stay. I loved how in a short time, Avery began to become close to Carrie and Meredith, opening up her battered heart to having a family for the first time in her life.  But convincing her to stay is a difficult proposition, especially when she finds herself falling hard for Gray, and in time his daughter. 

What follows is a wonderful heartwarming story with both Carrie and Meredith becoming very close to Avery, and making such a great team.  They also play a big part in helping Avery face the fact that she has fallen in love with Gray, which also included Violet.  I loved how they all bonded to make sure that Avery knew her life belonged in Magnolia with all of them. 

The Magnolia Sisters was written so very well by Michelle Major, with so many wonderful characters; Avery, Carrie, Meredith, Gray, Violet and many of the townsfolks.  I look forward to the next book in this series, which I expect to be about Carrie.  Cannot wait, as I loved everyone in Magnolia. I suggest you start with series by reading The Magnolia Sisters.

Reviewed by Barb

Copy provided by Publisher

 


The house was one of the oldest in Magnolia, with ten-foot ceilings even on the second floor. That fact gave the room an open feel, despite how crowded it was. But it wasn’t going to make it any easier to get Avery unstuck.
“Gray’s here,” Carrie called, and Gray saw the legs go tense.
“I’m fine.” Avery’s tone was exasperated but he could hear the thread of pain in it. “I don’t need help.”
“Where’s the attic?” he asked Carrie.
She backed out of the bedroom and pointed to an open doorway across from the main staircase. “I warned her not to go up there.”
“This isn’t the time for ‘I told you so,’” Avery shouted.
Carrie gave him a look and lowered her voice. “Get her out, Gray. She’s irritating as hell, but I can’t have her hurt in this mess of a house.”
“She’ll be fine,” he reassured her. “I’m going to try to make this work from above instead of below. I’ll need reinforcements if we’re going to move the furni¬ture. That’ll take too long.”
He climbed the steps, waving a hand in front of his face until the dust that filled the air cleared.
“You sure know how to make your mark on a place,” he said casually as he surveyed the scene.
“I don’t need your help,” she snapped. “Doesn’t Car¬rie have a helpful neighbor she could call?”
“She called me,” he answered simply. He kind of liked Avery Keller’s attitude and admired her calm in the situation, but right now he was all business. “Can you tell if the floor joists around you will hold my weight or are they too damaged?”
“The ones in front of me will give,” she answered. “I’m wedged in here tight and when I try to shift my weight to lift myself up, everything feels like it’s sag¬ging.”
“Then don’t move.”
“Thanks for the tip,” she muttered. “In case you care, I also have a piece of splintered wood lodged in my left arm. So I can only use the right one at the moment.”
His gut tightened at the thought of her in pain. “Do you think anything’s broken?” He stepped gingerly to¬ward her, making sure to test each section of floorboard before he moved. He couldn’t very well help her if he ended up in the same predicament.
“Bruised,” she admitted, “but not broken. Do you think Clark Griswold knew how lucky he was to land on that bunk bed?”
“That’s the Hollywood version of this scenario. This is real life.”
“Does that mean I’m not going to get a happy end¬ing?”
“You’re going to be fine,” he told her, placing his tool bag on the floor and pulling out a small saw.
“You must practice that commanding tone at the fire¬house.” She laughed softly. “It’s weirdly reassuring.”
“My job is rescuing people. I’m good at it.”
“Great.” For the first time since he’d encountered her at the convenience store, Avery sounded defeated.
It bothered him more than he cared to admit.
He began talking her through his plan, mostly mak¬ing it up as he went along. The floor joists behind her seemed to be structurally sound, but he wasn’t going to risk putting the weight of his entire two hundred pounds on them.
“Can you get her out?” Carrie called from below them. “I climbed over the mess in here and I’ve got pil¬lows to cushion a fall just in case.”
“I’m glad I didn’t wear a skirt today,” Avery said through clenched teeth.
“Nothing I haven’t seen before,” he reassured her, earning a snort.
She shifted to look over her shoulder at him, and the floor around her heaved.
He heard Avery’s gasp, along with Carrie’s worried cry from the bedroom.
“Stay still,” he commanded, then called to Carrie, “Don’t stand directly underneath her.”
“I don’t want to fall,” Avery said, more to herself than to him.
He answered anyway. “You’re not going to fall.”
She drew in a ragged breath. “I might be starting to panic. I don’t usually panic.”
“No reason to.” He bent to his knees, then crawled forward, stretching out to reach her. The ideal way to handle this would be clearing out the spare bedroom and having some of his crew supporting her from below. But there was no guarantee that more of the floor wouldn’t give way while they waited for backup to arrive. Plus she was in pain, and he wanted her safe on solid ground as soon as he could manage it.
“I’m right behind you,” he said as he got closer. “I’m going to cut the piece of wood that’s got you wedged in here.”
“I feel like a chicken skewer.”
One side of his mouth curved, and he inched forward. Narrating his movements for her, he managed to saw through the splintering section of wood.
Avery let out a sigh when it fell away from her arm. She had a deep cut, but it wasn’t bleeding badly at the moment.
“Now I’m going to lift you back toward me. Use your elbows to brace on the joists on either side of you.”
“I can do three pull-ups in my CrossFit class,” she announced. “Who knew all my upper body strength would come in so handy?”
“Exactly,” he agreed, knowing it was fear driving her seemingly casual chatter. “Do you upend tires, too?”
“Sometimes. Mostly it’s a lot of burpees and suicides.”
“I hate burpees.” He positioned his hands under her arms. “You’re strong, Avery. You’ve done a great job holding steady. Just a few more seconds and…” He half lifted, half dragged her up out of the hole, quickly moving both of them away from the water-damaged section of the attic.
“You did it,” Carrie shouted from the bedroom below.
“You did it,” Avery echoed in a hoarse whisper.
“We did it,” he corrected. He had the crazy urge to wrap his arms around her and pull her close, holding her to him until the tremors he felt rippling through her body subsided. The notion was odd and out of character. He’d rescued plenty of people in his years as a firefighter.
Hell, just last week, he’d come to the aid of Kenneth Masminster when he’d locked himself in his tool shed. But a seventy-five-year-old gardener who smelled like menthol and mothballs hadn’t elicited near the emo¬tional reaction that Avery did. Avery, with her shiny hair and manicured nails, and the scent of expensive perfume on her skin that was at odds with the hot, dusty attic. A scent that should put him off. As appealing as it was, what the scent conveyed about the woman who wore it made her all wrong for him.
“Thank you,” she said into the front of his uniform shirt. She seemed as unwilling to let go as he was.


 

 


Michelle Major is the Publishers Weekly best-selling, RITA award winning author of over thirty sexy and sweet contemporary romances. She loves second-chances love stories, smart heroines and strong heroes. A Midwesterner at heart, she’s made the Rocky Mountains her home for nearly half her life and is thrilled to share her books with readers. Connect with her at www.michellemajor.com.

 

 

 

TRC: Hi, Michelle.  Welcome to The Reading Café

Michelle: Thank you for having me. I’m so glad to be here.

TRC: We would like to start with some background information. Would you please tell us something about yourself?

Michelle: I grew up in Ohio but have lived in Colorado for over twenty-five years. No matter how long I’m here, I’ll always consider myself a Midwestern girl at heart. I write sweet and sexy contemporary romance and have published over thirty books. I’m so excited about the release of The Magnolia Sisters, which kicks off my first single title series with Harlequin.

TRC:  What inspired you to become a writer?

Michelle: For over a decade I worked in Human Resources and traveled for my job. I had a crazy fear of flying and randomly picked up a romance novel in an airport bookstore (it was a Johanna Lindsey). I loved it so much and realized that the stories I told myself in my head were romance novel plots. That’s when I began to write. It took a lot of years (and getting my two kids through the toddler years) before I got published. It was worth the wait!

TRC: Can you please give us a brief description of The Magnolia Sisters?

Michelle: The Magnolia Sisters is a series that focuses on three women who discover they share the same father after he dies and how they manage to forge a bond in the small town of Magnolia, North Carolina. In the first book we meet Avery, a big city transplant who is starting over and definitely not looking for love (spoiler alert: she finds it with a sexy firefighter). I loved (as always) writing an emotionally charged romance but also having the opportunity to explore the relationship between the three sisters.

TRC: Based on the ending, I am hoping this is a series.  How many books do you plan on writing for this series?

Michelle: Well, I’m so glad you feel that way and, yes, The Magnolia Sisters is currently planned as a three-book series. The second book will be Carrie’s story and the baby sister, Meredith, will be featured in book three. I’m mid-way through Meredith’s book now and still love writing in this world, so fingers crossed readers love it too. You might be seeing even more Magnolia books in the future.

TRC:  What is your writing process?  Do you like to write at specific times, in a special place?  Do you plan your books in advance or let them develop as you write?

Michelle: I’m definitely of the Nora Roberts’ school of puking out the first draft—I plot the major points of the story and take lots of notes as I write the first draft. My normal production for a first draft is 10-15k words a week. Then I do a deep dive edit. When I’m drafting, I love editing. When I’m editing, I love the drafting process. I have an office connected to the house (it’s also the rec room area) but I always write on my laptop and I take it everywhere.

If you saw the layer of dust on my furniture or the sweeping piles of dog hair blowing down the hall, you’d know why I have time to write. I have learned to be fairly disciplined with my schedule, especially with multiple deadlines. Giving the time to my craft is most important to me. Practically, I set word count goals each week and I put my butt in the chair until I meet them.

TRC: Walk us through a day in the life of Michelle Major.

Michelle: Most of my days follow the same schedule (at least Monday – Friday). My husband leaves for work early (normally before 5:30) so I wake up then. I usually write in my journal or do a bit of stretching and plan the day. My high schoolers are then up and I like to be with them while they have breakfast and make lunches. They leave by 7:00 and the rest of the day (until 2) is spent writing, working on the business of being an author, procrastinating by doing laundry or other housework (no lie!). I love listening to podcasts and audiobooks, so I keep myself entertained that way. I normally make time for a dog walk as well and feel so blessed to live in Colorado near the mountains. Once my  kids get home, I continue to work but it’s stop and start as they take priority in the afternoon and evening. Unless I’m on deadline, and then the deadline takes all the priorities. I’m a creature of habit so I usually have the same thing for breakfast and lunch most days. When the kids don’t have activities, we always eat as a family. That’s important to both my hubby and me.

TRC:  Can you tell us about what’s coming up next for 2020 & 2021.

Michelle: I’m so excited about The Magnolia Sisters series. In addition to The Magnolia Sisters, the second book in the series, The Merriest Magnolia, will release in October. I also have three books in a new series, Welcome To Starlight, with Harlequin Special Edition so it’s an exciting year for me! 2021 will continue both series and hopefully even more books to come.

TRC: What are hobbies or interests do you have?

Michelle: I love doing anything outside—lots of hiking with my dogs. My kids are teenagers so much of my free time is spent on the sidelines of their activities. And we also foster kittens for a local animal rescue. Pretty much anything with fur, I’m in!

TRC:  Would you like to add anything else?

Michelle: If you’re at all interested in writing, my best advice is “baby steps.” Even now—over 30 books written—sometimes I start the day setting my timer for 15 minutes. Just to start. I feel like I can do anything in small chunks. You can too! ☺

 

 

Share

The Third to Die by Allison Brennan – a Review

The Third to Die by Allison Brennan – Review, Excerpt & Q & A

 

Amazon / B&N / Kobo / BAM / Book Depository / Google Play / Apple

 

Description:
An edgy female police detective…An ambitious FBI special agent. Together they are at the heart of the ticking-clock investigation for a psychopathic serial killer. The bond they forge in this crucible sets the stage for high-stakes suspense.

Detective Kara Quinn, on leave from the LAPD, is on an early morning jog in her hometown of Liberty Lake when she comes upon the body of a young nurse. The manner of death shows a pattern of highly controlled rage. Meanwhile in DC, FBI special agent Mathias Costa is staffing his newly minted Mobile Response Team. Word reaches Matt that the Liberty Lake murder fits the profile of the compulsive Triple Killer. It will be the first case for the MRT. This time they have a chance to stop this zealous if elusive killer before he strikes again. But only if they can figure out who he is and where he is hiding before he disappears for another three years. The stakes are higher than ever before, because if they fail, one of their own will be next…

 

 

Review:

The Third to Die by Allison Brennan is the 1st book in her new Mobile Response Team thriller series. We meet detective Kara Quinn, our heroine, who is on leave from her job as a cop in Los Angeles.  Kara is staying with her grandmother, until she can go back to her job. She is on her morning jog, when she senses something unusual, and ends up finding the dead body of a local nurse in Liberty Lake, who was brutally murdered.

FBI Agent Matt Costa, has been assigned to lead the brand-new Mobile Response Team, and immediately is sent to investigate this murder.  Matt is shorthanded, as the unit has just begun to being staffed.  He tries to get profiler, Catherine, who is also in seclusion trying to get past some emotionally difficult cases. Catherine will help Matt from a distance, and will offer her thoughts from her home to whatever Matt finds.

What they find is a known killer (The Triple Killer), who murders three people every three years.  Starting on March 3rd to March 9, he will kill using the same patterns, a nurse, a teacher and a police officer; the three-year period has started again, as the body Kara discovers is a nurse. 

What follows is an intense, pulse pounding thriller from start to finish.  The killer is crazed, and seems to be always one step ahead of the police.  Matt is the lead with his Mobile Response Team, and is tries to utilize the local police, as well as bringing in other FBI agents to help stop the killer before he kills again.  I felt that Kara was a great detective, who always manages to come up with clues and ideas as to who and where to search, not to mention that she had a unique ability to spot the possible murderer.  Her and Matt were great together, especially later on when their chemistry flew off the wall; but both were determined to keep their feelings at a distance, as this nightmare case was all that mattered.   When the killer manages to kill the first two victims, as he had years before, it was a race against time to find him before he kills the third (a cop).  It was sad and emotional when one of their own dies at the hands of the killer. 

As we got closer to the climax, the danger escalated in this heart stopping thriller, with the wild crazy killer one step ahead of them, and lives were on the line.  I could not put the book down, holding my breath, as the suspense was amazing.  The Third to Die was so well written by Allison Brennan, that I fully recommend you read this fantastic exciting edge of your seat thriller.

Reviewed by Barb

Copy provided by Publisher

 

 

Wednesday, March 3
Liberty Lake, Washington
12:09 a.m.

Warm blood covered him.
His arms, up to his elbows, were slick with it. His clothing splattered with it. The knife—the blade that had taken his retribution—hung in his gloved hand by his side.
It was good. Very good.
He was almost done.
The killer stared at the blackness in front of him, his mind as silent and dark as the night. The water lapped gently at the banks of the lake. A faint swish swish swish as it rolled up and back, up and back, in the lightest of breezes.
He breathed in cold air; he exhaled steam.
Calm. Focused.
As the sounds and chill penetrated his subconscious, he moved into action. Staying here with the body would be foolish, even in the middle of the night.
He placed the knife carefully on a waist-high boulder, then removed his clothes. Jacket. Sweater. Undershirt. He stuffed them into a plastic bag. Took off his shoes. Socks. Pants. Boxers. Added them to the bag. He stood naked except for his gloves.
He tied the top of the plastic, then picked up the knife again and stabbed the bag multiple times. With strength that belied his lean frame, he threw the knife into the water. He couldn’t see where it fell; he barely heard the plunk.
Then he placed the bag in the lake and pushed it under, holding it beneath the surface to let the frigid water seep in. When the bag was saturated, he pulled it out and spun himself around as if he were throwing a shot put. He let go and the bag flew, hitting the water with a loud splash.
Even if the police found it—which he doubted they would— the water would destroy any evidence. He’d bought the clothes and shoes, even his underwear, at a discount store in another city, at another time. He’d never worn them before tonight.
Though he didn’t want DNA evidence in the system, it didn’t scare him if the police found something. He didn’t have a record. He’d killed before, many times, and not one person had spoken to him. He was smart—smarter than the cops, and certainly smarter than the victims he’d carefully selected.
Still, he must be cautious. Meticulous. Being smart meant that he couldn’t assume anything. What did his old man use to say?
Assume makes an ass out of you and me…
The killer scowled. He wasn’t doing any of this for his old man, though his father would get the retribution he deserved. He was doing this for himself. His own retribution. He was this close to finishing the elaborate plan he’d conceived years ago.
He could scarcely wait until six days from now, March 9, when his revenge would be complete.
He was saving the guiltiest of them for last.
Still, he hoped his old man would be pleased. Hadn’t he done what his father was too weak to do? Righted the many wrongs that had been done to them. How many times had the old man said these people should suffer? How many times had his father told him these people were fools?
Still, he hoped his old man would be pleased. Hadn’t he done what his father was too weak to do? Righted the many wrongs that had been done to them. How many times had the old man said these people should suffer? How many times had his father told him these people were fools?
Yet his father just let it happen and did nothing about it! Nothing! Because he was weak. He was weak and pathetic and cruel.
Breathe. Focus. All in good time.
All in good time.
The killer took another, smaller plastic bag from his backpack. He removed his wet gloves, put them inside, added a good-sized rock, tied the bag, then threw it into the lake.
Still naked, he shivered in the cold, still air. He wasn’t done.
Do it quick.
He walked into the lake, the water colder than ice. Still, he took several steps forward, his feet sinking into the rough muck at the bottom. When his knees were submersed, he did a shallow dive. His chest scraped a rock, but he was too numb to feel pain. He broke through the surface with a loud scream. He couldn’t breathe; he couldn’t think. His heart pounded in his chest, aching from the icy water.
But he was alive. He was fucking alive!
He went under once more, rubbed his hands briskly over his arms and face in case any blood remained. He would take a hot shower when he returned home, use soap and a towel to remove anything the lake left behind. But for now, this would do.
Twenty seconds in the water was almost too long. He bolted out, coughed, his body shaking so hard he could scarcely think. But he had planned everything well and operated on autopilot.
He pulled a towel from his backpack and dried off as best he could. Stepped into new sweatpants, sweatshirt, and shoes. Pulled on a new pair of gloves. There might be blood on the ATV, but it wasn’t his blood, so he wasn’t concerned.
He took a moment to stare back at the dark, still lake. Then he took one final look at the body splayed faceup. He felt nothing, because she was nothing. Unimportant. Simply a small pawn in a much bigger game. A pawn easily sacrificed.
He hoped his old man would be proud of his work, but he would probably just criticize his son’s process. He’d complain about how he did the job, then open another bottle of booze.
He hoped his father was burning in hell.
He jumped on the ATV and rode into the night.

Excerpted from The Third to Die by Allison Brennan, Copyright © 2020 by Allison Brennan. Published by MIRA Books.

 

 

 

Q&A with Allison Brennan

Q: Tell us a little about your new release, The Third to Die. What character in the book really spoke to you?

A: THE THIRD TO DIE is the first book in a new series, which is always exciting. I think what I like the most about THE THIRD TO DIE — and the series concept of a mobile FBI task force tackling complex cases in rural and remote areas — is that I can explore some areas that aren’t often written about. With the vast numbers of crime fiction set in New York City, Los Angeles, and the like, I wanted to do something different. (This isn’t to say other authors haven’t — J.A. Jance has a small-town Arizona series and of course Craig Johnson’s Longmire series in Wyoming are two I enjoy.) I like moving the setting from book to book and keeping the core characters — it’s one reason I had Maxine Revere investigate cold cases in places other than where she lived. Because of the nature of the task force, they will be outsiders wherever they go, and need to learn to work together and trust each other.

In THE THIRD TO DIE, a serial killer hits a small community outside Spokane, Washington. The Triple Killer surfaces on March 3rd to take three victims before he disappears for three years. But this time, the FBI is on the case early, and they have the best chance of finding him. If they don’t, a cop will end up dead. The best thing about this story is being able to create an ensemble cast of characters. I love shows like BONES and SVU where you have a lead character or two, but the writers spend a lot of time developing everyone else, so you feel like you’re part of a team. That’s what I’m trying to create with the MRT series.

Matt Costa heads the group, and what I love most about Matt is his ability to be a leader. He’s a workaholic, but he trusts his team to do their job. He’ll listen to everyone, but when he makes a decision he stands by it. Detective Kara Quinn thinks, “He’s an alpha male trying very hard, and failing, to be a beta.”

Dr. Catherine Jones surprised me. I pictured her (somewhat) as a female version of Will Graham from THE RED DRAGON (the book, not the movies!), torn apart by what she’s seen, but unable to leave the job behind even if it destroys her family. Knowing she’s a secondary character in this book, I was surprised that her few scenes had such an impact.

But it was Detective Kara Quinn who really spoke to me. Kara was never supposed to practically take over the book. When I first conceived of the opening, where Kara finds the body, I thought Kara would simply be a witness and that she might investigate on her own and possible even end up a victim herself. But getting into her head, learning about her childhood, watching how she interacts with Matt as well as his team … she intrigued me so much that I hoped she survived (it was iffy there for awhile!) because I wanted to keep writing about her.

 Q: You write about some interesting and complex characters in your books. From Investigative reporter Maxine Revere to the Rogan/Kincaid families. What is your favorite type of character to write about?

A: This is a hard question! I like exploring a wide variety of characters, both heroes and villains. I love complex and conflicted characters, like Detective Kara Quinn, who has many strengths and a few weaknesses. I love writing villains and trying to figure out why they do what they do. To me, every great hero has a fatal flaw and every evil villain has a redeeming quality.

 Q: How long did it take you to get your rough draft finished on your latest release?

 A: Generally, a rough draft — which is usually pretty clean because I edit as I go — takes me 10-12 weeks to write. Because I wrote THE THIRD TO DIE “on spec” — meaning, it wasn’t contracted by a publisher — I had to write between other projects that had deadlines. I wrote three complete books while also writing this book, so it took me a little over a year to finish the rough draft. But it wasn’t really “rough” — because I had to step away for weeks at a time, in order to get back into the story, I re-read and edited what I’d written, then wrote the next few chapters.

Q: For readers who haven’t tried your books yet, how do you think your editor or loyal readers would describe your books?

A: My editor usually tells me that my characters are compelling and I know how to increase the tension through to the climax. My long-time readers usually tell me that they feel like they know my characters and that they can’t put the book down because they have to find out what happens. Most readers say my books are suspenseful. I also hear that my books are “intricately plotted” which makes me chuckle because I don’t plot.

 Q: When writing, how do you keep track of timelines, ideas, inspiration and such? By notes on the computer, a notebook perhaps?

A: I’ve tried every method of note-keeping, but little works for me. When I’m writing, I write notes directly into the manuscript either using the comment function or just typing in the text *** NOTE *** so I can easily search the asterisks. During revisions I have a notepad next to me with the key points my editor commented on, so I can keep those in mind while fixing problem scenes. For ideas I have a computer file called IDEAS (original, I know!) that I add to from time to time, but I rarely have used any of the thoughts I’ve jotted here.

Q: In The Third to Die, were there any characters that started off as supporting characters, but then developed into a more prominent character?

A: Detective Kara Quinn, who ended up being my favorite character once I was done writing, I’d intended to be a supporting character but as I got into her head, I liked her so much I kept wanting to go back to her. She became much more important to the story — and, ultimately, the series. Detective Andy Knolls, who was a strong supporting character throughout, was originally supposed to be a much more minor character — just the local cop my FBI agents could tap into for whatever they needed. But once he walked out of the autopsy because he thought he would puke, I realized he was a terrific character and I wanted to explore the character of a small-town cop facing a violent crime he was ill-prepared for.

Q: What advantages or challenges does a writer in your genre face in today’s fiction market?

A: I think all writers, regardless of genre, face an overwhelming marketplace for stories. There are so many books being published today–both traditionally and independently–that standing out can be a challenge. But there are clear advantages to writing mysteries and thrillers — I’ve talked to several bookstore owners and they tell me the genre has been selling much better over the last couple of years. Recently, one bookseller told me, “We used to sell tons of romances. Now, everyone wants mysteries.” There is always a market for good stories well told, and genre fiction is always in demand.

Q: The Third to Die is the first in a new series from you, called the Mobile Response Team. What made you decide to branch out into another series set in the world of the FBI?

A: I had this idea more than a decade ago. When I participated in the FBI Citizens Academy in 2008, I learned about the Evidence Response Team and how they work within the FBI — basically, they are agents from different squads in one jurisdiction who come together because they have specialized training in order to process and investigate specific types of crimes. One example locally was the Yosemite murders that terrified northern California in 1999, investigated by the Sacramento FBI with crime scenes investigated by the Sacramento ERT.  But ERT agents also have their own cases, they’re only pulled together in extraordinary circumstances. So I mentioned an idea to the public information officer about having an ERT unit that worked around the country (rather than in one limited jurisdiction) and he said he didn’t see how it would practically work. I shelved it, but it nagged at me from time to time. Fast forward ten years and the PIO had since retired. He and I were chatting about another book of mine (I call him regularly for research!) and I talked to him again about my idea, but I had tweaked it. I had the concept of a Mobile Response Team to focus on rural and underserved communities, based on reading about some FBI offices that had huge territories and more limited resources (because of size, location, etc.) He thought about it, and said, yeah, he could buy into it, especially since the FBI is working hard on improving its image. So while it’s not an actual FBI task force, it was plausible. So I ran with it.

I love writing crime thrillers. I’m very comfortable writing in the FBI world, maybe because of all the research I’ve done and maybe because I’m interested in the cases they investigate. Because the MRT team moves around, I can explore a multitude of crimes that interest me. With an ensemble cast of characters, I can focus on different characters in each book, hopefully to make them more real to my readers. Matt and Kara will likely lead each book, but like Catherine was a pivotal character in this book, and Michael Harris will be a pivotal character in the second book, I hope to also go deeper into Ryder, Jim, and the rest of the team.

 Q: I really enjoy the complex story lines and cases you have in your Lucy Kincaid and Max Revere Books. How much research goes into your stories and is there a particular ‘right from the news headlines’ that catches your interest for a possible storyline?

A: I love research! I read widely and have more than 50 research books on my shelf — forensics, true crime, military, criminal profiling, psychology, police procedures, and more. I have contacts in many professions who I can ask questions. Before I start writing, I have to make sure the set-up works. After that, I research as I write. I participate in “generic” research whenever I have the opportunity–talking to people in interesting professions or going on “field trips” (such as to the morgue to view an autopsy or a ride along with the sheriff’s department)–just to keep my general knowledge about law enforcement up-to-date.

Because I read widely, and keep up-to-date on crime related news, many ‘right from the headlines’ stories catch my eye, but I rarely write about them. It’s usually a couple stories that I see together that give me an idea. Such as reading about a storm that unearths bones might interest me, but then I’ll read an article about a missing person or a mortgage fraud scheme and twist all the articles into one idea that’s completely different from the original stories. I’ve read a lot about human trafficking, and my second MRT book touches on that based very loosely on an article I read about how coyotes go back and forth across the border and the cost to their victims (financial, emotional, physical) coupled with another article I read about an abandoned camp that may or may not have been used for criminal activity, on top of a conversation I had with my brother-in-law, a wildlife biologist, about birds.

 Q: What do readers have to look forward to in the future from you?

A: After THE THIRD TO DIE, the next Lucy Kincaid book will be out on March 31, where Maxine Revere gets to join Lucy in San Antonio — but with a twist. In CUT AND RUN, Lucy is investigating the cold case and Max is investigating the recent murder. I’m almost done writing the Lucy book that follows — COLD AS ICE (10.27.20) as well as finishing the revisions of the second MRT book (currently untitled) coming out in the spring of 2021. I also have an idea for a trilogy about a female private investigator that I’m super excited about, and I’ll be starting the first draft of the third MRT book this spring. Oh — and there will be two Lucy Kincaid novellas coming this summer!

 Q: What advice do you have for someone working on their first book?

A: Create good habits. Write regularly–create a schedule that fits into your life and stick to it, whether it’s an hour every morning before the kids get up, two hours at night when you used to watch television, or every Sunday afternoon. You need to make sacrifices to find the time to write, but if it’s important, you’ll do it. (For example, when I was working full-time out of the house AND had three young kids, I gave up television for three years and wrote every night from 9 to midnight.) Also, learn how to discern constructive criticism–some advice is good, some isn’t. Sometimes it’s hard to know what to take and what to leave, but it’s important. Generally, advice that is constructive will help you see your flaws while also motivating you to keep writing; advice that is destructive will make you feel like a failure. Don’t listen to the destructive advice.

Q: What is the hardest part about writing for you?

A: Procrastinating. I get easily distracted, especially when I’m just starting a book. So I guess that means the beginning is hard, hahaha. Once I am deep into the story — somewhere between 100-150 pages — something clicks and then I can’t write fast enough. In fact, I’ve often said that it takes me twice as long to write the first 100 pages than it does to write the last 300 pages!

Q: Do you have a set schedule for writing or do you work writing into your existing schedule?

A: Before my first book came out in 2006, I worked full-time and I only had nights to write. I wrote every night when the kids went to bed, from 9 to midnight. Now I write full time, and I treat it as a full-time job — I start after the kids go to school (about 8 am) and generally wrap up before dinner (about 6 pm). Not all those hours are spent writing — I’ll research, read, spend time on social media — and sometimes I’ll write at night, especially if I have to take a day off for errands or I have an imminent deadline or if I’m super excited about the scene I’m writing. Because my time is flexible, I can go watch my daughter’s softball games or take a day to research on-site (like a ride-along.) I also write on the weekends, but only if we don’t have family things planned (or a softball tournament!)

Q: What is your favorite line from your book?

A: I don’t have a favorite line, per se. I have a couple favorite scenes. When Matt first comes to town and he and Kara walk through the crime scene. Matt’s conversations with Ryder Kim, his jack-of-all-trades analyst. Kara’s scenes with her grandmother. The climax was hugely fun to write, and needed a lot of choreographing on my part to make sure it made sense! There’s a scene from a child’s POV that was very emotional to write and stuck with me for a long time. I think Kara has most of the best lines, to be honest, and one of the best exchanges between her and Matt was after a press conference Matt gave with the Spokane PD, when Kara was in the audience trying to figure out if the killer was watching the speech. Matt was irritated because he hadn’t seen her, and Kara decided to have fun with him. At the end, as she’s about to leave the room:

Kara smiled and handed Matt his wallet. “You were too easy.”

Matt took his wallet, looking both surprised and angry, but also impressed. “You stole my wallet?”

“You gave me shit because you thought I’d bailed on you–I was just having fun. Don’t take it personally. I’ve been picking pockets since I was a little kid.”

 

Allison Brennan is the New York Times and USA Today bestselling and award-winning author of three dozen thrillers and numerous short stories. She was nominated for Best Paperback Original Thriller by International Thriller Writers, has had multiple nominations and two Daphne du Maurier Awards, and is a five-time RITA finalist for Best Romantic Suspense. Allison believes life is too short to be bored, so she had five kids. Allison and her family live in Arizona. Visit her at allisonbrennan.com

Social Links:

Author website:
Facebook: @AllisonBrennan
Twitter: @Allison_Brennan
Instagram: @abwrites
Goodreads:

 

 

 

 

Share

Bound For Eden by Tess LeSue – Review, Q&A and Giveaway

Bound For Eden by Tess LeSue – Review, Q&A and Giveaway

 

 

Amazon / B&N / Kobo / BAM / Book Depository

 

Description:
Alexandra Barratt has found the perfect man – it’s a shame he thinks she’s a boy.

Fleeing from the murderous Grady brothers with a stolen fortune hidden in her luggage and her younger brother and sister in tow, Alex disguises herself as a boy to join a wagon train headed West … a wagon train captained by the irresistible Luke Slater.

At first, Alex can’t believe the way every woman in town falls at Luke’s feet, including her suddenly flirtatious sister. But when she sees him naked in the bathtub, she finds herself swooning over him too. If only she could wash the muck of her face and show him who she really is…

As for Luke, he has no idea that the ragtag boy in his care is none other than the woman of his dreams. But when circumstances connive to throw Luke and Alex into each other’s arms, their relationship becomes very complicated indeed. In fact, with the brutal Silas Grady in pursuit, keeping their secret becomes a matter of life and death…

 

 

Review:

Bound for Eden by Tess LeSue is the first book in her new Frontiers of the Heart series. Bound for Eden is a western historical romance that was an enjoyable, fun story with some witty humor.   Alexandra Barratt, our heroine, is on the run with her two younger siblings; Victoria and Adam. Having survived the death of their parents, Alex has been pressured by the bad neighboring brothers, who are trying to force her to marry one of them; but they are evil, and bad to the bone.  Alex manages to steal some money from those Grady brothers, and escapes with her siblings to join a wagon train.   She knows the Grady brothers are looking for two girls and boy, so Alex disguises herself as a boy to throw them off.

Luke Slater, who is ready to go home, after a long trek to buy an Arab horse, he meets the boy (Alex) and willingly takes him under his wing, advising him to purchase a wagon and horse to move west.  Before they go, Alex gets to see more then she bargained for in Luke Slater, as it seems that every woman throws themselves at him, as he is a known womanizer.  Luke enjoys the attention, especially in the whore house he visits, where he meets the woman of his dreams (Alex after she cleans up, and calls herself another name), but she manages to run away before he can find out who she is.  Alex finds herself falling for the hot gorgeous Luke, but unfortunately, so does her sister, Victoria.   Alex must keep her disguise and secret, as Victoria throws herself at Luke.

When the Grady Brothers come close to finding them, Luke will step in and help them, thinking that it is Victoria who they want.  They all manage to escape and the wagon train moves west. 

What follows is a sweet adventure with some danger, excitement and the humorous banter between Alex and Luke.   The battle with the Gradys escalates, as they attack the wagon train.   When they are caught and arrested, Alex, Victoria, Adam and Luke feel safe, but the danger will rise again. 

I really liked them together, but this went on a bit too long & I found myself anxious for Luke to wake up and see what others could see; the woman who calls to his heart.  When his brothers find the pretty Alex very attractive, Luke’s anger keeps him at a distance from Alex, who truly does love him; but Luke was blinded by his anger.   The exciting climax, where both lives are in danger and hanging a thread, had me holding my breath to see if they would survive. 

It was a very intense finish, but satisfying finish.  Bound for Eden was a sweet fun historical western that was exciting, suspenseful and humorous, with a great couple and perfect blend of romance.  I suggest you read Bound for Eden, which was very well written by Tess LeSue.    I look forward to the next book by Tess LeSue.

Reviewed by Barb

Copy provided by Publisher

 

Hi Tess. Thank you for taking the time to answer some questions today.We are always looking forward to reading about the author behind the book. 

 

Tess: Thank you so much for inviting me along!

 

 

 

TRC:  Would you please tell us something about yourself? 

Tess: I’m a book-addict and working mum who lives in Adelaide, which is the capital of South Australia. I teach Creative Writing and Literature at Flinders University and I write fiction and non-fiction. For fun I like anything to do with food and wine. South Australia is magnificent wine country; we have wineries in the Clare Valley, McLaren Vale, the Barossa Valley, and the Adelaide Hills, and I can’t think of anything better to do on a day off than to go on a winery tour. I love swimming at the beach in summer and skiing in the Australian Snowy Mountains in winter, and I’m a total Zumba-tragic year-round.

TRC:  When and how did you first become interested in writing? 

Tess:  I’ve always written, even before I could technically write. The first book I ever ‘wrote’ was a re-telling of Cinderella. My mum wrote the words out for me, we stapled the pages together and I illustrated it. Even then, romance was my favorite genre. I wrote stories all through school, and then branched out into writing plays in high school and short film scripts at film school. When I was a teenager I wrote a serial story about a girl named TJ Walker, and my entire class passed it around. It was like a soap opera – it used to end on cliffhangers – and the girls in my class used to pressure me for new installments. I remember writing until I got a callous (this was in the pre-computer days). It was nice to have readers and it taught me early on that even if you’re not published, you can always find readers. Because I’ve always read widely (I used to read everything from Alexander Solzhenitsyn to Johanna Lindsey) I wrote widely too. I wrote fantasy and historical fiction, horror and romance. But always more romance than anything else. Writing is a lot like reading to me, only slower. I fall into a whole different world, and it’s just magical.

TRC:   How did you come up with the idea of writing a Western Historical Romance, and your Frontiers of the Heart series.

Tess:  Historical Romance is my drug of choice. I adore it. And it’s my favorite thing to write in the entire world. When I first started writing, I tried out lots of different time periods – including Regencies, obviously, because they’re so popular (and I love them as much as anyone). But it wasn’t until I started writing Bound for Eden that I really fell in love. The heroine, Alex, just popped into my head one day, and she was so sassy and feisty that I was dying to tell her story. And what I loved about Westerns when I started writing them was that they’re so rough and ready and the characters could be so quirky. These are people who don’t fit (for one reason or another) and so strike out for new places, to build new lives. Best of all, the heroines can do everything the heroes do! There are fewer social constraints. There are no ballrooms and fancy gowns and fine manners. The women on the frontier had to be physically able and mentally strong. They were brave and bold and they got down in the muck with the boys. Which can be so sexy. And I love the wide open spaces and the grand sense of adventure.

TRC:  With Bound for Eden released yesterday, can you please give us a brief description of this book?

Tess:  Alexandra Barratt is responsible for her foster brother and sister and when they find themselves targeted by the Grady brothers,  she takes them West, where she assumes they’ll be safe. Unfortunately the Gradys follow. That’s where the fun really begins as, to hide, Alex disguises herself as a boy and signs her family up on a wagon train to Oregon, captained by the irresistible Luke Slater. Luke is tall, dark and too flirtatious for his own good, in Alex’s opinion. As they travel across the country, Alex is the first woman to get to know the man behind the flirt – only because Luke doesn’t know she is a woman. Bound for Eden is a rollicking adventure of mistaken identities and raunchy good fun.

TRC:  You also write as Amy T. Matthews.  What genre do you write under this name?

Tess:  I write historical fiction under Amy T Matthews too, but it’s darker and grittier and more confronting. My novel End of the Night Girl is about a woman who is haunted by the ghost of a murdered Polish Jew. It shifts back in time between the present and the Holocaust, in the 1940s. I also write non-fiction and scholarly articles under the name Amy T Matthews.

TRC:  Can you please tell us what you are working on now, and what you have upcoming in 2018/2019?

Tess: The rest of 2018 is all about the Slater brothers. Bound for Sin is out in September and is about Luke’s not-so-little brother Matt and how he gets tangled up with a widow looking for a mail order groom. And in December 2018 Bound for Temptation will be released, which features the middle Slater brother, Tom, and his adventures with a nun (who might just be a whore in disguise). In 2019 I’m hoping you’ll get to meet the mysterious Deathrider again, and the woman who makes his life an unholy misery (before she gives him a happily ever after!).

TRC:  What is your writing process?  Do you like to outline your story before you start? Do you have a specific place you like to write?  Is there a special time of day that works best for you? 

Tess: My writing process is a mix of utter drudgery and moments of joy. When I’m working on a book I try to write every day; I force myself to sit in the chair until something happens. Generally, I do a bit of pre-writing planning but I’m mostly an organic writer. I know the characters’ names and a bit of backstory when I start and generally I’ll have an idea of one or two big plot points, but otherwise I just follow along behind the characters, watching what they do. I don’t have a set place to write, I move around. I like to sit at the kitchen table if I’m writing during the day, as we have big windows to the garden and it’s nice to sit in the sun, but I also have a study (which is cosy and dim and nice when I’m writing an intense scene) and sometimes I also write in bed (usually when things aren’t going well!). I work full time and have kids so my routine is pretty busy; it’s hard to section off regular times to write. I tend to just write when I can. Right after the kids go to school in the morning is a productive time if I can do it, but generally I get the most done at night, when everyone is in bed and the house is quiet.  

TRC:  When you are not writing, what other interests or hobbies do you have?

Tess: I don’t get much free time, to be honest. If I’m not working, I’m writing. Aside from food, wine, and Zumba, I read a lot and I love film. My second degree was in film (my first – surprise, surprise – was in history and literature). I find it hard to sit still, so I’m usually doing something while I watch. I make patchwork quilts by hand (that sounds crazy, I know, doing the whole thing by hand, but I find it’s a Zen experience). I just finished a quilt for my daughter, made from tiny squares in shades of blue and green, and it took me eleven years from start to finish (Zen…). Now I’m starting one for my partner in Matisse colors. This all makes it sound like I’m indoors all the time… but I love nature and love my garden and try to get out in the world as much as I can to watch the sunsets and enjoy the seasons.

TRC:   Would you like to add anything else? 

Tess: Just that it’s been an absolute pleasure – thank you so much for having me along!
TRC:  Thank you, Tess for answering our questions. We wish you the best of luck with Bound for Eden.

Tess:  Thank YOU!

 

Tess’s publisher is offering a paper copy of BOUND FOR EDEN to ONE (1) lucky commenter at The Reading Cafe.

1. If you have not previously registered at The Reading Cafe, please register by using the log-in at the top of the page (side bar) or by using one of the social log-ins.

NOTE: If you are having difficulty commenting after logging onto the site, please refresh the page (at the top of your computer).

2. If you are using a social log-in, please post your email address with your comment.

3. Please follow Tess LeSue on Facebook.

4. LIKE us on FACEBOOK and then click GET NOTIFICATION under ‘liked’ for an additional entry.

5. LIKE us on Twitter for an additional entry.

6. Please FOLLOW us on GOODREADS for an additional entry.

7. Giveaway open to USA only

8. Giveaway runs from May 3-7, 2018

 

Share

Allegiance of Honor by Nalini Singh – Review, Q&A, Excerpt & Giveaway

Allegiance of Honor by Nalini Singh – Review, Q&A, Excerpt & Giveaway

 

Allegiance of Honor banner 1

 

Allegiance of HonorAmazon / Barnes & Noble / Kobo / BAM / The Book Depository

Description:
The Psy-Changeling world has undergone a staggering transformation and now stands at a crossroads. The Trinity Accord promises a new era of cooperation between disparate races and groups. It is a beacon of hope held together by many hands: Old enemies. New allies. Wary loners.

But a century of distrust and suspicion can’t be so easily forgotten and threatens to shatter Trinity from within at any moment. As rival members vie for dominance, chaos and evil gather in the shadows and a kidnapped woman’s cry for help washes up in San Francisco, while the Consortium turns its murderous gaze toward a child who is the embodiment of change, of love, of piercing hope: A child who is both Psy…and changeling.

To find the lost, protect the vulnerable—and save Trinity—no one can stand alone. This is a time of loyalty across divisions, of bonds woven into the heart and the soul, of heroes known and unknown standing back to back and holding the line. But is an allegiance of honor even possible with traitors lurking in their midst?

 

 

Review:

Allegiance of Honor by Nalini Singh is the 15th book in her fantastic Psy/Changeling series.  I have said many times that this series has become my all time favorite, along with J.D. Robb’s In Death.  Nalini Singh is a master at world-building; storyline continuation that flows in each book seamlessly; with great characters, exciting story and her couples are always great, not to mention a steamy romance. Her other series, Guild Hunter is a great series too. Saying that, It is no wonder that Nalini Singh has become my favorite author, where I wait impatiently for her next book.

Nalini Singh has given us a gift in Allegiance of Honor, which more or less ends this fabulous arc.  She gives us an ensemble book that is a keeper, as we get to spend time with all of our favorites from the previous books; which also opens the door for the next arc. 

In all of the Psy/Changeling books, there is always a leading couple that we come to love and furthers the ongoing story line.  In the last book we saw the end of Silence, and in this book there is no one couple, as we learn about some existing problems revolving around PsyNet; about the Consortium which threatens to destroy the new peace with Trinity and another group of changelings desperately trying to save their people.  We get it all in Allegiance of Honor, which was masterfully written, with some closures, as well as new problems, giving us a peek at the future.   Nalini continues to wow us with her unbelievable world-building, which no one can match.

It is hard to write a review about this book, as Nalini was doing what she does best, continuing this world building and giving us happiness with each and every couple. We got to enjoy the pupcubs, and our new little darling, Naya, who will be something to reckon with when she grows up.   

Those new to the series I suggest you not start with this book, it will be so worth the wait to start from the beginning and get the full effect of Psy/Changeling. Allegiance of Honor would be somewhat confusing for a newbie, as I feel it is for those who have read this entire series, which started with Lucas & Sascha, as the complex Psy/Changeling world building began; the wonderful couples we met along the way that we never want to let go; from the Leopards to the Wolves to the Arrows that worked together to bring down Silence.  We get to see more of the Black Sea changelings, which I suspect will play a big role in the next arc.

I will not say too much more, other than to say how much I loved loved this series. These characters are best I have ever read; Lucas, Sascha, Hawke, Sienna, Judd, Brenna, Mercy, Riley, Dorian, Clay, Faith, Walker, Kaleb, Sahara, Vasic, Ivy, Aden, Zaira, Nikita, just to name a few.  Despite the end of this arc, it is not the end of Psy/Changeling;  we will be getting to see some of our favorites along the way with the new changelings.

Thank you, Nalini Singh for this fantastic series, your wonderful characters, unbelievable world building and your steamy beautiful romances.  It was a fascinating, captivating roller coaster of a ride. I will follow you to the next arc (and your Guild Hunter series), and I know it will be wonderful.  For those of you who have not read this series, once again, you are missing the adventure of your life, which is not to be missed.  Start with Slave to Sensation and fall in love with Nalini Singh.

Reviewed by Barb

Copy provided by Publisher

 

Q&A

Nalini Singh on the future of the Psy-Changeling series

Is Allegiance of Honor the end of the Psy-Changeling series?

No, it’s not. 🙂 I ADORE this world and the characters and I have so many Psy-Changeling stories yet to tell. (I’ve often joked that I’ll be writing this series until I’m ninety-eight!)

**TRC *Happy Dance………..*

Where do you see the Psy-Changeling world going from here?  Who is the next book about?

(Slightly spoilery answer to follow if you’re just starting the series).

Allegiance of Honor sets up a lot of possibilities for the future. There are many avenues I could take. However, for me, this arc is all about what happens not just to the Psy, but to the world, now that Silence has fallen and all the rules have changed.

We’ve had the immediate aftermath books, both of which focused on the Psy race (Shield of Winter & Shards of Hope), but what about the wider long-term future? Because Silence existed for a reason. The Psy still have these incredible abilities that have the potential to drive them murderously insane, and the world is still a fractured triumvirate. And there are players about whom we know very little, like the falcons and BlackSea.

As for who’s book is next, I’m not ready to announce it yet because I want to be certain this character is ready – but I think you’ll be pleased. 😉 

 

excerpt

 

 

Lucas had had to chase Naya around the aerie at bedtime last night—her walk might still be a little shaky, but she was a rocket when it came to crawling. Dressed only in a diaper, she’d laughed uproariously and said a loud, firm “No” each time Lucas caught her and put her in her crib.

After which she’d clamber out—she’d figured out how to escape a month earlier—and the game would begin again. Of course, since Lucas was a cat, he’d been having just as much fun as their daughter. Sascha, meanwhile, had sat in the living room with a cup of hot chocolate and just indulged in the sight of her mate playing with their cub.

She’d had to pretend to be stern when Naya ran over and pleaded her case with loud sounds and wild gesticulations of her hands. “No, Naya,” she’d said, biting her tongue in an effort not to laugh. “It’s time for bed. Go with Papa.”


At which point, Naya had growled at her, eyes sparkling with mischief.

And Sascha had cracked, laughing so hard she’d had to put down her hot chocolate before she spilled it. Lucas had shaken his head as Naya plopped down on her diaper-covered butt and joined in, clapping her hands at having made her mommy laugh. “No discipline.” Lucas had mock-growled at her before picking up their misbehaving baby. “And you”—a growly nuzzle that made Naya laugh harder and pat his stubbled cheek—“time for bed.”

He’d finally got her to sleep—by walking around with her pressed up against his bare chest.


Today, their cub was playing in the living area just outside the kitchen nook. Sascha had locked the aerie door to ensure Naya wouldn’t undo the latch and go out onto the balcony, and Lucas had childproofed the entire main area of the aerie, so Naya was free to roam as she liked. A lot of the time she practiced her walking skills. And no matter how often she fell down, she started back up again after a little break.

Stubborn, determined baby.

Peeking out from the kitchen, Sascha found her concentrating on stacking the colored alphabet blocks Faith and Vaughn had given her as a gift. Beside her sat a more than slightly ragged wolf plush toy, aka “The Toy That Shall Not Be Named.” Hawke had given that to Naya when she was a newborn, and it remained her favorite snuggle toy, much to her father’s despair.

Though Lucas did enjoy it when Naya went leopard on the toy, growling and “fighting” with the wolf. Then he’d smile and say, “That’s my girl.”


 

theauthor
Nalini SinghI was born in Fiji and raised in New Zealand. I also spent three years living and working in Japan, during which time I took the chance to travel around Asia. I’m back in New Zealand now, but I’m always plotting new trips. If you’d like to see some of my travel snapshots, have a look at the Travel Diary page (updated frequently).

So far, I’ve worked as a lawyer, a librarian, a candy factory general hand, a bank temp and an English teacher and not necessarily in that order. Some might call that inconsistency but I call it grist for the writer’s mill.

I’ve been writing as long as I can remember and all of my stories always held a thread of romance (even when I was writing about a prince who could shoot lasers out of his eyes). I love creating unique characters, love giving them happy endings and I even love the voices in my head. There’s no other job I would rather be doing. In September 2002, when I got the call that Silhouette Desire wanted to buy my first book, Desert Warrior, it was a dream come true. I hope to continue living the dream until I keel over of old age on my keyboard.

 

giveaway

Nalini’s publisher is offering a paper copy of the first two (2) book in the Psy/Changeling series; SLAVE TO SENSATION & VISIONS OF HEAT to ONE (1) lucky commenter at The Reading Cafe

1. If you have not previously registered at The Reading Cafe, please register by using the log-in at the top of the page (side bar) or by using one of the social log-ins.

2. If you are using a social log-in, please post your email address with your comment.

3. Please LIKE us on FACEBOOK and click GET NOTIFICATIONS

4. Please FOLLOW us on Twitter for an additional entry.

5. Please FOLLOW us on GOODREADS for an additional entry.

6. Follow NALINI SINGH   on Facebook.

7. Giveaway is open to USA only

8. Giveaway runs from June 14 to 19, 2016

Save

Save

Save

Share

Blood Curse by Ella J. Phoenix – Review & Q&A

Blood Curse by Ella J. Phoenix – a Review

 

Blood Curse
Dragon Heat series – Book #5
by Ella J. Phoenix
Release Date: April 29th, 2016

BloodCurse_Kindle2016_1563x2500Amazon / Barnes & Noble / Kobo / ITunes / Smashwords

Promotion:

On the launch weekend, from Friday, April 29 to Sunday, May 1, the latest novel in the Dragon Heat series, Blood Curse, will be FREE on iTunes, Kobo, Barnes & Noble, ARE & Smashwords.

To celebrate the release of yet another book in the series, Dragon Heat (Book 1) is completely free of charge on iTunes, Kobo, Barnes & Noble, ARE & Smashwords, and it’s just 0.99c on Amazon.

 

Description:
Descendant of a Cherokee shaman, Dyam is one of the vampire king’s personal guards and closest advisors. He has seen the worst of mankind and has vouched to stay away from personal entanglements and focus on serving his king. Then his resolve is shaken when Naiah, the water witch, finds her way into the busy vampire castle’s life and straight into his heart. But before he can nurture his feelings for her, she is killed in battle, causing Dyam to return to his self-imposed seclusion for good. 

Little does he know that Naiah has been brought back to life by his kind’s most infamous enemies. She is their ultimate weapon in a final battle that will rupture not only the balance of the supernatural world, but Dyam’s loyalty to his race.

 

Review:

Let me start off with saying I love Ella J. Phoenix’s Dragon Heat series and the final installment Blood Curse did not disappoint. Yes Ms. Phoenix is ending this magnificent series, but don’t despair, she’s starting a new series that will be a continuation of this one, just some years later in the timeline, yay!!!  I’m so grateful I was allowed to find this author through The Reading Café, and be given the chance to read and review every addition to this series.  Ms. Phoenix has a talent for creating intriguing, sexy characters who carry the reader along on a paranormal journey that keeps the reader hanging on to every word uttered and action taken by these characters.  Her world building is magical and pulls the reader into a paranormal world of wonder, danger, intrigue, folklore and steamy romances.  Blood Curse was all that and then some for me. 

At the end of the last book Vampire Legacy my heart broke for the vampire Dyam and I had hoped he’d have a story of his own to find his HEA.  Well, I didn’t have to wait long because Blood Curse is Dyam and Naiah’s story.  Wait, Naiah, didn’t she perish in Vampire Legacy you say.  Yes she did, but thanks to some dark magic from our dastardly duo of the Draconian Vraijator and Desert Daemon Osmon, Naiah is brought back to life as the Phoenix.  Now I have always enjoyed the story of the Phoenix throughout literature, so I was thrilled to see Ms. Phoenix bring it into her own story.  Watching Naiah deal with this new entity the Phoenix inside her, all the while trying to come to grips with everything that has happened to her, and is still happening/changing within her, had my heart breaking for her.  Sweet, innocent Naiah who stole our hearts in Vampire Legacy being used as a pawn by evil in the war between the gods and other entities who don’t like Tardieh and Zoricah, so not fair.  Don’t fret, not everyone is against Naiah the Phoenix, and would rather see her destroyed then saved.  When Dyam learns the tale of the Phoenix and how Naiah was brought back to life with dark magic for that very purpose, he takes it upon himself to be her knight in shining armor, her protector and hero.  Can I just say swoooooon!!! Oh what a swoon-worthy hero Dyam is too.  I loved him and his protective ways towards Naiah, just so sweet and loving.  Their scenes together are precious, tender and sexy as hell when they get down to business, but at the same time it’s dangerous because Dyam and Naiah never know when the Phoenix will rear it’s dangerous beak so to speak and possibly try to kill him, and everyone he holds dear. 

The fight to save Naiah’s inma(soul), and keep her safe is nerve wracking and kept me on the edge of my seat.  The battle scenes at the end were well written and had me feeling as though I was a part of it, hoping I didn’t become one of the Phoenix’s vicitims.   Seeing Tardieh and Zoricah become parents to one very cute little Zoe, future heir to the vampire throne, and try to keep her safe through all this had me cursing at everyone who is against them.  Can’t they just leave well enough alone and let them be happy, nooooo.  Oh and let’s not forget the big reveal that Ms. Phoenix tosses at us just to add a little more tension to an already sticky situation for Tardieh and Zoricah.  She’s not a demigoddess, nope, she’s a full fledged goddess, born of Zmyzel goddess of life, and Ucidhere god of death.  To protect their daughter they made everyone believe, including Zoricah, that she was the product of an affair with a draconian aristocrat, because the gods/goddesses of Apa Dobry aren’t supposed to procreate.  So now not only is Zoricah in danger, but more so her daughter due to the Blood Prophecy.  Oh what a tangled web we weave Zmyzel and Ucidhere.  This is another thing I love about Ms. Phoenix’s writing, her multiple storylines within the main story.  It just adds so much more to the book that the reader doesn’t have a chance to catch their breath because events come at you fast and hard and you feel like you are running to stay caught up with everything.  It causes the story to fly by and before you know it you’ve read the whole book and you want more.  This is exactly what happened to me.  I was like, wait, what, they are sending their daughter off with strangers….no you can’t leave it like this Ms. Phonenix, I need more, now!!!!!  Thankfully, she had and excerpt for her new series at the end of Blood Curse.  The excerpt made me happy and answered a burning question/thought I had based on the last scene Tardieh has with his warrior Joel.  Let’s just say, if where her new series is headed like I think it is, I can’t wait to see Tardieh and Zoricah’s reaction to the news regarding their grown daughter. 

Ella J. Phoenix thank you for the totally awesome series Dragon Heat.  I’ve enjoyed reading and reviewing this series.  As sad as I am to see you ending it, I’m excited to see what you have in store for us with new characters and storylines in your next series Sons of Apa Sambeti.

Until next time, happy reading everyone.   

Reviewed by Marcie

Copy provided by Author

 

 

Q&A

Ten things you didn’t know about Ella J Phoenix

  1. I really suck at interviews
  2. I love cheese more than I love chocolate
  3. I love wine more than I love cheese… no, actually that’s not true.
  4. I love a good debate
  5. I hate politics
  6. I truly believe in destiny
  7. Mainly because I met my husband is a true destiny-knocking-on-your-door kind of situation
  8. I’m a frustrated actress who found her spotlight in singing
  9. I’m a frustrated singer who found her voice in writing
  10. I’m addicted to awesome paranormal romance as much as you are

 

One Minute with Ella J. Phoenix

  1. Where do you do most of your writing?

            In my guest bedroom/home office, away from everything else.

  1. Who are your favorite authors?

Oh, they are so many! Jane Austen, Nalini Singh, Sherrilyn Kenyon, Christine Feehan, and all the great indie authors out there!

  1. What’s the one genre you absolutely will NOT write about? Why?

I never say never, but “Self Help” books are not my thing.

  1. Do you use people you know as characters? And do you tell them if you do?

Maybe and maybe… but you’ll never know. 🙂

  1. Have you had any creepy fan experience yet?

No, not creepy, but I’ve had a few fans contacting me on Facebook as they read my novels. It was awesome to experience their journey through the story with them. It’s the best compliment an author can have in my opinion.

  1. Does your family know about ALL the books/stories you’ve written, or are you keeping a few hidden?

My immediate family are my biggest fans. But unfortunately, sex is still a taboo in many communities, including mine. Not everyone understands how liberating a good erotic romance can be. Maybe one day we’ll be able to share our stories without the fear of retaliation and hypocritical judgement.

  1. Last, but not least, is there anything you would like to say to your fans?

I write because I have a million stories and characters in my mind. It’s my therapy, my escape from reality, my happy place. Without you, my fans, I would be just a crazy woman locked in a boring day job or in a mental institution. So, thank you for your support and I hope my novels bring magic into your days as much as they bring to mine.

To learn more about Ella, you can check the following links

Facebook  / Twitter Goodreads / Website

 

 

 

 


Share