Crimson Summer by Heather Graham – Review & Excerpt

Crimson Summer by Heather Graham – Review & Excerpt

 

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Description:
They’re not going down without a fight.

When FDLE special agent Amy Larson discovers a small horse figurine amid the bloody aftermath of a gang massacre in the Everglades, she recognizes it immediately. The toy is the calling card of the apocalypse cult that Amy and her partner, FBI special agent Hunter Forrest, have been investigating, and it can only mean one thing: this wasn’t an isolated skirmish—it was the beginning of a war.

As tensions between rival gangs rise, so does the body count, and Amy and Hunter’s investigation leads them to a violent, far-right extremist group who are in no hurry to quell the civil unrest. With a deadly puppet master working to silence their every lead, it’s a race against the clock to figure out who’s been pulling the strings and put a stop to the escalating cartel turf war before the Everglades run red.

 

 

Review:

Crimson Summer by Heather Graham is the 2nd book in her Amy Larsen & Hunter Forest FBI series.  I did not read the first book in this series (guess I missed it), but this reads very well as a standalone.  Amy Larson (FDLE special agent) and Hunter Forest (FBI special agent) are our heroes in this series.  The storyline revolves around an apocalypse threat (the four horsemen), which concentrated on the first book being a cult, and using the white horse.  While on vacation, Amy and Hunter discover someone left them a gift, a red horse toy; knowing the danger in that message, as well as learning that there was a bloody gang massacre in the Everglades; they cut their vacation short and return to Florida to help investigate the massacre and red horse clue.

The tension and suspense escalate, especially between rival gangs, as another mass murder happens in New York, as well as threats in Chicago.  Amy and Hunter begin to suspect that a violent, extremist group maybe behind the war, as there are many twists and turns along the way, leading them to try and figure out who the real person is behind the scenes.

What follows is a fast paced, exciting, suspenseful thriller that even puts innocent people in danger. Amy and Hunter race against the clock to protect the innocents, and find the villain. There were a number of surprises, and to say too much more would be spoilers. I really loved Amy and Hunter together, as they made a great team, not to mention romance.  Since there is more horseman to come, I look forward to reading what Graham has in store for us. Crimson Summer was so very well written by Heather Graham.  If you enjoy exciting suspense thrillers, you need to read this book; especially Graham is one of the best in writing suspenseful novels.  

Reviewed by Barb

Copy provided by Publisher

 

 

                                     Prologue

The sun was out, inching its way up in the sky, casting golden rays and creating a beautiful display of color over the shading mangroves and cypress growing richly in the area. The sunlight touched on the streams running throughout the Everglades, the great “River of Grass” stretching over two hundred acres in southern and central portions of Florida, creating a glittering glow of nature.
The sky was gold and red at the horizon, and brilliantly blue above, with only a few soft puffs of clouds littered about. Diamonds and crystals seemed to float on the water.
Such beauty. Such peace.
Then there was the crime scene.
The bodies lay strewn and drenched with blood. The rich, natural earth hues of the Everglades were caught in a surreal image, greens and browns spattered liberally with the color red as if an angry child had swung a sopping paint-brush around.
Aidan Cypress had never understood why the mocking-bird had been made Florida’s state bird—not when it seemed that vultures ruled the skies overhead. Never more so than today.
Now, as he stood overlooking the scene with his crew and special agents from the FDLE, trying to control the crime scene against the circling vultures, Aidan couldn’t help but wonder just what had happened and why it had happened this way—and grit his teeth knowing there would be speculation.
Stooping down by the body of a man Aidan believed to be in his midthirties—with dark hair, olive complexion, possibly six feet in height, medium build—he noted the shaft of an arrow protruding from the man’s gut.
All the dead had been killed with arrows, hatchets, axes and knives. Because whoever had done this had apparently tried to make it look like a historical Native American rampage.
Except the killers hadn’t begun to understand there were differences in the weaponry and customs between the nations and tribes of the indigenous peoples across the country.
In South Florida, the dead man’s coloring could mean many things; Aidan himself was a member of the Seminole tribe of Florida, though somewhere in his lineage, some-one had been white—most probably from northern Europe originally. He had a bronze complexion, thick, straight hair that was almost ebony…and green eyes.
South Florida was home to those who had come from Cuba, Central and South America and probably every island out there. The area was truly a giant melting pot. That’s how his family had begun. In a way, history had created the Seminole tribe because there had been a time when settlers had called any indigenous person in Florida a Seminole.
But while the killers had tried to make this look like a massacre of old, the dead men were not Seminole. They were, Aidan believed, Latino. He could see tattoos on the lower arms of a few of the dead who had been wearing T-shirts; a single word was visible in the artwork on the man in front of him—Hermandad.
Spanish for “Brotherhood.”
“What the hell happened here, Aidan?”
Aidan looked up to see that John Schultz—Special Agent John Schultz, Florida Department of Law Enforcement—was standing by his side.
John went on. “It’s like a scene out of an old cowboys and Indians movie!”
Aidan stared at John as he rose, bristling—and yet he knew what it looked like at first glance.
“Quaking aspen,” Aidan said.
“Quaking aspen?” John repeated blankly.
“It’s not native to this area. Look at the arrow. That wasn’t made by any Seminole, Miccosukee or other Florida Native American. That is a western wood.”
“Yeah, well, things travel these days.”
Aidan shook his head. He liked John and respected him. The older agent was experienced, a few years shy of retirement. The tall, gray-haired man had recently suffered a heart attack, had taken the prescribed time off and come back to the field. They’d worked together dozens of times before. He could be abrasive—he had a sometimes-unhappy tendency to say what he thought, before thinking it through.
A few years back John had been partnered with a young woman named Amy Larson. It had taken John a long time to accept her age—and the fact she was female. Once he’d realized her value, though, he’d become her strongest supporter.
But Amy wasn’t here today.
And Aidan missed her. She softened John’s rough edges.
She was still on holiday somewhere with Hunter Forrest, the FBI agent she’d started dating. They were off on an island enjoying exotic breezes and one another’s company minus all the blood and mayhem.
Aidan stopped lamenting the absence of his favorite FDLE agent and waved away a giant vulture trying to hone in on a nearby body.
Half of the corpses were already missing eyes and bits and pieces of skin and soft tissue.
Aidan sighed and looked around. There were twenty bodies, all of them male, between the ages of twenty and forty, he estimated.
Because he’d noted the tattoos on a few of them, and using his own years of experience, he theorized the dead were members of a gang. Florida had many such gangs. Most were recruits from the various drug cartels, resolved to hold dominion over their territories.
He looked at John, trying to be patient, understanding and professional enough to control his temper. “You know, you may be the special agent, but I’m the forensics expert, and this was not something perpetrated by any of the Florida tribes—or any tribe anywhere. I can guarantee you no one sent out a war party to slaughter some gang members. Someone tried—ridiculously—to make this look like some Natives did this.”
“Hey, sorry, you’re right. Forgive me—just…look around!” John said quickly and sincerely. “It’s just at first sight…well, I mean—wow. You’re right. I’m sorry.”
The apology was earnest. “Okay. Let’s figure out what really happened.”
The corpses were in something of a clearing right by a natural stream making its way through hammocks thick with cypress trees and mangroves and all kinds of underbrush.
While the area was customarily filled with many birds—herons, cranes, falcons, hawks and more—it was the vultures who had staked out a claim. The bodies lay with arrows and axes protruding from their heads, guts or chests, as if they’d fought in a bloody battle. And now they succumbed to decay on the damp and redolent earth.
John followed Aidan’s gaze and winced. “It’s a mess. Okay, well…all right. I’m going to go over and interview the man who found this.”
“Jimmy Osceola,” Aidan said. “He’s been fishing this little area all his life, and he does tours. Two birds with one stone. Members of his family work with him and all of them fish and take tourists out here. He has a great little place right off I-75. It’s called Fresh Catch, and his catch is about as fresh as it gets. Catfish. He’s a good guy, John.”
“I believe you. But we’re going to need a break here—you and your team have to find something for me to go on.”
Aidan stared at him, gloved hands unclenching at his sides. John was rough around the edges and said whatever came to mind, but he was a good cop.
He’d be hell-bent on finding out just what had gone on here.
Aidan told him what he’d heard. “Jimmy was out with a boatload of tourists—they’re right over there. See—two couples, a kid who just started at FIU and two middle-aged women. The first officers on the scene made sure they all stayed. Go talk to them. They look like they came upon a bloodbath—oh, wait, they did.”
John arched a brow to him and said, “Yeah. I got it.”
He headed off to talk to Jimmy Osceola and the group with him.
Aidan studied the crime scene again, as a whole.
First, what the hell had all these men been doing out here? A few of them looked to have been wearing suits; most were in T-shirts and jeans.
The few bodies he had noted—not touching any of them, that was the medical examiner’s purview—seemed to bear that same tattoo. Hermandad.
That meant a gang of enforcers in his mind, and he was sure it was a good guess.
Had a big drug deal been planned?
They were on state land, but it was state land traveled only by the local tribes who knew it. The park service rangers also came through, and the occasional tourist who arranged for a special excursion into the wilds.
Bird-watchers, often enough.
All they’d see today, however, would be the vultures.
“Aidan.”
He heard his name spoken by a quiet female voice and he swung around.
Amy Larson was not enjoying an exotic island vacation.
She was standing just feet from him, having carefully avoided stepping on any of the bodies, pools of blood or possible evidence. She was in a navy pantsuit, white cotton shirt and serviceable black sneakers—obviously back to work.
No matter how all-business her wardrobe, Amy had blue-crystal eyes that displayed empathy and caring. She was great at both assuring witnesses and staring down suspects.
“What are you doing here, Amy?” Aidan asked her. “You’re supposed to be sunbathing somewhere, playing in the surf with Hunter.”
“I was.”
“So what happened?”
“It was great. Champagne, chocolates, sun, surf, sand…” She sighed.
“And?”
“And a little red horse—like the one from last month’s crime scene—delivered right to the room,” she said.

Excerpted from Crimson Summer by Heather Graham, Copyright © 2022 by Heather Graham Pozzessere. Published by arrangement with Harlequin Books S.A.

 


 

New York Times and USA TODAY bestselling author Heather Graham has written more than a hundred novels. She’s a winner of the RWA’s Lifetime Achievement Award, and the Thriller Writers’ Silver Bullet. She is an active member of International Thriller Writers and Mystery Writers of America. For more information, check out her website, TheOriginalHeatherGraham.com, or find Heather on Facebook.

Social Links:

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Twitter: @HeatherGraham

Instagram: @TheOriginalHeatherGraham

Facebook: @HeatherGrahamAuthor

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The Book of Cold Cases by Simone St. James – a Review

The Book of Cold Cases by Simone St. James – a Review

 

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Description:
In 1977, Claire Lake, Oregon, was shaken by the Lady Killer Murders: Two men, seemingly randomly, were murdered with the same gun, with strange notes left behind. Beth Greer was the perfect suspect–a rich, eccentric twenty-three-year-old woman, seen fleeing one of the crimes. But she was acquitted, and she retreated to the isolation of her mansion.

Oregon, 2017. Shea Collins is a receptionist, but by night, she runs a true crime website, the Book of Cold Cases–a passion fueled by the attempted abduction she escaped as a child. When she meets Beth by chance, Shea asks her for an interview. To Shea’s surprise, Beth says yes.

They meet regularly at Beth’s mansion, though Shea is never comfortable there. Items move when she’s not looking, and she could swear she’s seen a girl outside the window. The allure of learning the truth about the case from the smart, charming Beth is too much to resist, but even as they grow closer, Shea senses something isn’t right. Is she making friends with a manipulative murderer, or are there other dangers lurking in the darkness of the Greer house?

 

 

Review:

The Book of Cold Cases by Simone St. James is another one of her excellent psychological thrillers.  The story takes place in Claire Lake, Oregon and revolves around two POV’s; Beth in 1977 and Shea in 2017.

By day, Shea Collins works as a receptionist at a doctor’s office and at night, she runs a blog website called the Book of Cold Cases. Shea is obsessed with solving true crimes, especially since she was abducted as a child, and luckily managed to escape; she continues to be haunted by that memory. The man who attempted to abduct her, was caught and sent to prison, with a possible parole coming up; which makes her nervous.  

In 1977, Beth Greer, who lives in alone in a huge mansion, very wealthy and only 23 years old; when two men were murdered during the night, with the same gun that killed her father, Beth is accused of the crime. They called her the Lady Killer, as one man claims to have seen her near the crime scene. After a major investigation and trial, Beth was acquitted, and no real evidence could be found, as she returned to her mansion, to be rarely seen.

One day, while at work, Shea is shocked to see someone from the past, who is in the office to meet the doctor. Face to face with the infamous Beth Greer, she asks if she could have an interview with her; and a few days later, Beth agrees to meet with Shea, at her mansion. Shea will learn quickly when she realizes the mansion is haunted, as she hears footsteps, water being turned on, draws opening, cold breeze of someone passing by, blood, and even seeing a young girl outside, enough the scare the crap out of anyone, and Beth was still sitting downstairs.  Make no mistake, this is a very scary, frightening story that had me holding my breath a number of times. 

Despite her being scared, Shea is determined to find out the truth of what happened 40 years ago, as with Beth Pov’s we learn all about how her father and later her mother who were murdered; not to mention who was behind the Lady Killer Murders.  During the flash back to 1977, we do meet this new suspect, who no one really knew anything about. 

What follows is an exciting, dark, suspenseful and creepy mystery in both time periods, which kept me hooked to find out what happened.  The mansion was very scary, as Shea found herself in a dark and dangerous place; to tell too much more would be spoilers.  The Book of Cold Cases was an intriguing story that was also a gothic thriller. If you enjoy suspenseful thrillers with a ghostly background, I suggest you read this book.

Reviewed by Barb

Copy provided by Publisher

 

 

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Arachniss by Shawn C Butler-Review & Guest Post

Arachniss by Shawn C Butler-Review & Guest Post

 

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ABOUT THE BOOK: Release Date March 2 2022.

Who would you sacrifice to save what you love?

David just wants to write children’s books and spend time with his infant son Jason. The only problem is, something’s eating Jason.

Something’s eating everyone, bit by bit, inch by inch, and no one else notices. They have great stories about how they lost a limb here or a body part there, until they lose something they can’t live without and just…vanish.

Jason’s just missing a pinky today. No, wait, two. And a toe. His son is dissolving in front of him, and David will do anything to save him.

But how can David save his son from something no one can see?

•••••••

REVIEW: ARACHNISS by Shawn C Butler is a stand alone, adult, sci-fi, horror thriller focusing on children’s book author David Chambers in the months and years after a ‘viral pandemic’ has killed or maimed most of the world’s population. Known as the vanishing or erasure but formally called SHAS-selective human autosarcophagic syndrome-a virus of unknown origins, SHAS ‘eats’ away at body parts, sometimes eating away at the entire human existence.

WARNING: Due to the detailed and graphic nature of the story line premise including domestic abuse, there may be triggers for more sensitive readers.

Told from third person perspective (David ) ARACHNISS follows children’s book author David Chambers as he struggles in both his personal and professional life but a struggle that also includes years of potential hallucinations in which spider-like creatures are slowly or sometimes quickly devouring the people of Earth. David believes he is going mad. Every day millions of people are losing body parts from an unknown cause, memories erased without knowing what happened or why, but at some point David will discover that his hallucinations are real, a virtual albeit actual front row seat, into the demise of the human existence. The majority of Earth’s population have accepted their fate as a side affect of the SHAS pandemic but a few ‘lucky’ inhabitants, including David Chambers and his neighbor Franzia, bear first-person witness to the truth that lies beyond the veil of human acceptance and comprehension.

ARACHNISS reads like a study in social psychology; a sociological study of humanity and human nature; a psychological test of power and control bearing similarities to the Milgram Yale Obedience experiments of the 1960s. With a slight nod to more famous works of science fiction -War of the Worlds by HG Wells, Twilight Zone’s TO SERVE MAN episode, The Day of the Triffids by John Wyndham, and Soylent Green by Harry Harrison-ARACHNISS is a graphic, detailed, haunting and complex story of artificial intelligence, alien invasion, human nature in opposition to everything around us, and the obliviousness of mankind. The thought provoking premise is dramatic and visceral; the characters are tormented, desperate, dismayed and vulnerable. ARACHNISS follows David Chambers as he must come to terms with those in charge, terms that would choose between life and death for the people he loves.

Heed my warning, ARACHNISS is a graphically detailed story line that will not be suitable for all readers.

Copy supplied for review

Reviewed by Sandy

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As a relatively new author, one thing I’m constantly focused on is how to build the most compelling worlds for my readers. This means not just things that are cool or make you say “Wow!” when you’re supposed to be sleeping, but all the details that make a story and its characters feel real and thus relatable.  So, here are some of the rules I try to follow

Ten Sci-Fi World-Building Rules

As with all systems, you can probably come up with a hundred rules for world building, some vital, some trivial, and spend the rest of your writing life making sure you’re doing things “right.” There is no absolute right in science fiction world building, but there are pretty basic rules that will help you avoid obvious issues that will cost you readers.

The following are ten of those rules, which are a bit random because they reflect where I am in my writing career and process. A year ago, I probably focused on more basic issues. A year from now, I’ll be worried about something else, like what to do with all this money (buy one gumball, or two?). These are the ten that most concern me in my current WIPs.

1 / Know why you’re building worlds in the first place

All of my published works take place on Earth within 100 years of the present, in locations you can find on a map today (or close). The world building for these books was therefore the minimum necessary to encompass new technology, politics and the occasional alien invasion. I wanted this proximity to reality because each book is clearly about today’s society and/or warnings for things to come. You, however, might want to escape the planet, solar system, universe and time-space continuum entirely. Which is great. Just keep in mind that the more you leave the known, the greater obligation you have to build a world the reader can understand…and appreciate.

So ask yourself, are you building a world because it’s a cool way to procrastinate, and it’s fun, or because that’s what you need to tell the story? Neither answer is correct, but the more time you spending building the less time you spend writing…unless you’re building a world that will be used for multiple works, in which case, build away.

2  / Be internally consistent

Whether you’re writing fantasy or science fiction, the structure and behavior of your world should remain consistent by whatever set of rules you’ve defined for that world. If they’re not, you’re going to lose readers and, if you care, get worse reviews.

In Dune, there are rules about (not having) computers and artificial intelligence that allow for the semi-religious power dynamic of the books (not to mention the dependence on spice for navigation in space). Frank Herbert can’t then have robots magically appear later on to solve some poorly thought-out plot issue.

In Star Wars, you can’t jump straight from one point to another in space without running into things, which at least retroactively explains why the Kessel Run record was expressed in distance and not time (using the shortest safe route). The same franchise runs into massive consistency problems in later installments when, for instance, we learn that you can fly any ship into another at “lightspeed” (which in Star Wars is much faster than the speed of light) and destroy it, making it obvious that you could have obliterated the Death Star or anything else just by ramming it with a small ship. This breaks the plotline of almost every Star Wars film.

So, if you give readers a rule, you need to follow it unless there’s a clear and rational reason not to, and all other rules should make sense in that context. To understand how hard this is, look at Marvel’s Avengers. It’s practically impossible to keep clear which superhero has which relative power because they keep changing according to the needs of a movie or scene. We overlook this because we love the movies, but you probably won’t be as lucky in your books…

3 / If it’s in the near future, there should be a clear path from here to there

In writing Run Lab Rat Run, I had in mind a series of prequels that explained how the world got to where it was (as a hierarchical genetic dystopia), and thus left a lot of this backstory out of the book. A few readers asked how all this madness happened, and I realized that (absent the prequels), I’d left the backstory too vague. I can’t fix that now, but in future novels, this will be a key checklist item for me. Meanwhile, the prequels are coming!

4 / If it’s in the distant future or after a disaster that breaks the connection between the past and present, that should be clear

This is rarely a problem, as authors love to write about disasters / end of the world / plagues / meteors / viruses / invasions / loud noises that result in the rapid decline of society so they can talk about a woman and her dog lost in the radioactive wastelands of wherever, but it’s vitally important that you as an author understand what happened, when, why and how it impacts the world of your story–and communicate enough of this to give the reader an anchor.

Don’t get me wrong; sometimes this horrific event is the very thing you want to hide. In Planet of the Apes, the surprise is that the planet of brainy but mean apes is …Earth! Spoiler? Hmm. Anyway, you might be intentionally hiding parts of the world’s history to allow for this type of reveal, but it should still be very clear how the world got from A to B (at least by the end). I’m assuming the apes drank too much Red Bull.

5 / No matter what the world looks like, your story should be more about people / beings and the obstacles they face than the technology itself

I remember reading Larry Niven’s short stories, including one about how someone died inside an allegedly impenetrable General Products hull. But even with a black hole, killer gravity, an invincible ship and concerns about warranty violations, the story is still about a guy trying to solve a problem before he dies. Which is basically the same story as The Martian, where we care about Mark Watney a lot more than the technology he’s trying to salvage.

6 / You should have a massive backstory that never goes in your book

Because this gives your world a feeling of fullness / richness that you don’t get if there’s just a skeleton and no flesh. In world building articles, they’ll often talk about this in terms of hard vs. soft world building, which is different from hard vs. soft science fiction. Hard SF concerns itself heavily with science and the details of technology, while soft SF tends to use technology and science as (important) background that’s not central to the story. Hard world building is about how much of the world you know and show to the reader (a lot), whereas soft world building means more is implied and less is shown. I tend to think that even if you’re writing soft SF and doing soft world-building, you should still know far more about the world than the reader does.

The challenge here is, of course, that you’ve built this cool world and you want to show it to everyone. Trust me, almost no one cares. Share the parts that move the story forward and hide the rest. If you want to add adjunct materials to your website, great (I have a massive glossary for Run Lab Rat Run), but leave it out of the book. The story will move faster, the reader will stay more engaged, and your books will do better.

Why develop all this if you’re not showing it? Because you need to know how, when, where and why things happen even if the reader doesn’t. Otherwise, you’ll have trouble fleshing out the story and remaining internally consistent (See #2).

7 / The same is true of characters

Meaning, you should know the backstory of your characters even if the reader doesn’t need to. Where did they go to space laser college? Did they graduate with a minor in Babble Fish? What’s the scar from? Is they cybernetic right arm haunted or just made by the lowest bidder? Do they have past trauma their working through, and how does it affect them in your story? Do they prefer Twizzlers or Red Vines (there is a right answer, and it rhymes with lead mines).

Whenever I read something by Margaret Atwood, for instance, I know she knows way more about the characters than she’s telling, and that brings them to life. You know, until they die horribly. And then you’re really sad about that.

8 / If you’re doing hard science fiction, get your science right

Let me correct that: If you’re writing anything that is based on fact, even if it’s only the facts in your world, get it right. Don’t leave the reader picking up your bad math, physics, chemistry, laser optics or (in fantasy) spells. That’s not their job. This is especially true if you’re writing in areas that have…hobbyists. Enthusiasts? For instance, never screw up military ranks, military history, guns (even space guns), gravity, relativistic math, time travel paradox magicology, genetics, etc. At least one of your readers is going to have a PhD in that thing, and they’ll let everyone know you screwed up.

9 / In soft SF, the feel of your world matters more than the details (but see #2)

And because the feel of your world and its characters matter more than detailed scientific exposition, I’d suggest changing the minimum number of things from present reality and culture to tell your story. If having nineteen genders isn’t relevant or important, then leave it out. If you’re not comfortable changing languages and dialects, don’t. Tell your story using the world you build; don’t let the world take over your story. For instance, I love the lingo in Clockwork Orange and Blade Runner, but I try to minimize linguistic quirks in what I write so I’m not constantly explaining what a word means. Change a few things that matter, and move on. A little goes a long way.

10 / Minimize jargon, abbreviations, acronyms, etc.

One thing I know is technically “wrong” about Run Lab Rat Run is that there will be far more changes in language than I present in the book (whether my predicted future comes to pass or not). The reason is simple; if you’re not a native of that future world, you’ll need a while to learn the language, culture, usage, etc., and you don’t have time for full-immersion language class in the middle of your book. Your novel isn’t Lord of the Rings (sorry), where you can spend time developing entire languages and the reader will go along for the ride. They probably won’t. They won’t even look at a glossary if you put it in the book. You’ll just frustrate and lose your audience. For instance, I used “WIP” in the intro paragraphs (for Work in Progress). Many probably knew what it meant, but many didn’t, and I didn’t gain anything by using the acronym.

11 / Have a Little Fun

World building is a blast, and a great way to procrastinate. Don’t focus just on the serious stuff. What changes / new things are in this world that your reader will find humorous, disgusting or both? Put some of that in there. Science Fiction is about imagining alternate worlds and futures, including all of their glorious absurdity. If your dominant species is dogs, there should be some butt sniffing and dry humping because that’s what dogs do. If it’s about genetic engineering, like some of my books, then there’s going to be some random, stupid, irresponsible genetic experimentation that’s worth a joke or two (e.g., the sex model references in RLRR). Include eleven items in a list of ten. Get crazy.

In Blade Runner’s infamous “I only do eyes scene,” a replicant eyeball is placed on a man’s shoulder. It’s disturbing, threatening, and darkly funny, but it also reveals how truly synthetic the replicants are. In The Martian, we learn that you can’t grow potatoes on Mars without poop, which is both funny and pretty essential to not dying. If you’re enjoying your world, your readers will too. Unless they’re Vogons, in which case, run before the poetry starts.

Other Resources

It might surprise you to know that I’m not the first one to write about world building in science fiction. Here are some other articles that do a good job, especially the John Fox one. Most of them conflate SF with Fantasy as if all speculative fiction is just one big blob, but the rules are pretty much the same (just replace magic with science or vice versa).

Thanks your time. I look forward to hearing about your new worlds.

Peace, Shawn

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The Heights by Louise Candlish – a Review

The Heights by Louise Candlish – a Review

 

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Description:
The Heights is a tall, slender apartment building among warehouses in London. Its roof terrace is so discreet, you wouldn’t know it existed if you weren’t standing at the window of the flat directly opposite. But you are. And that’s when you see a man up there—a man you’d recognize anywhere. He may be older now, but it’s definitely him.

But that can’t be because he’s been dead for over two years. You know this for a fact.

Because you’re the one who killed him.

 

 

Review:

The Heights by Louise Candlish is a standalone thriller. Ellen Saint is the lead in this book, which starts out with a bang.  Ellen is attending a client meeting at their home, when she notices a man on the roof of the opposite building; she is shocked, as she recognizes the man. It seems the man, Kieran Watts, was killed 5 years ago, and Ellen had a hand in his presumed death.  The Heights is told in 4 parts; the events that led up to her wanting to kill Watts; POV of ex-husband, Vic; current day and the final exciting ending.

We meet Ellen, her teenage son, Lucas; daughter, Freya; her husband, Justin and ex Vic.  Everything at this point is normal, until Kieran, who is new, becomes friends with Lucas.  Kieran is destructive, malicious and a bad influence on Lucas, which Ellen desperately tries to reach out to her son, who becomes distant, to stop spending time with Kieran. Then a tragedy happens, which destroys the family, especially as Ellen’s hatred escalates.  She and Vic want revenge against Kieran, who they consider a sociopath, and together they plot to make Kieran pay.

Needless to say, Ellen is beside herself, and determine to find out how Kieran was still alive, and who betrayed her.  As she tries to reach out to Vic, who is married with a child on the way, he is no longer interested in helping her, as too much time has passed, and they need to move on.  Ellen is totally filled with hatred, rage, in her focus only on killing Kieran.  I have to say, I did not like Ellen at all, as she came across as a very unlikable person, especially with her being consumed with so much hatred, blinding her overall life; there was no chance to even sympathize with her grieving.  Vic played a big part in this story, and their revenge, and in his POV we begin to learn more of what happened years ago.

What follows is an exciting and intriguing psychological thriller, which had a number of surprising twists and turns that changed everything. The last ¼ of the book was mind boggling.  The Heights by Louise Candlish was very well written.

Reviewed by Barb

Copy provided by Publisher

 

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The Love of My Life by Rosie Walsh – a Review

The Love of My Life by Rosie Walsh – a Review

 

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Description:
Emma was quite certain she’d never fall in love again. But then she met an obituary writer, Leo, and within months, they were engaged. Seven years later came Ruby, their daughter, and then John Keats, their rescue dog. Now Emma, a marine biologist, has her perfect little ecosystem. They are happy, crammed into the tiny house her grandmother left her.
Leo was adopted as a baby, and this noisy, joyous little family is the first place he has ever felt he belongs. In fact, everything would be just perfect if Emma was who she said she was. If Emma was even her real name . . .

Because of Emma’s preeminence in her field, Leo is asked to write his own wife’s obituary while she is still alive. That’s when he finds that the woman he thinks he knows doesn’t really exist. As Leo starts to unravel the truth about the stranger in his bed, Emma’s old life breaks out of the carefully cultivated shell she created, threatening to wash away everything she has worked so hard to build.
When the very darkest moments of Emma’s past finally emerge, she must somehow prove to Leo that she really is the woman he always thought she was.
But first, she must tell him about the love of her other life.

 

 

Review:

The Love of My Life by Rosie Walsh is a standalone novel.  This story revolves around Emma, our heroine, who is a marine biologist; she is happily married to Leo, our hero, who is an obituary writer and they have a baby girl, Ruby.  Emma has lymphoma, and is waiting to see the results after her treatments were completed.  At work, Leo secretly begins to do a draft of Emma’s stock obituary as a tribute, knowing he must face her mortality; which was his therapeutic way of dealing with her possible death.   

As Leo delves into her life, he begins to find things in the past that do not add up. Even though the results of her blood work were positive, and happy news; he starts investigating things Emma has told him about her life before they married, and learns quickly that she has lied about many things over the years, including her real name.  When he starts looking in their house for papers that may give him clues, Emma notices the Leo is searching for papers, and worries that everything she hid of her past is slowly falling apart.

I will say that the first third of the book was slow, with details that we didn’t understand, until closer to the end.  However, in part two, which is a 20-year flash back to Emma’s (Emily) younger days, we learn more about what she went through, and why she hid things.  The trauma she suffered, which she fully remembers, and still bears responsibility for those horrifying things of the past, which she shares fully with her best friend, Jill (who is also part of the present).  Another couple played a big part in Emily’s life, which comes out in the present time.

In the present time, Leo begins to discover the truths, as he goes out of his way to meet those people that Emma knew before she met him, and slowly he learns more about the woman he loves.  Emma will try to reason with him, without giving too much information, but a number of twists will change things, and Emma will learn more about the hidden truths that she never knew.

The Love of My Life was an interesting story, that had many twists and turns, which in the last third of the book, we saw all the pieces falling into place. When the very darkest moments of Emma’s past emerge, she will step up and prove that despite those lies, she proves that she still loves Leo, who is the love of her life. Will Leo forgive Emma? The Love of My Life was very well written by Rosie Walsh.

Reviewed by Barb

Copy provided by Publisher

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Hostage by Clare Mackintosh – a Review

Hostage by Clare Mackintosh – a Review

 

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Description:
You can save hundreds of lives. Or the one that matters most.

A claustrophobic thriller set over twenty hours on one airplane flight, with the heart-stopping tension of The Last Flight and the wrenching emotional intensity of Room, Hostage takes us on board the inaugural nonstop flight from London to Sydney.

Mina is trying to focus on her job as a flight attendant, not the problems of her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination. Someone who needs Mina’s assistance and who knows exactly how to make her comply.

It’s twenty hours to landing. A lot can happen in twenty hours.

 

 

Review:

Hostage by Clare Macintosh is another one of her fantastic psychological thrillers.  I loved Mackintosh’s previous books, and could not wait to see what she had for us next.   I am happy to say that Hostage is another fabulous intense story, that keeps us totally glued to our seat.  There are two main POV’s in this story (Mina & Adam), with a number of thoughts by various passengers.

Mina, our heroine, is a stewardess on an inaugural 20-hour flight from London to Sydney, Australia. Mina was not scheduled to take this flight, but her marriage is on the rocks, especially when she suspects her husband, Adam was having an affair, and she needed to get away; leaving Adam to take care of their 5-year-old adopted daughter, Sophia.

The plane takes off on schedule, with crew and passengers excited to be on this trip.  In a short time, one of the passengers is dead; was it a heart attack or was it murder?  Mina spots a picture of her daughter in the dead man’s pocket, and she becomes concerned when she also finds an epi pen (daughter uses this) nearby, which has her checking out people on the plane. Shortly, she receives an anonymous note that tells her to do as she is told, or her daughter will die; she must within the hour, open the cockpit to allow someone else to hijack the plane.  Mina must decide to save her daughter, or possibly kill everyone on the plane.  Mina is unable to do her flight duties, as she is in a horrible predicament. What will Mina do?

Adam is home taking care of Sophia, with a babysitter helping him. He is beside himself that Mina thinks he had an affair, when in reality he is being threatened to pay off his enormous gambling debt or get himself killed.   But when the radio starts talking about the flight Mina is on being hijacked, both him and Sophia are worried; until he realizes that he has now become hostage too; the babysitter gives them something to knock them out, and is locked in the basement, with handcuffs on him.

What follows is an exciting and intense edge of your seat thriller, that was totally addictive with constant twists, suspense and action.  The 350 passengers and crew are facing terrifying danger, with struggles, injuries and death.  The first part of the book gives us a chance to meet the crew, passengers, and some pov thoughts from various passengers, who we try to see if they are part of the takeover; the tense action escalates in the second part.  I thought the reason for the hijacking was a bit different; climate change that is needed to do something about the world on the brink of disaster.

Hostage was a dark chilling scary thriller, that was exciting, with lots of tension, and some twists. To say too much more would ruin the book for you; as you need to read this from to start to finish. I will add there was a twist at the very end, that had me not crazy about, though I suspected about the person.  If you love psychological thrillers, you can never go wrong reading Clare Mackintosh, who wrote another fantastic story.

Reviewed by Barb

Copy provided by Publisher

 

 

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True Wolf by Paige Tyler – a Review

True Wolf by Paige Tyler – a Review

 

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Description:

KEEP YOUR TEAM CLOSE AND YOUR ENEMIES CLOSER…

Werewolf agent Caleb Lynch takes the lead on STAT’s newest case: to track down the thieves who stole nuclear weapons from the air force. His best lead points him to a brother-sister duo with a shady record, but Caleb sees something in the mysterious woman that could change his whole world.

Brielle Fontaine’s supernatural abilities are a force to be reckoned with, making her one of STAT’s biggest threats and a most useful ally. But Brielle is suspicious of anyone who might use her for their own gain, so she keeps most people at a distance—that is, until she meets werewolf Caleb Lynch.

When Brielle, Caleb, and the other STAT agents come under fire from supernatural terrorists seeking to start a war, the attraction between them could lead to something much more explosive…

 

 

Review:

True Wolf by Paige Tyler is the 3rd book in her wonderful STAT series. The STAT (Special Threat Assessment Team) team is assigned unsolvable cases, which includes supernatural beings & creatures.

Caleb Lynch, our hero in this book, is a member of that STAT team, and an Omega Werewolf; he at times loses control when threatened by the bad guys, as he is also a Berserker. When 7 nuclear weapons are stolen, the entire team comes together to track the thieves and recover the dangerous weapons.

Brielle Fontaine, our heroine, has a unique supernatural ability, she can touch someone and get their abilities for a short period of time.  Brielle is looking for her missing brother, when the STAT boss (McKay) offers her a deal for to join the team in helping find the nuclear weapons, allowing her to look for her brother, she agrees to work with the team.  

Caleb is immediately attracted to Brielle, but at first, he doesn’t trust her. In a short time, the entire team begins to accept Brielle, as she worked so well with them, and became friendly.  The relationship between Caleb and Brielle heats up fast, as he suspects she is the ONE for him; the chemistry between them was awesome. 

What follows is an action packed, non-stop, exciting and fun thriller, with me unable to put the book down.   There were so many dire situations that had the team in danger, with their lives hanging by a thread.   When the team thinks they have found the nuclear weapons, they are attacked by other supernatural beings, as well as creatures that kill with claws. With one of the weapons ready to explode and destroy everything in the tunnels and the entire town, it is Brielle who uses her ability to save Misty, and race to make it far enough to survive.  This was only the start, as they begin to learn who is behind the nuclear weapons and planning to destroy the world.  This was from start to finish and edge of your seat thriller every step of the way. What I loved about this series is that besides a new couple per book, the entire team always play recurring roles. It was great to see Jake, Jen, Misty, Forest, Harley, Sawyer and McKay. 

True Wolf was an exciting, action packed non-stop dangerous adventure, with great secondary characters, and a great couple.  The villains were evil, violent and fully dangerous, with amazing supernatural abilities that were difficult for the team to fight against.  So many times, I held my breath to see who would survive.  Once again Paige Tyler gives us another fantastic story, which I cannot wait to see what she has in store of us next. I wholly suggest you read this series.

Reviewed by Barb

Copy provided by Publisher

 

 

 

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The Deepest of Secrets (Rockton 7) by Kelley Armstrong-a review

The Deepest of Secrets (Rockton 7) by Kelley Armstrong-a review

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ABOUT THE BOOK: Release Date February 15, 2022

It’s not always easy to live in the hidden town of Rockton, something Detective Casey Duncan knows firsthand. Tucked away in the Yukon wilderness, the community survives—and thrives—because the residents’ many secrets stay just that—secret.

But what happens when these secrets start to come out? Overnight, no one is safe. It’s not a question of if your secret will come out—but when.

Casey and her boyfriend, Sheriff Eric Dalton, need to find the culprit while protecting those who have been thrust into the spotlight. For a place built on privacy and new beginnings, Rockton isn’t handling these revelations very well. People are turning on one another, and when one of the loudest complainers turns up barely alive, it’s clear that their trickster is actually a murderer.

The threat of exposure is reaching its breaking point, and no one knows what’s going to happen next.

•••••

REVIEW:THE DEEPEST OF SECRETS is the seventh and final (?) instalment in Kelley Armstrong’s contemporary, adult ROCKTON mystery, thriller, suspense series focusing on the fictional town of Rockton, in the Yukon.

SOME BACKGROUND: Rockton Yukon does not exist on any map, and the residents all have a questionable past, fake names and false histories. Most were once considered to be white collar crimes but with increasing regularity, hardened criminals have somehow paid their way into Rockton, seeking sanctuary against future prosecution, a safe place for two years before seeking asylum somewhere else. Built in the 1950s, Rockton is a refuge for people in trouble but a refuge run by a ‘council’ with the ultimate control, moving Rockton from a commune into a for-profit institution. Entirely off-grid, with no modern amenities, Rockton’s secrets are about to be exposed.

NOTE: If you are new to the series, the author offers up an introductory chapter focusing on the history of Rockton, and the key residents who have made a name for themselves throughout the series including Detective Casey Butler and her partner Eric Dalton..

Told from first person perspective (Detective Casey Duncan Butler) THE DEEPEST OF SECRETS focuses on the search for a killer who is targeting the residents of Rockton, Yukon, taking aim at the people in charge. Someone has uncovered the truth, the backgrounds and crimes, about several residents of Rockton, and in this, the remaining people have taken it upon themselves to ferret out the person responsible, targeting the ‘guilty’ before any chance at redemption. The once tepid relationships between the residents is threatened when betrayal reveals a murderer among them, someone who they believe has not paid for their crime but as a number of residents find themselves the victim of a potential killer, the council steps in to shut down a town that doesn’t exist. As Casey, and her partner/ common-law husband Sheriff Erin Dalton begin an investigation, people begin disappearing, and the number of suspects grows with every clue.

THE DEEPEST OF SECRETS is a story of betrayal and vengeance, power and control, murder and obsession, distrust and uncertainty, innocence and guilt. Kelley Armstrong pulls the reader into an intriguing, twisted and haunting tale of what if? Or how? A thought provoking series wherein if you were able to disappear without a trace, would you? Could you? Without any thoughts about who or what you left behind. The premise is detailed, intense, dramatic and original; the characters are spirited, edgy and often tragic. THE DEEPEST OF SECRETS is open ended, the main characters are considering their next step, outside of Rockton Yukon.

Copy supplied by Netgalley

Reviewed by Sandy

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